Owen Hatherley
autor
Militant Modernism
This book is a defence of Modernism against its defenders. In readings of modern design, film, pop and especially architecture, it attempts to reclaim a revolutionary modernism against its absorption into the heritage industry and the aesthetics of the luxury flat. Militant Modernism features new readings of some familiar names Bertolt Brecht, Le Corbusier, et al. but more on the lesser-known, quotidian modernists of the twentieth century. These chapters range from a study of British industrial and brutalist aesthetics to Russian Constructivism in architecture, the Sexpol of Wilhelm Reich in film and design, and the alienation effects of Brecht and Hanns Eisler on record and screen all arguing for a modernism of everyday life, immersed in questions of socialism, sexual politics, and technology.
The Alienation Effect
'Dazzling ... The remarkable story of how British culture was transformed by émigré architects, filmmakers and writers' Guardian Britain. Made in Europe. In the 1930s, tens of thousands of central Europeans sought sanctuary from fascism in Britain. While the rainy, seemingly quaint island they discovered on arrival was a far cry from the dynamism of Weimar Berlin or Red Vienna, it was safe, and it became home. Yet the émigrés had not arrived alone: they brought with them new and radical ideas, and as they began to rebuild their lives and livelihoods, they transformed the face of Britain forever. Drawing on an immense cast of artists and intellectuals, including celebrated figures like Erno Goldfinger, forgotten luminaries like Ruth Glass, and a host of larger-than-life visionaries and charlatans, the historian Owen Hatherley argues that in the resulting clash between European modernism and British moderation, our imaginations were fundamentally realigned and remade for the better. In casting what Bertolt Brecht called, in a new German word, a Verfremdungseffekt, an ‘alienation effect’, on Britain, the aliens made us all a little bit alien too. Provocative, entertaining and meticulously researched, The Alienation Effect opens our eyes to the influence of the émigrés all around us – many of our most quintessentially British icons are the product of this culture clash – and entreats us to remember and renew our proud national tradition of asylum.
The Alienation Effect
Britain. Made in Europe.
In the 1930s, tens of thousands of central Europeans sought sanctuary from fascism in Britain. While the rainy, seemingly quaint island they discovered on arrival was a far cry from the dynamism of Weimar Berlin or Red Vienna, it was safe, and it became home. Yet the émigrés had not arrived alone: they brought with them new and radical ideas, and as they began to rebuild their lives and livelihoods, they transformed the face of Britain forever.
Drawing on an immense cast of artists and intellectuals, including celebrated figures like Erno Goldfinger, forgotten luminaries like Ruth Glass, and a host of larger-than-life visionaries and charlatans, the historian Owen Hatherley argues that in the resulting clash between European modernism and British moderation, our imaginations were fundamentally realigned and remade for the better. In casting what Bertolt Brecht called, in a new German word, a Verfremdungseffekt, an ‘alienation effect’, on Britain, the aliens made us all a little bit alien too.
Provocative, entertaining and meticulously researched, The Alienation Effect opens our eyes to the influence of the émigrés all around us – many of our most quintessentially British icons are the product of this culture clash – and entreats us to remember and renew our proud national tradition of asylum.
Modern Buildings in Britain
The definitive illustrated guide to modern British architecture, from one of the most acclaimed critics at work today
Modernism is now a century old, and its consequences are all around us, built into our everyday lived environments. Its place in Britain's history is fiercely contested, and its role in our future is the subject of ongoing controversy - but modernist buildings have undoubtedly changed our cities, politics and identity forever.
In Modern Buildings in Britain, Owen Hatherley applauds the ambition and explores the significance of this most divisive of architectures, travelling from Aberystwyth to Aberdeen, from St Ives to Shetland, in search of our most important and distinctive modern buildings. Drawing on hundreds of examples, we learn how the concrete of Brutalism embodies post-war civic principles, how corporate values were expressed in the glass facades of the International Style, and why Ecomodernist experimentation is often consigned to the geographic fringes. As Hatherley considers the social, political and cultural value of these structures - a number of which are threatened by demolition - two linked questions emerge: what happens to a building after it has been lived in, and what becomes of an idea when its time has passed?
With more than six hundred pages of trenchantly opinionated, often witty analysis, and with three hundred photographs in duotone and colour, Modern Buildings in Britain is a landmark contribution to the history of British architecture.
Clean Living Under Difficult Circumstances
From the grandiose histories of grand state building projects to the minutiae of street signs and corner pubs, from the rebuilding of capital cities to the provision of the humble public toilet, Clean Living in Difficult Circumstances argues for the city as a socialist project. Combining memoir, history, portraits of particular places and things, Hatherley argues for those who have tried to create and imagine a better modernity, both in terms of architecture, such as Zaha Hadid or Ian Nairn, in terms of the urban space, like Jane Jacobs or Marshall Berman, and the way we see the world more widely, like Mark Fisher or Adam Curtis. Together, these outline a vision of the city as both as a place of political argument and dispute, and as a space of everyday experience, one that we shape as much as it shapes us.
Trans-Europe Express
Over the past twenty years European cities have become the envy of the world: a Kraftwerk Utopia of historic centres, supermodernist concert halls, imaginative public spaces and futuristic egalitarian housing estates which, interconnected by high-speed trains traversing open borders, have a combination of order and pleasure which is exceptionally unusual elsewhere.
In Trans-Europe Express, Owen Hatherley sets out to explore the European city across the entire continent, to see what exactly makes it so different to the Anglo-Saxon norm - the unplanned, car-centred, developer-oriented spaces common to the US, Ireland, UK and Australia. Attempting to define the European city, Hatherley finds a continent divided both within the EU and outside it.
