Hamid Dabashi

Written during a genocide, After Savagery reveals the ethical bankruptcy of “Western philosophy” and how it undergirds the erasure of the colonized.The death toll in Gaza continues to rise?a cold, lifeless number representing entire communities crushed under the weight of settler colonialism.What remains of the theories we use to understand our world? With lyrical and lucid fury, Hamid Dabashi exposes the racist roots of Western philosophy, demanding that readers overcome its pernicious phantom of relevance. Rather than perceiving “the West” as giving carte blanche to Israel, Dabashi insists that Israel must be understood as its quintessence.If Israel is the West and the West is Israel, then Palestine is the world and the world is Palestine. Holding to glimmers from revolutionary works of literature and film, Dabashi argues, in grief and love, that the wretched of the earth need poetry after barbarism—and that Palestine is the site of a liberated imagination. 

When Abbas Kiarostami suddenly passed away in July 2016, he was already an iconic figure in world cinema—and his reputation as a master filmmaker has only grown since. In this book, celebrated scholar Hamid Dabashi offers a new way of looking at Kiarostami's artworld, one that questions the very idea of film philosophy. Dabashi's authoritative account of the philosophical resonances of Kiarostami's oeuvre offers an iconoclastic critique of the field's Eurocentrism and, in vivid prose, makes the case for a new method of appreciating the work of this essential figure. The result is a provocative perspective on the totality of Kiarostami's legacy that, with deep roots in Iranian aesthetic and Persian poetic and philosophical traditions, overcomes film's provincial preoccupation with its Western heritage and charts a new path forward for film-philosophy.