Sarah Clegg

This is a lively, moving, thoughtful and erudite survey of the more disturbing aspects of the modern world's most important festival. It is probably the best, and certainly the most accessible -- Ronald Hutton As winter comes and the hours of darkness overtake the light, we seek out warmth, good food, and good company. But beneath the jollity and bright enchantment of the festive season, there lurks a darker mood - one that has found expression over the centuries in a host of strange and unsettling traditions and lore. Here, Sarah Clegg takes us on a journey through midwinter to explore the lesser-known Christmas traditions, from English mummers plays and Austrian Krampus runs, to modern pagan rituals at Stonehenge and the night in Finland when a young girl is crowned with candles as St Lucy - a martyred Christian girl who also appears as a witch leading a procession of the dead. At wassails and hoodenings and winter gatherings, attended by ghastly, grinning horses, snatching monsters and mysterious visitors, we discover how these traditions originated and how they changed through the centuries, and we ask ourselves: if we can't keep the darkness entirely at bay, might it be fun to let a little in?

Shortlisted for the HWA Non-Fiction Crown Award 2023 The history of a demonic tradition that was stolen from women – and then won back again. Creatures like Lilith, the seductive first wife of Adam, and mermaids, who lured sailors to their death, are familiar figures in the genre of monstrous temptresses who use their charms to entice men to their doom. But if we go back 4,000 years, the roots of these demons lie in horrific creatures like Lamashtu, a lion-headed Mesopotamian demon who strangled infants and murdered pregnant women, and Gello, a virgin ghost of ancient Greece who killed expectant mothers and babies out of jealousy. Far from enticing men into danger and destruction, these monsters were part of women's ritual practices surrounding childbirth and pregnancy. So how did their mythology evolve into one focused on the seduction of men? Sarah Clegg takes us on an absorbing and witty journey from ancient Mesopotamia to the present day, encountering a multitude of serpentine succubi, a child-eating wolf-monster of ancient Greece, the Queen of Sheba and a host of vampires. Clegg shows how these demons were appropriated by male-centred societies, before they were eventually recast as symbols of women's liberation, offering new insights into attitudes towards womanhood, sexuality and women's rights.