Wilkie Collins strana 4 z 5

Condemned by Victorian critics as immoral, but regarded today as a novel of outstanding social insight, No Name shows William Wilkie Collins at the height of his literary powers. It is the story of two sisters, Magdalen and Norah, who discover after the deaths of their dearly beloved parents that their parents were not married at the time of their births. Disinherited and ousted from their estate, they must fend for themselves and either resign themselves to their fate or determine to recover their wealth by whatever means.

The Woman in White (1859-60) is the first and greatest 'Sensation Novel'. Walter Hartright's mysterious midnight encounter with the woman in white draws him into a vortex of crime, poison, kidnapping, and international intrigue. The novel is dominated by two of the finest creations in all Victorian fiction - Marion Halcombe, dark, mannish, yet irresistibly fascinating, and Count Fosco, the sinister and flamboyant 'Napoleon of Crime'. A masterwork of intricate construction, The Woman in White sets new standards of suspense and excitement, and achieved sales which topped even those of Dickens, Collins's friend and mentor.

the first and greatest of English detective novels' T.S.Eliot A fabulous yellow diamond becomes the dangerous inheritance of Rachel Verinder. Outside her Yorkshire country house watch the Hindu priests who have waited for many years to reclaim their ancient talisman, looted from the holy city of Somnauth. When the Moonstone disappears the case looks simple, but in mid-Victorian England no one is what they seem, and nothing can be taken for granted. Witnesses, suspects, and detectives take up the story in turn. The bemused butler, the love-stricken housemaid, the enigmatic detective Sergeant Cuff, the drug-addicted scientist, each speculate on the mystery as Collins weaves their narratives into a masterpiece of construction and suspense. But The Moonstone is more than just a detective novel or a murder mystery and this new edition features a fascinating introduction by John Sutherland which discusses the themes of Imperialism, Sensationalism and Mesmerism and the way in which they operate in the novel and within its cultural context.

This novel explores the role of women, the divided self, and the need to acknowledge the darker side of the personality: a modern theme grafted on to a traditional melodrama.

This novel explores the role of women, the divided self, and the need to acknowledge the darker side of the personality: a modern theme grafted on to a traditional melodrama.

Condemned by Victorian critics as immoral, but regarded today as a novel of outstanding social insight, No Name shows William Wilkie Collins at the height of his literary powers. It is the story of two sisters, Magdalen and Norah, who discover after the deaths of their dearly beloved parents that their parents were not married at the time of their births. Disinherited and ousted from their estate, they must fend for themselves and either resign themselves to their fate or determine to recover their wealth by whatever means.

Armadale tells the devastating story of the independent, murderous, andadulterous Lydia Gwilt. This traditional melodrama also considers the moderntheme of the role of women in society.

Classic / British English The Moonstone is an ancient Indian diamond which brings disaster to everyone who owns it. Rachel Verinder's uncle gives her the diamond as a birthday present, but that same night it is stolen...The Moonstone is now seen as the first, and one of the best, English detective novels. This Pack contains a Book and MP3

Late one night, on a lonely road near London, Walter Hartright, a young drawing teacher, meets a solitary woman dressed in white. This is the opening scene of The Woman in White, a great Victorian sensation novel, full of mystery, excitement, and suspense. Who is the mysterious woman in white, and why is she alone on the road to London at midnight?

The Woman in White is the first and greatest "Sensation Novel." Walter Hartright's mysterious midnight encounter with the woman in white draws him into a vortex of crime, poison, kidnapping, and international intrigue. This new critical edition is th e first to use the original manuscript of the novel. John Sutherland examines Collins's contribution to Victorian fiction, traces his practices as a creator of plot, and provides a chronology of the novel's complicated events.Upozornenie: Vzhľadom na častejšie obmeny vydaní tejto knihy v zahraničí, kus, ktorý vám zašleme, nemusí mať rovnakú obálku ako je zobrazená tu. Zobrazená obálka môže byť iba ilustračná. Obsah knihy aj cena budú však identické, bez ohľadu na obálku.

Man and Wife (1870) combines the fast pace and sensational plot structure of Collins's most famous novels with a biting attack on the inequitable marriage laws in Victorian Britain. At its centre is the plight of a woman who fears that the archaic ma rriage laws of Scotland and Ireland may have forced her into committing unintentional bigamy. As the novel progresses, the atmosphere grows increasingly sinister when the setting moves from a country house to a London suburb and a world of confinemen t, plotting, and murder.

One night on the road to London, a young drawing master, Walter Hartright, meets a mysterious woman dressed all in white and answers her pleas for help. But who is she and why is she being followed by two men? And what is her connection with his pupil Laura Fairlie, the woman he secretly loves? Wilkie Collins' masterpiece of terrible secrets, concealed identities, abductions, fraud, cruel aristocrats and sinister foreigners is a mesmerising read and now also a powerful television drama starring Tara Fitzgerald and Simon Callow.

The activities in Dominoes keep students engaged in the stories and help to reinforce their understanding of the key language. They can be completed at home or in class. The project activities in Dominoes build on the themes from the story and encourage s

Man and Wife (1870) combines the fast pace and sensational plot structure of Collins's most famous novels with a biting attack on the inequitable marriage laws in Victorian Britain. At its centre is the plight of a woman who fears that the archaic marriage laws of Scotland and Ireland may have forced her into committing unintentional bigamy. As the novel progresses, the atmosphere grows increasingly sinister when the setting moves from a country house to a London suburb and a world of confinement, plotting, and murder.

At the centre of Hide and Seek (1854) a secret waits to be revealed. Why should the apparently respectable painter Valentine Blyth refuse to account for the presence in his household of the beautiful girl known as Madonna? It is not until his young f riend Zack Thorpe, who is in rebellion against his repressive father, gets into bad company and meets a mysterious stranger that the secret of Madonna can be unravelled. Wilkie Collins's third novel, dedicated to his life-long friend Dickens, is a st ory in which excitement is combined with charm and humour. In its mixture of the everyday and the extraordinary, Hide and Seek forms a bridge between the domestic novel and the sensational fiction for which Collins later became famous.

the first and greatest of English detective novels' T.S.Eliot A fabulous yellow diamond becomes the dangerous inheritance of Rachel Verinder. Outside her Yorkshire country house watch the Hindu priests who have waited for many years to reclaim their ancient talisman, looted from the holy city of Somnauth. When the Moonstone disappears the case looks simple, but in mid-Victorian England no one is what they seem, and nothing can be taken for granted. Witnesses, suspects, and detectives take up the story in turn. The bemused butler, the love-stricken housemaid, the enigmatic detective Sergeant Cuff, the drug-addicted scientist, each speculate on the mystery as Collins weaves their narratives into a masterpiece of construction and suspense. But The Moonstone is more than just a detective novel or a murder mystery and this new edition features a fascinating introduction by John Sutherland which discusses the themes of Imperialism, Sensationalism and Mesmerism and the way in which they operate in the novel and within its cultural context.