Martin Gayford
autor
A képek története gyerekeknek
A képek története nem egy szokványos művészettörténet gyerekeknek.
Az egyik legnevesebb kortárs angol festő, David Hockney és művészettörténész barátja arról beszélgetnek sok-sok érdekes sztorival,
-hogy milyen sokféleképpen lehet nyomot hagyni,
-hogy a művésznek mindig végig kell gondolni, hogy mit visz a papírra abból, amit lát,
-és hogy miképp forradalmasította egy-egy találmány a festészetet, a képeket és a látásmódunkat.
Közben végigmutogatják nekünk és egymásnak a véső-festő-fotózó emberiség legcsodálatosabb képeit az ősember alkotásaitól Caravaggión és Disney-n át a számítógépes grafikákig. Mintha egy exkluzív tárlatvezetésen járva bepillanthatnánk a mesterek kulisszatitkaiba.
A beszélgetésre Rose Blake ragyogó illusztrációi felelnek.
David Hockney a 20. század egyik legbefolyásosabb brit képzőművésze. Szinte minden technikával alkotott - festett, rajzolt, fotózott, készített nyomatokat -, és mindnek kitágította a határait. Szenvedélyes képalkotó
A képek története
„Képek vesznek körül minket: laptopon, telefonon, magazinokban, újságokban, olyan könyvekben, mint ez, és – még mindig – ott lógnak a falakon is. Legalább annyit gondolkodunk képekben, mint szavakkal, képekkel álmodunk, és rajtuk keresztül próbáljuk megérteni az embereket és a környezetünket. Ám a képeket eddig ritkán tekintették önálló kategóriának. A képek különböző fajtáinak, mint a festészet, a fotográfia vagy a film, sokszor megírták már a történetét. A képek történetét viszont nem.” David Hockney, a ma élő egyik legkeresettebb festő, akinek képei milliárdokért kelnek el, és Martin Gayford műkritikus, életrajzíró izgalmas beszélgetést folytatnak: feltérképezik, hogyan és miért készítenek több ezer éve képeket az emberek. A két szerző a magasművészetből és a popkultúrából egyaránt hoz példákat, és a különböző korok és médiumok meghökkentő egymásra hatásaira, kapcsolataira mutat rá. Unásig ismert képekre olyan friss szemmel nézhetünk most, mintha először látnánk őket.
Spring Cannot be Cancelled
David Hockney reflects upon life and art as he experiences lockdown in rural Normandy
On turning eighty, David Hockney sought out rustic tranquility for the first time: a place to watch the sunset and the change of the seasons; a place to keep the madness of the world at bay. So when Covid-19 and lockdown struck, it made little difference to life at La Grande Cour, the centuries-old Normandy farmhouse where Hockney set up a studio a year before, in time to paint the arrival of spring. In fact, he relished the enforced isolation as an opportunity for even greater devotion to his art.
Spring Cannot be Cancelled is an uplifting manifesto that affirms art's capacity to divert and inspire. It is based on a wealth of new conversations and correspondence between Hockney and the art critic Martin Gayford, his long-time friend and collaborator. Their exchanges are illustrated by a selection of Hockney's new, unpublished Normandy iPad drawings and paintings alongside works by van Gogh, Monet, Bruegel, and others.
We see how Hockney is propelled ever forward by his infectious enthusiasms and sense of wonder. A lifelong contrarian, he has been in the public eye for sixty years yet remains entirely unconcerned by the view of critics or even history. He is utterly absorbed by his four acres of northern France and by the themes that have fascinated him for decades: light, colour, space, perception, water, trees. He has much to teach us, not only about how to see... but about how to live.
Love Lucian
Reproductions of the young Lucian Freud's letters alongside insightful context and commentary reveal the foundations of the artist's personality and creative practice.
The young Lucian Freud was described by his friend Stephen Spender as 'totally alive, like something not entirely human, a leprechaun, a changeling child, or, if there is a male opposite, a witch.' All that magnetism and brilliance is displayed in the letters assembled here. Ranging from schoolboy messages to his parents, through letters and carefully-chosen, often embellished postcards to friends, lovers and confidants, to correspondence with patrons and associates. They are peppered with wit, affection and irreverence.
