Anthony Burgess

Burgess''s purpose was to write a novel which would investigate some of the moral grey areas of the Cold War. The book deals with the misappropriation of nuclear secrets by the Russians, following the decision of Edwin Roper, a leading atomic scientist, to leave England and form a new allegiance to the Soviet Union. The novel begins with a long letter written by Roper''s old school friend, Denis Hillier, a professional assassin who has been sent to bring him home or kill him. Hillier encounters genuine evil in the form of Mr Theodorescu, an international man of mystery with a Romanian name and a perfect English public-school accent. Having administered a truth drug by nefarious means, Theodorescu attempts to extract secret information from Hillier, with the intention of selling it either to the Russians or the Americans. He does not care which side ends up with the intelligence: it is simply a question of who will pay the highest price. The moral centre of the book may be located in Hillier''s (and Burgess''s) questioning of the unprincipled neutrality of Theodorescu''s position. Given the historical reality of the Cold War, the novel suggests, it is imperative that everyone should choose something to believe in - a political ideology or a nation state - and remain constant in that belief. Theodorescu is a villain because he believes in nothing more substantial than personal wealth. His neutrality is presented as the ultimate evil. Among its other accomplishments, Tremor of Intent deserves to be regarded as Burgess''s most detailed statement about the atomic age. By investigating the ethics of nuclear technology, he demonstrates that his novels are capable of articulating complex ethical problems and engaging with the global politics of the mid-twentieth-century. This is a much under-estimated work, which shines a light onto the shadowy history of the Cold War.

One Hand Clapping is the story of Janet and Howard Shirley, living a dreary life in the dreary fictional northern city of Bradcaster. Howard works at the local garage and Janet works in the local supermarket, and they spend their evenings having dinner in front of the television. Their lives begin to change when Howard''s photographic memory wins them a gameshow fortune. Janet doesn''t want their lives to change that much. She is quite happy with the routine of their ordinary life, improved as it is by consumer goods and modern household conveniences. But once Howard unleashes his unusual brain on the world, the used-car salesman can''t seem to stop; and what he sees as the logical conclusion to their success isn''t something Janet can agree to. Anthony Burgess''s darkly comic satire of 1960s consumerism explores themes of the importance or otherwise of culture and education and the growing influence of America, and taps into contemporary anxieties about the future

Paul Hussey, an antiques dealer from Sussex and his American wife Belinda have arrived in Leningrad. Paul is trying to raise some money by illegally selling dresses to a people rich in cosmonauts but poor in consumer goods. But the logic of Soviet economics proves more dangerous than he ever imagined. Moreover, Leningrad turns out to be a city in which daylight dawns in the middle of the night. Anthony Burgess''s hilarious and inventive comedy takes off when Paul learns some unnerving truths about his own sexual nature and that of Belinda. And now she''s receiving the keenest attention in the hands of the Russian bears from the State Medical Service. Honey for the Bears is one of Burgess''s most accessible novels, and is a strong candidate for the funniest. It is sheer reading pleasure.

Už pred viac ako polstoročím, keď Mechanický pomaranč vyšiel prvý raz, sa stal „klasikou“ a zaradil sa medzi to najlepšie, čo priniesla moderná literatúra. Rovnomenný film, ktorý podľa nej nakrútil Stanley Kubrick, sa rýchlo stal kultovým a dodnes má svojich verných fanúšikov. Príbeh sa odohráva v Londýne. Hlavná postava Alex je vodcom štvorčlennej skupiny tínedžerov, ktorá pácha rozličné násilnosti. Medzi sebou sa rozprávajú bizarným slangom s implantovanými rusizmami. Alexa po čase chytia a dostane sa do väzenia, kde ho čaká hrozivý trest s nepredstaviteľnými následkami. Experimentálna liečba ho zmení na krotkého baránka, ktorý sa už nikdy nedopustí násilia, ale zároveň ho tak zbaví aj možnosti voľby medzi dobrom a zlom, jeho ľudskej podstaty. Kniha je fascinujúcim jazykovým koncertom, brilantnou štúdiou zla v človeku aj drsnou antiutópiou v orwellovskom duchu. K slovenskému čitateľovi sa dostáva v treťom vydaní, doplnenom o doslov profesora Antona Heretika st., psychológa a psychoterapeuta. Zároveň obsahuje detaily z originálneho textu, ktorý sa považuje za jediný autorizovaný rukopis, a slovník slangových výrazov. Z anglického originálu The Clockwork Orange (Penguin Classics 2013) preložil Otakar Kořínek.

From the acclaimed author of the dystopian classic A Clockwork Orange, The Wanting Seed is an inventive, thought-provoking and darkly absurd novel set in a work rampant with overpopulation. The Wanting Seed is part of our Penguin Essentials series which spotlights the very best of our modern classics. As governments struggle to maintain order in the face of overpopulation and food shortages and homosexuality is glorified in an attempt to further limit family sizes, Tristram Foxe and his wife Beatrice-Joanna find themselves facing dire choices. Their world transforms into a chaos of cannibalistic dining-clubs, fantastic fertility rituals, and wars without anger.

