Mark Holborn

An anthology of the four seminal photobooks that form the foundation of Daido Moriyama's photographic career: Japan, A Photo Theater, A Hunter, Farewell Photography and Light and Shadow. Once regarded as the most challenging and radical of the photographers to emerge from Japan in the post-war period, Daido Moriyama is now accepted as an international figure. His stream of publications, most notably his ongoing magazine Record, have enabled his original vision, born out of the backstreets of Tokyo, to be cast worldwide. In this anthology, renowned author, curator and editor Mark Holborn presents the four books that underpin Moriyama's artistic journey, with the photobook at the very core of his creative practice. The featured photobooks - Japan, A Photo Theater, A Hunter, Farewell Photography and Light and Shadow - span the fifteen years during which Moriyama honed his techniques and unveiled his distinctive vision and stand as exemplars of some of the most daring photographic publishing ventures in the history of the medium. Rooted in the complexities of Japan during a transformative era from 1968 to the early 1980s, they offer profound insights into the country's evolving landscape. Harmonizing seamlessly with Moriyama's own aesthetic sensibilities, the book's design includes excerpts from Moriyama's diaries, journals and memoranda, providing intimate glimpses into his creative process. As with all Moriyama publications, this photobook is eagerly anticipated by a devoted following, reflecting the enduring importance of his work.

The direct sequel to a classic photobook. An exceptional selection of photographs from Daido Moriyama's seminal magazine publication from 2017 to today. Between June 1972 and July 1973, Daido Moriyama produced his own magazine publication, Kiroku, which was then referred to as Record. It became a diaristic journal of his work as it developed. In 2006, encouraged by the Japanese publisher Akio Nagasawa, Moriyama was able to resume publication of Record. The first thirty issues of Record were edited by Mark Holborn into the now classic 2017 photobook of the same title. Daido Moriyama: Record 2, also edited by Mark Holborn, picks up from where the original left off, with a selection of images and texts by Moriyama from issues thirty-one to fifty of the magazine. With Moriyama now in his eighties, Record 2 will likely be the end of the story. But despite his advancing years, the work is unmistakably Moriyama's aesthetic?fiercely contrasted images with fragmentary, intensely composed frames that express the vision of one of the greatest photographers. 270 color illustrations

A spectacular pictorial history of astronomical exploration, for anyone who has gazed at the sky and wondered what lies beyond From the beginning of time, human beings have looked up at the stars and speculated on other worlds. Published to mark the fiftieth anniversary of the first moon landing, Sun and Moon tells the story of that burning human need to comprehend the universe, from Neolithic observatories that mark the solstice to the latest space telescopes. It shows, for the first time, how the development of photography and cartography - the means of documenting other worlds - is linked indelibly to the charting of the heavens, from the first image on a glass plate to the Hubble Space Telescope.

Inspired by the work of an earlier generation of Japanese photographers, especially by Shomei Tomatsu, and by William Klein’s seminal photographic book on New York, Daido Moriyama moved from Osaka to Tokyo in the early sixties to become a photographer. He became the leading exponent of a fierce new photographic style that corresponded perfectly to the abrasive and intense climate of Tokyo during a period of great social upheaval. His black and white pictures were marked by fierce contrast and fragmentary, even scratched, frames, which concealed his virtuoso printing. Between June 1972 and July 1973 he produced his own magazine publication, Kiroku, which was then referred to as Record. It became a diaristic journal of his work as it developed. Ten years ago he was able to resume publication of Record, which gradually expanded in extent. To date he has published thirty issues, a number of them including colour. The publication of Recordas a book enables work from all thirty issues to be edited into a single sequence, punctuated by Moriyama’s own text as it appeared in the magazines. It used to be assumed that Moriyama’s peculiarly Japanese style was tied to his Tokyo roots. The evidence of the last ten years demonstrates that Moriyama, a restless world traveller, has been able to apply his unique vision to northern Europe, southern France, the cities of Florence, London, Barcelona, Taipei, Hong Kong, New York and Los Angeles as well as to the alleys of Osaka, and the landscape of Hokkaido. The book ends in Afghanistan. Table of Contents Introduction: The Headlights in My Eyes by Mark Holborn • Record