Maria Edgeworth

During the 1790s, with Ireland in political crisis, Maria Edgeworth made a surprisingly rebellious choice: in Castle Rackrent, her first novel, she adopted an Irish Catholic voice to narrate the decline of a family from her own Anglo-Irish class. Castle Rackrent's narrator, Thady Quirk, gives us four generations of Rackrent heirs - Sir Patrick, the dissipated spendthrift; Sir Murtagh, the litigating fiend; Sir Kit, the brutal husband and gambling absentee; and Sir Condy, the lovable and improvident dupe of Thady's own son, Jason. With this satire on Anglo-Irish landlords Edgeworth pioneered the regional novel and inspired Sir Walter Scott's Waverly (1814). She also changed the focus of conflict in Ireland from religion to class and boldly predicted the rise of the Irish Catholic Bourgeoisie.

The only edition to use the 1802 text, this lively comedy challenges the conventions of courtship, examines questions of female independence, and exposes the limits of domesticity. The text used in this edition also confronts the difficult and fascinating issues of racism and mixed marriage, which Edgeworth toned down in later editions.

Lord Clonbrony and his ambitious, worldly wife lead an extravagant social life in London on the proceeds of their estates in Ireland. Their son, Lord Colambre, refusing to marry the heiress arranged for him by his mother, decides instead to investigate, incognito, the management of the family estates in Ireland. Appalled by the corruption, mismanagement, and poverty he discovers, he sets about finding a solution to his father's debts and the family's wilful indifference. Maria Edgeworth's classic novel combines a fast-miving depiction of national manners with a brilliantly witty expose of the pernicious system of absentee landownership.

Maria Edgeworth won the admiration of her contemporary Jane Austen, as well as later writers such as Thackeray and Turgenev, and in Belinda (1801) she tackles issues of gender and race in a manner at once comic and thought-provoking. Braving the perils of the marriage market, Belinda learns to think for herself as the examples of her friends prove singularly unreliable. Edgeworth's varied cast includes the bewitching aristocrat, Lady Delacour, whose dreadful secret puts her in the power of her volatile servant; the dashing Creole gentleman, Mr Vincent who almost succeeds in winning Belinda's hand if not her heart; the eccentric Clarence Hervey, whose attempts to create an ideal wife backfire; and the outrageous Harriet Freke, whose antics as social outlaw land her in a mantrap. This lively comedy challenges the conventions of courtship, examines questions of female independence, and exposes the limits of domesticity. The text used in this edition (1802) also confronts the difficult and fascinating issues of racism and mixed marriage, which Edgeworth toned down in later editions.

Lord Clonbrony and his ambitious, worldly wife lead an extravagant social life in London on the proceeds of their estates in Ireland. Their son, Lord Colambre, refusing to marry the heiress arranged for him by his mother, decides instead to investigate, incognito, the management of the family estates in Ireland. Appalled by the corruption, mismanagement, and poverty he discovers, he sets about finding a solution to his father's debts and the family's wilful indifference. Maria Edgeworth's classic novel combines a fast-miving depiction of national manners with a brilliantly witty expose of the pernicious system of absentee landownership.

Audiobook Belinda, written by Maria Edgeworth. Published in 1801, Maria Edgeworth’s Belinda is an absorbing novel that mirrors social and domestic life among the English gentry. In her pursuit of a suitable marriage, Belinda encounters an array of characters including the dazzling socialite Lady Delacourt, the feminist Harriet Freke, the wealthy and handsome West Indian Mr Vincent and the impulsive Clarence Hervey.