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Condemned by Victorian critics as immoral, but regarded today as a novel of outstanding social insight, No Name shows William Wilkie Collins at the height of his literary powers. It is the story of two sisters, Magdalen and Norah, who discover after the deaths of their dearly beloved parents that their parents were not married at the time of their births. Disinherited and ousted from their estate, they must fend for themselves and either resign themselves to their fate or determine to recover their wealth by whatever means.About the Series: For over 100 years Oxford World's Classics has made available the broadest spectrum of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, voluminous notes to clarify the text, up-to-date bibliographies for further study, and much more.

Introduction and Notes by David Blair, Rutherford College, University of Kent The Moonstone, a priceless Indian diamond which had been brought to England as spoils of war, is given to Rachel Verrinder on her eighteenth birthday. That very night, the stone is stolen. Suspicion then falls on a hunchbacked housemaid, on Rachel's cousin Franklin Blake, on a troupe of mysterious Indian jugglers, and on Rachel herself. The phlegmatic Sergeant Cuff is called in, and with the help of Betteredge, the Robinson Crusoe-reading loquacious steward, the mystery of the missing stone is ingeniously solved.

Only the Woman in White knows the truth of Laura Fairlie’s cruel husband. Can Walter Hartwright discover the terrible secret? From the moment Walter meets this mysterious woman, his future and that of Laura are linked forever.

"Oh, my God! to think of that kind-hearted, lovely young woman, who brings happiness with her wherever she goes, bringing terror to me! Terror when her pitying eyes look at me; terror when her kind voice speaks to me; terror when her tender hand touches m

Probably the first full-length novel with a woman detective as its heroine, The Law and the Lady (1875) is a fascinating example of Collins' later fiction. Valeria Valerie Woodville's first act as a married woman is to sign her name incorrectly in the marriage register, this slip is followed by a gradual disclosure of secrets about her husband's earlier life, each of which leads to another set of questions and enigmas. Developing many of the techniques at work in The Moonstone in bizarre and unexpected ways, and employing both Gothic and fantastic elements, The Law and the Lady adds a significant dimension to the history of the detective novel.

Man and Wife (1870) combines the fast pace and sensational plot structure of Collins's most famous novels with a biting attack on the inequitable marriage laws in Victorian Britain. At its centre is the plight of a woman who fears that the archaic ma rriage laws of Scotland and Ireland may have forced her into committing unintentional bigamy. As the novel progresses, the atmosphere grows increasingly sinister when the setting moves from a country house to a London suburb and a world of confinemen t, plotting, and murder.

One night on the road to London, a young drawing master, Walter Hartright, meets a mysterious woman dressed all in white and answers her pleas for help. But who is she and why is she being followed by two men? And what is her connection with his pupil Laura Fairlie, the woman he secretly loves? Wilkie Collins' masterpiece of terrible secrets, concealed identities, abductions, fraud, cruel aristocrats and sinister foreigners is a mesmerising read and now also a powerful television drama starring Tara Fitzgerald and Simon Callow.

The activities in Dominoes keep students engaged in the stories and help to reinforce their understanding of the key language. They can be completed at home or in class. The project activities in Dominoes build on the themes from the story and encourage s

Man and Wife (1870) combines the fast pace and sensational plot structure of Collins's most famous novels with a biting attack on the inequitable marriage laws in Victorian Britain. At its centre is the plight of a woman who fears that the archaic marriage laws of Scotland and Ireland may have forced her into committing unintentional bigamy. As the novel progresses, the atmosphere grows increasingly sinister when the setting moves from a country house to a London suburb and a world of confinement, plotting, and murder.

At the centre of Hide and Seek (1854) a secret waits to be revealed. Why should the apparently respectable painter Valentine Blyth refuse to account for the presence in his household of the beautiful girl known as Madonna? It is not until his young f riend Zack Thorpe, who is in rebellion against his repressive father, gets into bad company and meets a mysterious stranger that the secret of Madonna can be unravelled. Wilkie Collins's third novel, dedicated to his life-long friend Dickens, is a st ory in which excitement is combined with charm and humour. In its mixture of the everyday and the extraordinary, Hide and Seek forms a bridge between the domestic novel and the sensational fiction for which Collins later became famous.

the first and greatest of English detective novels' T.S.Eliot A fabulous yellow diamond becomes the dangerous inheritance of Rachel Verinder. Outside her Yorkshire country house watch the Hindu priests who have waited for many years to reclaim their ancient talisman, looted from the holy city of Somnauth. When the Moonstone disappears the case looks simple, but in mid-Victorian England no one is what they seem, and nothing can be taken for granted. Witnesses, suspects, and detectives take up the story in turn. The bemused butler, the love-stricken housemaid, the enigmatic detective Sergeant Cuff, the drug-addicted scientist, each speculate on the mystery as Collins weaves their narratives into a masterpiece of construction and suspense. But The Moonstone is more than just a detective novel or a murder mystery and this new edition features a fascinating introduction by John Sutherland which discusses the themes of Imperialism, Sensationalism and Mesmerism and the way in which they operate in the novel and within its cultural context.