Charlotte Barslund

In a Norwegian November, when it is dark at waking and dark at sleeping, a novelist in her sixties sits next to a teenaged girl at the opera, and through their padded jackets feels a dreadfully familiar tension conducted from the parents seated on her far side. She thinks back to her sixteenth year. The year she first got drunk and the year she first had sex with a boy. A year of being circled by an anxious, hawkish mother and, at a notable distance, her silent father. The year her family made an unspoken decision, and an unspeakable sacrifice.

A relatively young woman, aged thirty. She married in her early twenties, had two children. It is winter. January and minus 14°C, white, frosty mist around the parked car, around the spruces, the mailbox on its post, but higher up the sky is blue, clear, the sun has come back. She has written in her diary that she is waiting for the heartbreak that will turn her into her true self. She has an impending sense of doom or possibly her own death. Can passion be mistaken for love? When Ida meets Arnold, also married, at a conference, she impulsively invites him to share her bed. She returns home, already half-obsessed, and the dissolution of her marriage and break-up of her family pass almost without her noticing. Arnold has a more relaxed attitude toward the affair. But neither his coolness nor the alarming talk she hears about him can dampen her desire. When she finally has Arnold for herself, all the surface niceties and indulgences they enjoy - travel, sex, beers for breakfast and cocktails for dinner - can't sustain the sweetness of the fantasy. Their mounting jealousies and insecurities metastasize, resulting in violence and addiction. In urgent prose, with layers of candid and vivid detail, Hjorth shows just how devastating love can be when it binds the wrong people.

It was one of Sweden's most notorious unsolved cases: two young boys abducted and murdered, their bodies brutally, artistically arranged. But eight years later, when two other boys are found in similar circumstances, it looks like the killer might be back - this time in neighbouring Norway. Led by veteran detective Holger Munch, the investigating police are baffled. There are no clues, no leads to follow. In desperation, Munch drafts in a trainee from the Police Academy, Mia Kruger, a young woman with an uncanny ability to see beyond the facts. Little does he know that Mia is battling her own demons and will soon find that her life and that of the case are entwined in ways no one could have imagined.... From the internationally bestselling author of I'm Travelling Alone, comes another mesmerically chilling psychological tale of cat and mouse where the hunter may not know that they have become the hunted before it's too late...

Gunder Jomann, a quiet, middle-aged man from a peaceful Norwegian community, thinks his life has been made complete when he returns from a trip to India a married man. But on the day his Indian bride is due to join him, he is called to the hospital to his sister's bedside. The local taxi driver sent instead to meet the bride at the airport returns without her. Then the town is shocked by the news of an Indian woman found bludgeoned to death in a nearby meadow. Inspector Sejer and his colleague Skarre head the murder inquiry, cross-examining the townsfolk and planting seeds of suspicion in a community which has always believed itself to be simple, safe and trusting. For what can only have been an unpremeditated and motiveless act of violence, everyone is guilty until proven innocent.