Paul Gravett

Over the centuries, comic books and their offshoots, such as graphic novels, and bandes dessinees have evolved into a phenomenally popular, influential, and unique art form with which we can express our opinions, our fantasies, our nightmares, and ou r dreams. In short: comics are emphatically no longer just for kids. This diverse, constantly evolving medium is truly coming into its own in the 21st century, from Hollywood's blockbuster adaptations of super-powered caped crusaders to the global sp read of Japan's manga and its spinoffs, and from award-winning graphic novels such as Maus and Persepolis to new forms such as online webcomix. But comics also have a long and rich history, dating back at least to the Swiss teacher Rodolphe Topffer i n the early 19th century, and far earlier in China. 1001 Comic Books You Must Read Before You Die is the perfect introduction to this dynamic and globally popular medium. There have been other guides to the best comic books, but none has embraced eve ry genre and scoured the globe to glean the very greatest works of sequential art, graphic literature, bandes dessinees, tebeos, fumetti, manga, manhwa, komiks, strips, historietas, quadrinhos, beeldverhalen, and plain old comics. This authoritative guide is organized according to the year of first publication in the country of origin. An opening section acknowledges pioneering pre-1900 masterpieces, followed by sections divided by decade, creating a fascinating year-by-year chronicle of the com ics medium worldwide.

This beautiful and engaging volume charts the evolution of manga from its roots in late 19th-century Japan through the many and varied forms of comics, cartoons and animation created throughout Asia for more than 100 years. World authority on comic art Paul Gravett details the evolving meanings of the myths and legends told and retold by manga artists of every decade and reveals the development and cross pollination of cultural and aesthetic ideas between manga artists throughout Asia. He explores the explosion of creativity in manga after the Second World War with the emergence of such artists as Osamu Tezuka, whose pioneering Astro Boy spawned a new and much imitated visual dynamic. He highlights how creators have responded to political events since 1950 in the form of propaganda, criticism and commentary in manga magazines, comics and books. There have been many remarkably powerful and sophisticated graphic novels, although some sexually explicit and emotionally dark adult manga has also attracted criticism, raising questions about taste and acceptability. Gravett discusses the influence of censorship on manga and concludes with a survey of current multi- platform offerings of manga in Asia and the transition from cut-price rental libraries to the booming specialist emporia and comic conventions that champion the kaleidoscope of creativity apparent in the digital age.

In the course of a career spanning more than fifty years, Posy Simmonds has become one of Britain's best-known satirical cartoonists. She is also as a much-loved author and artist of widely translated children's books and graphic novels. These include Fred, animated in 1996 into the Oscar-nominated short film Famous Fred, and Gemma Bovery and Tamara Drewe, both adapted into films, increasing her international fame. Simmonds once described her job on a census form as `a visual engineer'. Her extraordinary precision of drawing, her powers of observation and her sharp but welltempered wit have made her one the Britain's most sophisticated innovators, renowned especially for expanding the scope and subtlety of comics. This is the first book to explore Simmonds's life and work from her early childhood to the present day. In a series of interviews with Paul Gravett she offered insights into her creative process and provided unprecedented access to her `workroom' and archives containing sketchbooks and rare or never-before-seen artworks. A portrait emerges of Posy Simmonds as a chronicler and critic of contemporary British society and a storyteller in words and pictures of rare perception and humanity.

Komiks v současnosti bouřlivý a vzrušující rozvoj. Již zdaleka není jen zábavou pro děti či větší či menší skupiny nadšenců a proniká k čím dál rozsáhlejšímu publiku. Během své dlouhé historie se rozvinul v pozoruhodný a svébytný kulturní fenomén, živoucí a vlivné médium, jehož výrazové inovace dnes zasahují i do dalších uměleckých oblastí. Kniha 1001 komiksů, které musíte přečíst, než zemřete přináší reprezentativní výběr zásadních děl ze všech koutů světa od počátků k dnešku a je pozvánkou do fascinujícího světa, který budete jen neradi opouštět.

An appreciation of the life and art of Tove Jansson, creator of the Moomin books, which are adored by children and adults across the globe. This book provides fresh insights and a deeper appreciation of the life and art of Tove Jansson (1914-2001), one of the most original, influential and perennially enjoyed illustrators of the 20th century. Jansson's flourishing Moomin books are examined in detail, as are her interpretations of such classics as Lewis Carroll's Alice's Adventures in Wonderland and The Hunting of the Snark, and J.R.R. Tolkien's The Hobbit. Born in Helsinki among the Swedish-speaking Finnish minority, Jansson was brought up with a love for making art and stories in a supportive artistic family. Her first illustrated tales were published when she was fourteen years old. From a year later until 1953, she drew humorous and political cartoons as well as striking front covers for the satirical magazine Garm, responding to the Second World War and its aftermath as she developed from art student to painter and muralist, bohemian and lesbian. This book also explores the emergence of her Moomin world, appearing in her first children's book in 1945 and then in newspaper strips. These would lead to her being headhunted by the London Evening News, the world's biggest-selling evening paper, to write and draw a daily Moomin newspaper cartoon. This body of work is one of her great achievements, expanding her stories, settings and cast and invigorating her drawing and writing. Jansson also wrote many novels, documented here along with personal commentaries from her own writings.