Trans-Europe Express
A searching, timely account of the condition of contemporary Europe, told through the landscapes of its cities
Over the past twenty years European cities have become the envy of the world: a Kraftwerk Utopia of historic centres, supermodernist concert halls, imaginative public spaces and futuristic egalitarian housing estates which, interconnected by high-speed trains traversing open borders, have a combination of order and pleasure which is exceptionally unusual elsewhere.
In Trans-Europe Express, Owen Hatherley sets out to explore the European city across the entire continent, to see what exactly makes it so different to the Anglo-Saxon norm - the unplanned, car-centred, developer-oriented spaces common to the US, Ireland, UK and Australia. Attempting to define the European city, Hatherley finds a continent divided both within the EU and outside it.
'The latest heir to Ruskin.' - Boyd Tonkin, Independent
'Hatherley is the most informed, opinionated and acerbic guide you could wish for.' - Hugh Pearman, Sunday Times
'Can one talk yet of vintage Hatherley? Yes, one can. Here are all the properties that have made him one of the most distinctive writers in England - not just 'architectural writers', but writers full stop: acuity, contrariness, observational rigour, frankness and beautifully wrought prose.' - Jonathan Meades
Landscapes of Communism
"In the craven world of architectural criticism Hatherley is that rarest of things: a brave, incisive, elegant and erudite writer, whose books dissect the contemporary built environment to reveal the political fantasies and social realities it embodies." (Will Self). During the course of the twentieth century, communism took power in Eastern Europe and remade the city in its own image. Ransacking the urban planning of the grand imperial past, it set out to transform everyday life, its sweeping boulevards, epic high-rise and vast housing estates an emphatic declaration of a non-capitalist idea. Now, the regimes that built them are dead and long gone, but from Warsaw to Berlin, Moscow to post - Revolution Kiev, the buildings, their most obvious legacy, remain, populated by people whose lives were scattered and jeopardized by the collapse of communism and the introduction of capitalism. Landscapes of Communism is an intimate history of twentieth-century communist Europe told through its buildings; it is, too, a book about power, and what power does in cities. Most of all, Landscapes of Communism is a revelatory journey of discovery, plunging us into the maelstrom of socialist architecture. As we submerge into the metros, walk the massive, multi-lane magistrale and pause at milk bars in the microrayons, who knows what we might find?
Militantní modernismus
Kniha Owena Hatherleyho Militantní modernismus (2009) zkoumá fenomén modernismu 20. století a nabízí nová východiska pro jeho pochopení. Věnuje se modernímu designu, filmu, pozornost je zaostřena především na architekturu (ať už z hlediska ruského konstruktivismu, či britského brutalismu).
Čtyři kapitoly knihy věnované brutalitě, totalitě, bezpohlavnosti a odcizení jsou obhajobou radikálních modernistických pozic; eklekticky vystavěné texty vedou čtenáře od vorticismu přes sovětskou filmovou teorii k analýze Bertolta Brechta, tu odkazují k utopickým sociálním projektům v první sovětské pětiletce, jinde k radikálním vizím Wilhelma Reicha (Sexpol) atd. Hatherley je aktivní, bystrý a poučený blogger, jehož texty v knižním formátu zhutněly. Přináší hned několik prvků, které mohou být českému diskursu přínosné: nebojí se pracovat s levicovými koncepty a ukazuje, že bez hlubšího pochopení komunistické ideologie a praxe nemůžeme pochopit modernistickou kulturu nejen v Sovětském svazu.
Kniha je doplněna obrazovým materiálem a rozsáhlým poznámkovým aparátem.
br>Edice Katedra vznikla na základě potřeby zpřístupnit českým čtenářům kritické a dnes již zásadní referenční teoretické texty o designu. Edici připravují k vydání Petr Krejzek, Pavla Paunerová a Jaroslav Tvrdoň.
Vypredané
15,51 €
Landscapes of Communism
"In the craven world of architectural criticism Hatherley is that rarest of things: a brave, incisive, elegant and erudite writer, whose books dissect the contemporary built environment to reveal the political fantasies and social realities it embodies." (Will Self). During the course of the twentieth century, communism took power in Eastern Europe and remade the city in its own image. Ransacking the urban planning of the grand imperial past, it set out to transform everyday life, its sweeping boulevards, epic high-rise and vast housing estates an emphatic declaration of a non-capitalist idea. Now, the regimes that built them are dead and long gone, but from Warsaw to Berlin, Moscow to post-Revolution Kiev, the buildings, their most obvious legacy, remain, populated by people whose lives were scattered and jeopardized by the collapse of communism and the introduction of capitalism. Landscapes of Communism is an intimate history of twentieth-century communist Europe told through its buildings; it is, too, a book about power, and what power does in cities. In exploring what that power was, Hatherley shows how much we can understand from surfaces - especially states as obsessed with surface as the Soviets were. Walking through these landscapes today, Hatherley discovers how, in contrast to the common dismissal of 'monolithic' Soviet architecture, these cities reflect with disconcerting transparency the development of an idea over the decades, with its sharp, sudden zigzags of official style: from modernism to classicism and back; to the superstitious despotic rococo of high Stalinism, with its jingoistic memorials, palaces and secret policemen's castles; East Germany's obsession with prefabricated concrete panels; and the metro systems of Moscow and Prague, a spectacular vindication of public space that went further than any avant garde ever dared. But most of all, Landscapes of Communism is a revelatory journey of discovery, plunging us into the maelstrom of socialist architecture. As we submerge into the metros, walk the massive, multi-lane magistrale and pause at milk bars in the microrayons, who knows what we might find?
Vypredané
28,50 €
