Alex Danchev

V prvním vyčerpávajícím životopise této pozoruhodné osobnosti se autor dostává do samotného srdce člověka a jeho díla, čerpá z řady nových pramenů a odhaluje umělce, který spolu s Picassem a Matissem stál u zrodu největší revoluce ve způsobu vidění reality od dob renesance. V této významné biografii Alex Danchev zkoumá Braquovu tvořivost, pátrá v jeho soukromých i profesních vztazích a obohacuje naše chápání jednoho mimořádně plodného uměleckého období. Braque se ukazuje jako inspirativní člověk a revoluční umělec, který si plně zaslouží být uznán jako vynikající postava moderního umění.

Here is the long-awaited and much needed new translation of the correspondence of Paul Cezanne, known as the father of modern art. The existing collection in English, produced in the 1930s, is dated, inaccurate and incomplete; for this book, Alex Danchev has gone back to the original manuscript letters, clearing up decades of questionable scholarship and producing a fresh, honest and accurate translation. In his introduction Danchev paints a picture of Cezanne as a singular thinker and an uncompromising seeker after artistic truth qualities that shine through in the letters, but that many of his contemporaries failed to appreciate or comprehend. Danchev fills in the gaps here and in his many notes, revealing the mans very human hopes and fears as he strove to harness his sensations and artistic passion. The result is a collection of over 250 letters, written to family, friends, fellow artists and dealers, and encompassing major cultural figures of the late nineteenth century.

'For those who love Magritte and those who do not, Danchev's biography will come as a revelation' Literary Review '[A] monumental biography of the inimitable surrealist artist ... sure to be the definitive account of the extraordinary artist's life' Publishers Weekly The first major biography for our time, from the celebrated biographer of Cezanne Rene Magritte's surreal sensibility, deadpan melodrama, and fine-tuned outrageousness have all become inescapably part of our times. But these groundbreaking subversions all came from a middle-class Belgian gent, who kept a modest house in a Brussels suburb and whose first one-man show sold absolutely nothing. Through a deep examination of Magritte's friendships and his artistic development, Alex Danchev explores the path of an highly unconventional artist who posed profound questions about the relationship between image and reality, challenged the very nature of authenticity and whose influence can be seen in the work of everyone from Jasper Johns to Beyonce.

Here is the long-awaited and much needed new translation of the correspondence of Paul Cezanne, known as the father of modern art. The existing collection in English, produced in the 1930s, is dated, inaccurate and incomplete; for this book, Alex Danchev has gone back to the original manuscript letters, clearing up decades of questionable scholarship and producing a fresh, honest and accurate translation. In his introduction Danchev paints a picture of Cezanne as a singular thinker and an uncompromising seeker after artistic truth qualities that shine through in the letters, but that many of his contemporaries failed to appreciate or comprehend. Danchev fills in the gaps here and in his many notes, revealing the mans very human hopes and fears as he strove to harness his sensations and artistic passion. The result is a collection of over 250 letters, written to family, friends, fellow artists and dealers, and encompassing major cultural figures of the late nineteenth century.

René Magritte's surreal sensibility, deadpan melodrama, and fine-tuned outrageousness have all become inescapably part of our times. But these groundbreaking subversions all came from a middle-class Belgian gent, who kept a modest house in a Brussels suburb and whose first one-man show sold absolutely nothing. Through a deep examination of Magritte's friendships and his artistic development, Alex Danchev explores the path of an highly unconventional artist who posed profound questions about the relationship between image and reality, challenged the very nature of authenticity and whose influence can be seen in the work of everyone from Jasper Johns to Beyoncé.

In this one-of-a-kind volume, indispensable for students of art, architecture and film, Alex Danchev presents 100 Artists' Manifestos, each reproduced with an introduction on the author and the associated movement, in Penguin Modern Classics. This remarkable collection of 100 manifestos from the last 100 years is cacophony of voices from such diverse movements as Futurism, Dadaism, Surrealism, Feminism, Communism, Destructivism, Vorticism, Stridentism, Cannibalism and Stuckism, taking in along the way film, architecture, fashion, and cookery. Artists' manifestos are nothing if not revolutionary. They are outlandish, outrageous, and frequently offensive. They combine wit, wisdom, and world-shaking demands. This collection gathers together an international array of artists of every stripe, including Kandinsky, Mayakovsky, Rodchenko, Le Corbusier, Picabia, Dali, Oldenburg, Vertov, Baselitz, Kitaj, Murakami, Gilbert and George, together with their allies and collaborators - such figures as Marinetti, Apollinaire, Breton, Trotsky, Guy Debord and Rem Koolhaas. Editor Alex Danchev is the author of an acclaimed biography of artist Georges Braque and is Professor of International Relations at the University of Nottingham. His other works include Alanbrooke War Diaries: Field Marshall Lord Alanbrooke, The Iraq War and Democratic Politics and On Art and War and Terror. If you enjoyed 100 Artists' Manifestos, you might like John Berger's Ways of Seeing, also available in Penguin Modern Classics. 'The Manifesto is remarkable for its imaginative power ... it is the first great modernist work of art' Marshall Berman