Xochitl Gonzalez

New York Times-bestselling author Xochitl Gonzalez delivers a captivating story about a young woman whose life becomes ensnared in her glamorous neighbour’s secret past SPRING, 2007 At twenty-six, Alicia Canales Forten feels smothered by her future. She’s in a long-distance relationship, living at home with her mother’s beliefs, saving up for her wedding to a future doctor. But after Alicia ventures out one night in the neighbourhood of Fort Greene, Brooklyn, she finds herself lured by the siren song of youth and possibility that the striving crowd of creatives holds, and moves in. No one embodies this milieu more than La Garza, a larger-than-life, up-and-coming fashion designer whose epic house parties fuel neighbourhood lore. La Garza’s life, observed by Alicia from her apartment across the street, seems to hold the allure and fearlessness Alicia has never dared to imagine for herself. But when Alicia’s wealthy banker cousin moves to the neighbourhood, she finds herself increasingly drawn into both his and La Garza’s precarious lives. Against the backdrop of a potentially life-changing presidential election and a looming once-in-a-generation fiscal crisis, Last Night in Brooklyn explores the dark compromise of the American Dream for people of colour living, unknowingly, in the twilight of a cultural moment. It is a story about everything money can buy – and the destruction of what it can’t.

Who gets to leave a legacy? 1985. Anita de Monte, a rising star in the art world, is found dead in New York City; her tragic death is the talk of the town. Until it isn't. By 1998 Anita's name has been all but forgotten – certainly by the time Raquel, a third-year art history student is preparing her final thesis. On College Hill, surrounded by progeny of film producers, C-Suite executives, and international art-dealers, most of whom float through life knowing that their futures are secured, Raquel feels herself an outsider. Students of colour, like Raquel, are the minority there, and the pressure to work twice as hard for the same opportunities is no secret. But when Raquel becomes romantically involved with a well-connected older art student, she finds herself unexpectedly rising up the social ranks. As she attempts to straddle both worlds, she stumbles upon Anita's story, raising questions about the dynamics of her own relationship, which eerily mirrors that of the forgotten artist. Moving back and forth through time and told from the perspectives of both women, Anita de Monte Laughs Last is a propulsive, witty examination of power, love and art, daring to ask who gets to be remembered and who is left behind in the rarefied world of the elite.