Alongside rarely seen photographs and Freud's extraordinary works, each chapter charts Freud's evolving art alongside intimate accounts of his life. We trace Freud's early friendships with Stephen Spender, John Craxton, his wild days at art school in East Anglia, and a stint as a merchant seaman. Among the highlights are Freud's accounts of his first trip to Paris in 1946 and encounters with Picasso, Alexander Calder and Giacometti (who, he thought, looked like Harpo Marx). Equally revealing are letters to and from his first love, Lorna Wishart and second wife, Caroline Blackwood. Among his friends and confidantes were Sonia Orwell and Ann Fleming: remarkable, hitherto unknown letters to both of whom are included. To Ann Fleming he wrote a richly-comic, six-page description of a high society fancy dress ball which took place at Biarritz in 1953. He also went to stay with Ann and her husband Ian in their house in Jamaica, Goldeneye. From there, he sent a stream of letters, plus a telegram to his colleagues at the Slade School of Fine Art (where he was supposed to be teaching): "PLEASE SEND TEN SHEETS GREY GREEN INGRES PAPER". The volume ends in early 1954 with his inclusion at the age of 31, as one of the artists representing Britain at the Venice Biennale - the high point of his early career.
Co-authored by David Dawson and Martin Gayford, this is the first published collection of Freud's correspondence, many brought to light for the first time. Reproduced in facsimile alongside reproductions of Freud's artwork, the letters are linked by a narrative that weaves them into the story of his life and relationships through his formative first three decades. Collectively, they provide a powerful insight into his early life and art.
Venice
Enchanting, captivating, precious—Venice is one of the most cherished cities in the world. For centuries it was the heart of a global maritime power and a crossroads for diverse cultures. Today the city attracts millions of visitors each year, enticed by its irresistible beauty. Art lovers are drawn here by the paintings, prints, drawings, and films made by generations of artists who have captured its magical allure. It is through images—both of the city and the art created there—that Venice’s identity has been forged and spread so powerfully.Venice was a major center of art in the Renaissance: the city where the medium of oil on canvas became the norm.
The achievements of the Bellini brothers, Vittore Carpaccio, Giorgione, Titian, Tintoretto, and Paolo Veronese are a key part of this story. Nowhere else has been depicted by so many great painters in so many diverse styles and moods. Venetian views were a specialty of native artists such as Canaletto and Francesco Guardi, but the city has also been represented by outsiders: William Turner, Claude Monet, John Singer Sargent, Howard Hodgkin, and many more.
Then there are those who came to look at and write about art. The reactions of Henry James, George Eliot, Richard Wagner, and others enrich this tale. Nor is the story over. Since the advent of the Venice Biennale in the 1890s, the city has become a shop window for the contemporary art of the whole world.In this elegant volume, Martin Gayford takes us on a visual journey through the past five centuries of the city known as “La Serenissima,” the “Most Serene.”
Bigger Message Conversations with David Hockney
In this remarkable book, a record of a decade of private conversations with art critic Martin Gayford, David Hockney reveals via reflection, anecdote, passion and humour the fruits of his lifelong meditations on the problems and paradoxes of represen
ting a three-dimensional world on a flat surface. These conversations are punctuated by wise and witty observations from both parties on numerous other artists, and enlivened by shrewd insights into the contrasting social and physical landscapes of C
alifornia, where Hockney spent so many years, and Yorkshire, the birthplace to which he has returned. Some of the diverse people he has encountered along the way from Henri Cartier-Bresson to Billy Wilder make entertaining entries into the dialogue.
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22,79 €
23,99 €
Man with Blue Scarf
A beautifully produced paperback edition of this literary artbook, hailed as one of the best and most continually fascinating books about painting in recent memory. Lucian Freud spent seven months painting a portrait of the art critic Martin Gayford. Gayford describes the process chronologically, from the day he arrived for the first sitting through to his meeting with the couple who bought the finished painting. As Freud creates a portrait of Gayford, so the art critic produces his own portrait of the notoriously private artist, recounting their wide-ranging conversations and giving a rare insight into Freuds working practice. The book is illustrated throughout with photographs by David Dawson of Freud at work, with paintings by Freud from the 1940s to the present, and images by other artists discussed by Freud with Gayford. The result vividly conveys what it is like to be on the inside of the process of creating a painting by a great artist.
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17,09 €
17,99 €
Michelangelo: His Epic Life
A new biography of Michelangelo by Martin Gayford, the acclaimed author of Constable in Love and The Yellow House.
