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A collection of essays on America by the author of London Fields, Money and Yellow Dog.At the age of ten, when Martin Amis spent a year in Princeton, New Jersey, he was excited and frightened by America. As an adult he has approached that confusing country from many arresting angles, and interviewed its literati, filmmakers, thinkers, opinion-makers, leaders and crackpots with characteristic discernment and wit.Included in a gallery of Great American Novelists are Norman Mailer, Gore Vidal, Truman Capote, Joseph Heller, William Burroughs, Kurt Vonnegut, John Updike, Paul Theroux, Philip Roth and Saul Bellow. Amis also takes us to Dallas, where presidential candidate Ronald Reagan is attempting to liaise with born-again Christians. We glimpse the beau monde of Palm Beach, where each couple tries to out-Gatsby the other, and examine the case of Claus von Bulow. Steven Spielberg gets a visit, as does Brian de Palma, whom Amis asks why his films make no sense, and Hugh Hefner’s sybaritic fortress and sanitized image are penetrated.There can be little that escapes the eye of Martin Amis when his curiosity leads him to a subject, and America has found in him a superlative chronicler.

When 'dream husband' Xan Meo is vengefully assaulted in the garden of a London pub, he suffers head-injury, and personality-change. Like a spiritual convert, the familial paragon becomes an anti-husband, an anti-father. He submits to an alien moral system - one among many to be found in these pages. We are introduced to the inverted worlds of the 'yellow' journalist, Clint Smoker, the high priest of hardmen, Joseph Andrews, the porno tycoon, Cora Susan, and Kent Price, the corpse in the hold of the stricken airliner, apparently determined, even in death, to bring down the plane that carries his spouse. Meanwhile, we explore the entanglements of Henry England: his incapacitated wife, Pamela, his Chinese mistress, He Zhezun, his fifteen-year-old daughter, Victoria, the victim of a filmed 'intrusion' which rivets the world - because she is the future Queen of England, and her father, Henry IX, is its King. The connections between these characters provide the pattern and drive of "Yellow Dog". Novelists have noticed that contemporary reality keeps outdoing their imaginations. Yet there is still the obligation to attempt a reading of the present and the very near future. If, in the twenty-first century, the moral reality is changing, then the novel is changing too, whether it likes it or not. "Yellow Dog" is an early example of how the novel, or more particularly the comic novel, can respond to this transformation. But Martin Amis is also concerned here with what is changeless and perhaps unchangeable - patriarchy, and the entire edifice of masculinity, the enormous category-error of violence, arising between man and man, the tortuous alliances between men and women, and the vanished dream (probably always an illusion, but now a clear delusion) that we can protect our future and our progeny.

How can one writer hurt another where it really counts? This is the problem facing novelist Richard Tull, contemplating the success of his friend and rival Gwyn Barry. Revenger's tragedy, comedy of errors, contemporary satire, "The Information" is an extraordinary novel of dark humor and piercing insight.

Londýnská pole (1989) psal Martin Amis jako kriminální příběh konce milénia. Obětí je Nicola Sixová, sexuálně vyzývavá žena, která sama sebe nenávidí a rozhodne se zaranžovat svou vraždu. Vrahem může být Keith Talent, násilnický ničema, jehož jedinými váš

When 'dream husband' Xan Meo is vengefully assaulted in the garden of a London pub, he suffers head-injury, and personality-change. Like a spiritual convert, the familial paragon becomes an anti-husband, an anti-father. He submits to an alien moral system - one among many to be found in these pages. We are introduced to the inverted worlds of the 'yellow' journalist, Clint Smoker, the high priest of hardmen, Joseph Andrews, the porno tycoon, Cora Susan, and Kent Price, the corpse in the hold of the stricken airliner, apparently determined, even in death, to bring down the plane that carries his spouse. Meanwhile, we explore the entanglements of Henry England: his incapacitated wife, Pamela, his Chinese mistress, He Zhezun, his fifteen-year-old daughter, Victoria, the victim of a filmed 'intrusion' which rivets the world - because she is the future Queen of England, and her father, Henry IX, is its King. The connections between these characters provide the pattern and drive of "Yellow Dog". Novelists have noticed that contemporary reality keeps outdoing their imaginations. Yet there is still the obligation to attempt a reading of the present and the very near future. If, in the twenty-first century, the moral reality is changing, then the novel is changing too, whether it likes it or not. "Yellow Dog" is an early example of how the novel, or more particularly the comic novel, can respond to this transformation. But Martin Amis is also concerned here with what is changeless and perhaps unchangeable - patriarchy, and the entire edifice of masculinity, the enormous category-error of violence, arising between man and man, the tortuous alliances between men and women, and the vanished dream (probably always an illusion, but now a clear delusion) that we can protect our future and our progeny.

A collection of essays on America by the author of London Fields, Money and Yellow Dog.At the age of ten, when Martin Amis spent a year in Princeton, New Jersey, he was excited and frightened by America. As an adult he has approached that confusing country from many arresting angles, and interviewed its literati, filmmakers, thinkers, opinion-makers, leaders and crackpots with characteristic discernment and wit.Included in a gallery of Great American Novelists are Norman Mailer, Gore Vidal, Truman Capote, Joseph Heller, William Burroughs, Kurt Vonnegut, John Updike, Paul Theroux, Philip Roth and Saul Bellow. Amis also takes us to Dallas, where presidential candidate Ronald Reagan is attempting to liaise with born-again Christians. We glimpse the beau monde of Palm Beach, where each couple tries to out-Gatsby the other, and examine the case of Claus von Bulow. Steven Spielberg gets a visit, as does Brian de Palma, whom Amis asks why his films make no sense, and Hugh Hefner’s sybaritic fortress and sanitized image are penetrated.There can be little that escapes the eye of Martin Amis when his curiosity leads him to a subject, and America has found in him a superlative chronicler.

The narrator, Samson Young, enters the Black Cross, a thoroughly undesirable public house, and finds the main players of his drama assembled, just waiting to begin. It's a gift of a story from real life...all Samson has to do is to write it as it happens. Taking a small pocket of time and a richly diverse part of London, Martin Amis dissects the nature of a society as it hurtles towards the millennium.