Kultovní dystopický román, poslechnout do konce a nikdy nezapomenout… Mechanický pomeranč je kultovním, značně neobvyklým dílem. Týnština, jazyk, který autor používá, je naprosto unikátní a dává knize nový rozměr. Dílo je zpovědí násilnického Alexe o jeho brutálních činech a jeho „napravení“ v obludném experimentu.

Vůdce mladých londýnských násilníků Alex tráví většinu svého času konzumací drog, přepadáním bezbranných obětí a poslechem Beethovenovy hudby. Pak je však zatčen a donucen podstoupit "terapeutický" experiment, který si v mnohém nezadá s krutostí jeho chuligánské minulosti. Přemíra násilných scén však není v Burgessově díle prvkem samoúčelným, lacině provokativním - tvoří pevnou součást vyprávění, které je stejně strhující jako originální. Filmová podoba díla v režii Stanleyho Kubricka toto kultovní dílo jen podtrhuje.

In Anthony Burgess's influential nightmare vision of the future, where the criminals take over after dark, the story is told by the central character, Alex, a teen who talks in a fantastically inventive slang that evocatively renders his and his friends' intense reaction against their society. Dazzling and transgressive, A Clockwork Orange is a frightening fable about good and evil and the meaning of human freedom. This edition includes the controversial last chapter not published in the first edition, and Burgess's introduction, "A Clockwork Orange Resucked."

Už pred viac ako polstoročím, keď Mechanický pomaranč vyšiel prvý raz, sa stal „klasikou“ a zaradil sa medzi to najlepšie, čo priniesla moderná literatúra. Rovnomenný film, ktorý podľa knihy nakrútil Stanley Kubrick, sa rýchlo stal kultovým a dodnes má svojich verných fanúšikov.Príbeh sa odohráva v Londýne. Hlavná postava Alex, je vodcom štvorčlennej skupiny tínedžerov, ktorá pácha rozličné násilnosti. Medzi sebou sa rozprávajú bizarným slangom s implantovanými rusizmami. Alexa po čase chytia a dostane sa do väzenia, kde ho čaká hrozivý trest s nepredstaviteľnými následkami. Experimentálna liečba ho zmení na krotkého baránka, ktorý sa už nikdy nedopustí násilia, ale zároveň ho tak zbaví aj možnosti voľby medzi dobrom a zlom, jeho ľudskej podstaty.Kniha je fascinujúcim jazykovým koncertom, brilantnou štúdiou zla v človeku aj drsnou antiutópiou v orwellovskom duchu. K slovenskému čitateľovi sa dostáva v druhom vydaní, doplnenom o detaily z originálneho textu, ktorý sa považuje za jediný autorizovaný rukopis, a slovník slangových výrazov.

Fully restored edition of Anthony Burgess' original text of A Clockwork Orange, with a glossary of the teen slang 'Nadsat', explanatory notes, pages from the original typescript, interviews, articles and reviews Edited by Andrew Biswell With a Foreword by Martin Amis 'It is a horrorshow story ...' Fifteen-year-old Alex likes lashings of ultraviolence. He and his gang of friends rob, kill and rape their way through a nightmarish future, until the State puts a stop to his riotous excesses. But what will his re-education mean? A dystopian horror, a black comedy, an exploration of choice, A Clockwork Orange is also a work of exuberant invention which created a new language for its characters. This critical edition restores the text of the novel as Anthony Burgess originally wrote it, and includes a glossary of the teen slang 'Nadsat', explanatory notes, pages from the original typescript, interviews, articles and reviews, shedding light on the enduring fascination of the novel's 'sweet and juicy criminality'. Anthony Burgess was born in Manchester in 1917 and educated at Xaverian College and Manchester University. He spent six years in the British Army before becoming a schoolmaster and colonial education officer in Malaya and Brunei. After the success of his Malayan Trilogy, he became a full-time writer in 1959. His books have been published all over the world, and they include The Complete Enderby, Nothing Like the Sun, Napoleon Symphony, Tremor of Intent, Earthly Powers and A Dead Man in Deptford. Anthony Burgess died in London in 1993. Andrew Biswell is the Professor of Modern Literature at Manchester Metropolitan University and the Director of the International Anthony Burgess Foundation. His publications include a biography, The Real Life of Anthony Burgess, which won the Portico Prize in 2006. He is currently editing the letters and short stories of Anthony Burgess.

Fifteen-year-old Alex is jailed for his teenage delinquency and the State tries to reform him - but at what cost? Social prophecy? Black comedy? Study of freewill?