There was an epic sweep to Michelangelo's life. At 31 he was considered the finest artist in Italy, perhaps the world; long before he died at almost 90 he was widely believed to be the greatest sculptor or painter who had ever lived (and, by his enemies, to be an arrogant, uncouth, swindling miser). For decade after decade, he worked near the dynamic centre of events: the vortex at which European history was changing from Renaissance to Counter Reformation. Few of his works - including the huge frescoes of the Sistine Chapel Ceiling, the marble giant David and the Last Judgment - were small or easy to accomplish. Like a hero of classical mythology - such as Hercules, whose statue Michelangelo carved in his youth - he was subject to constant trials and labours. In Michelangelo Martin Gayford describes what it felt like to be Michelangelo Buonarroti, and how he transformed forever our notion of what an artist could be.
'One of our most distinguished writers on what makes modern artists tick . . . It is very difficult to cut through the thicket of generations of scholarship and say anything new about David, the Sistine Chapel, The Last Judgement, the Basilica of St Peter's or many of Michelangelo's other masterpieces, but Gayford manages to do so by encouraging us to think - and look - at both the obvious and the overlooked' Sunday Telegraph.
'Only the most ambitious biographer can take on the talent of Michelangelo Buonarroti' The Times.
Martin Gayford has been art critic of the Spectator and the Sunday Telegraph. He is currently Chief European art critic for Bloomberg. Among his publications are: The Yellow House: Van Gogh, Gauguin and Nine Turbulent Weeks in Arles, The Penguin Book of Art Writing, of which he was co-editor, Man with a Blue Scarf: On Sitting for a Portrait by Lucian Freud, and contributions to many catalogues. He lives in Cambridge with his wife and two children.
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30,88 €
32,50 €
Rendez vous with Art
This book is about how we experience art, how we look at it, how we think about it. It is structured in the form of a series of conversations in some of the best-known museums in the world, but also outside the museums, where we often look upon art in a completely different way. The two protagonists are Philippe de Montebello, Director of the Metropolitan Museum of Art in New York for 31 years to 2008, and the art critic Martin Gayford. In the process, both men convey, with subtlety and brilliance, the delights and significance of their subject matter.
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24,65 €
25,95 €
Lucian Freud's Sketchbooks
Lucian Freud was one of the world's greatest realist artists. Working only from life, he once claimed, 'I could never put anything into a picture that wasn't there in front of me.' This revelatory publication features a selection of beautifully reproduced images from his sketchbooks. Most of the sketches - which include works in pencil, pastel and watercolour from across the artist's long career - are published here for the first time. These fascinating images extend our understanding of Freud's work and demonstrate the scrutiny he brought to his subjects. The sketchbooks, now in the archive of the National Portrait Gallery, London, include portraits of Freud's family members, friends and lovers. Designs for book covers, images of his beloved dogs and horses, landscapes and interiors appear among nudes, still lifes and several sketches that relate to major works. Around and between the drawings are Freud's annotations and jottings - appointments, racing tips, notes, musings - which, with startling immediacy, provide a glimpse into the working life of one of the twentieth century's most important artists. The book includes an insightful essay by Martin Gayford, who sat for portraits by Freud and knew him well, and an illustrated chronology of the artist's life.
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23,28 €
24,50 €
Modernists & Mavericks
The development of painting in London from the Second World War to the 1970s is the story of interlinking friendships, shared experiences and artistic concerns among a number of acclaimed artists, including Francis Bacon, Lucian Freud, Frank Auerbach, David Hockney, Bridget Riley, Gillian Ayres, Frank Bowling and Howard Hodgkin.
Drawing on extensive first-hand interviews, many previously unpublished, with important witnesses and participants, the art critic Martin Gayford teases out the thread connecting these individual lives, and demonstrates how painting thrived in London against the backdrop of Soho bohemia in the 1940s and 1950s and `Swinging London' in the 1960s. He shows how, influenced by such different teachers as David Bomberg and William Coldstream, and aware of the work of contemporaries such as Jackson Pollock as well as the traditions of Western art from Piero della Francesca to Picasso and Matisse, the postwar painters were allied in their confidence that this ancient medium, in opposition to photography and other media, could do fresh and marvellous things. They asked the question `what can painting do?' and explored in their diverse ways, but with equal passion, the possibilities of paint.
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30,88 €
32,50 €
Lucian Freud
With more than 480 illustrations, this is the most comprehensive publication to date on one of the greatest painters of the twentieth and early twenty-first centuries, Lucian Freud.
