Nina Allan

‘The best account yet of the life of one of the great English-language writers of the last century.’ – The New World'A brave and moving book' - Adam Sisman, the Guardian‘Fascinating...very timely ...will introduce new readers to a writer Priest rightly calls one of the greatest of the 20th century.’ – Sunday TimesThis book is about J. G. Ballard. This book is also about death, love and time travel. J. G. Ballard possessed one of the most astonishing imaginations of our age, and he had an intense and turbulent history– an experience famously fictionalised in Empire of the Sun. Ballard’s novels are among the finest and most unusual fiction that has ever been published. Whether in the hyper-surrealism of High-Rise or the erotic violence of Crash, he upended the morality and reality of our world. As a young writer, it had been Ballard’s stories, most of all, that had helped cement Christopher Priest’s passion for science fiction. He set out to write a biography that would make people understand what he already knew: that J. G. Ballard wasn’t just a cult writer — he was one of the greatest writers of the twentieth century. In 2024, Christopher died. He had been diagnosed with prostate cancer, the same disease that killed J. G. Ballard — the man whose biography he’d spent his last months working on. When Nina and Christopher first met, they bonded over their love for Ballard’s writing. When it became clear that Christopher would not have time to finish this biography, Nina promised him that she would complete it. If the book began as a tribute from Priest to Ballard, it is now also a love story written by Nina for Christopher. With access to never-before-seen material, The Illuminated Man explores the history and themes of Ballard’s life and – with Ballardian strangeness – celebrates and mourns for those that are gone.

A Granite Silence is an exploration - a journey through time to a particular house, in a particular street, Urquhart Road, Aberdeen in 1934, where eight-year-old Helen Priestly lives with her mother and father. Among this long, grey corridor of four-storey tenements, a daunting expanse of granite, working families are squashed together like pickled herrings in their narrow flats. Here are Helen's neighbours: the Topps, the Josses, the Mitchells, the Gordons, the Donalds, the Coulls and the Hunts. Returning home from school for her midday meal, Helen is sent by her mother Agnes to buy a loaf from the bakery at the end of the street. Agnes never sees her daughter alive again. Nina Allan explores the aftermath of Helen's disappearance, turning a probing eye to the close-knit neighbourhood - where everyone knows everyone, at least by sight - and with subtlety and sympathy, explores the intricate layers of truth and falsehood that can coexist in one moment of history. Full of echoes, allusions and eerie diversions, A Granite Silence is an investigation into a notorious true crime case, but also a stylish, imaginative inquiry into who gets to tell a story, how it is told, and why.

A Granite Silence is an exploration - a journey through time to a particular house, in a particular street, Urquhart Road, Aberdeen in 1934, where eight-year-old Helen Priestly lives with her mother and father. Among this long, grey corridor of four-storey tenements, a daunting expanse of granite, working families are squashed together like pickled herrings in their narrow flats. Here are Helen''s neighbours: the Topps, the Josses, the Mitchells, the Gordons, the Donalds, the Coulls and the Hunts.Returning home from school for her midday meal, Helen is sent by her mother Agnes to buy a loaf from the bakery at the end of the street. Agnes never sees her daughter alive again. Nina Allan explores the aftermath of Helen''s disappearance, turning a probing eye to the close-knit neighbourhood - where everyone knows everyone, at least by sight - and with subtlety and sympathy, explores the intricate layers of truth and falsehood that can coexist in one moment of history.Full of echoes, allusions and eerie diversions, A Granite Silence is an investigation into a notorious true crime case, but also a stylish, imaginative inquiry into who gets to tell a story, how it is told, and why.

A collection of short stories from the award-winning author of The Rift and The Dollmaker, Nina Allan. This compilation brings together rarely seen tales spanning the vast breadth of Allan's writing career for the first time. It also includes a brand-new introduction and one never-before-published story. Locus has described Nina as 'a subversive writer... playing with both the familiar protocols of genre and with the nature of the reading experience itself.' This is a stunning collection from one of the most astute and innovative voices writing today.