Created in collaboration with the Lucian Freud Archive and David Dawson, Director of the Archive, and edited by Mark Holborn, this sumptuous, two-volume, slipcased publication celebrates Freud's work from the 1930s to his death in 2011, and includes hundreds of paintings, drawings and sketches, and etchings - even illustrated private letters. Nearly all the artworks included have been newly photographed by celebrated British photographer John Riddy.
This is both a vital contribution to art scholarship and a gorgeous addition to the bookshelves of art lovers around the world.
Published by Phaidon, the global publisher of books on art, architecture, photography, design, performing arts, decorative arts, fashion, film, travel, and contemporary culture, as well as cookbooks and children's books.
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490,00 €
Modernists & Mavericks
`What can painting do?' This question bound together a diverse community of artists in London after the Second World War. In answering it, many became household names: Francis Bacon, Lucian Freud, Frank Auerbach, David Hockney, Bridget Riley, Gillian Ayres, Frank Bowling, Howard Hodgkin and more. Drawing on decades of interviews, Gayford unpicks the creative threads and maverick personalities of interwoven lives from postwar Soho bohemia to the Swinging Sixties.
It is a story of friendships, experiences and artistic concerns shared between talented individuals who each developed their own singular approach to painting. All passionately believed that even in the age of new media, an ancient form could do fresh and marvellous things.
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15,68 €
16,50 €
Man with a Blue Scarf
Lucian Freud (1922-2011), widely regarded as the greatest figurative painter of our time, spent seven months painting a portrait of the art critic Martin Gayford. The daily narrative of their encounters takes us into that most private place, the artist's studio, and to the heart of the working methods of this modern master - both technical and subtly psychological. From this emerges an understanding of what a portrait is, but something else is also built up: a portrait, in words, of Freud himself.
Full of wry and revealing observations, this is a book not quite like any other: the inside story of how it feels to pose for a remarkable artist, and be transformed into a work of art.
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13,25 €
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The Pursuit of Art
Bestselling author of Modernists & Mavericks Martin Gayford recounts some of the extraordinary journeys he has made in the name of art.
In the course of a career thinking and writing about art, Martin Gayford has travelled all over the world both to see works of art and to meet artists. Gayford's journeys, often to fairly inaccessible places, involve frustrations and complications, but also serendipitous encounters and outcomes, which he makes as much a part of the story as the final destination. Entertaining and informative, Gayford includes trips to see Brancusi's Endless Column in Romania, prehistoric cave art in France, the museum island of Naoshima in Japan, the Judd Foundation in Marfa, Texas, and a Roni Horn work in Iceland.
Interwoven with these accounts are journeys to meet artists - Robert Rauschenberg in New York, Marina Abramovic in Venice, Henri Cartier-Bresson in Paris - or travels with artists, such as a trip to Beijing with Gilbert & George. These encounters not only provide insights into the way artists approach and think about their art but also reveal the importance of their personal environments. And in the process, Gayford discusses how these meetings have impacted on his own evolving ideas and tastes.
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20,43 €
21,50 €
Shaping the World: Sculpture from Prehistory to Now
In this wide-ranging, thought-provoking and sometimes provocative new book, leading sculptor Antony Gormley, informed and energised by a lifetime of making, and art critic and historian Martin Gayford, explore sculpture as a transnational art form with its own compelling history. The authors' lively conversations and explorations make unexpected connections across time and media. Sculpture has been practised by every culture throughout the world and stretches back into our distant past.
The first surviving shaped stones may even predate the advent of language. Evidently, the desire to carve, mould, bend, chip away, weld, suspend, balance - to transform a vast array of materials and light into new shapes and forms - runs deep in our psyche and is a fundamental part of our human journey and need for expression. With more than 300 spectacular illustrations, Shaping the World juxtaposes a rich variety of works - from the famous Lowenmensch or Lion Man, c.
35,000 BCE to Michelangelo's luminous Pieta in Rome, the Terracotta Warriors in China to Rodin's The Kiss, Marcel Duchamp's ready-mades, Olafur Eliasson's extraordinary Weather Project and Kara Walker's Fons Americanus, and Tomas Saraceno's ongoing Aerocene project, as well as examples of Gormley's own work. Antony Gormley and Martin Gayford take into account materials and techniques, and consider overarching themes such as light, mortality and our changing world. Above all, they discuss their view of sculpture as a form of physical thinking capable of altering the way people feel, and they invite us to look at sculpture we encounter - and more broadly the world around us - in a completely different way.
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47,45 €
49,95 €
