Sarah Howgate

Drawing into Painting reveals Lucian Freud’s lifelong focus on the human face and form, tracing the intimate dialogue between his sketches and paintings from the 1930s to the early 21st century. Lucian Freud (1922–2011) is celebrated as one of the great figurative realist artists of the twentieth century, who devoted his artistic life to portraiture. Famously stating that ‘everything is a portrait’, he created intensely observed portraits of animals and plants, as well as his family members and those in his social circle and daily life. Drawing into Painting explores how drawing remained central to Freud’s artistic practice throughout his life. From quick sketches to finished works in charcoal, pastel, and etching, his drawings offer a rare window into his process, revealing shifts in style, experimentation, and his evolving way of seeing. Spanning from his childhood to his final years, the book traces the unconventional path from his drawing practice to his painting, and back again. Alongside a selection of key paintings by Freud and others, the book includes conversations with David Dawson, Freud’s close friend and assistant, and Bella Freud, the artist’s daughter. Insightful essays by writer and curator Catherine Lampert, British Museum drawings curator Isabel Seligman, and acclaimed novelist Colm Tóibín further illuminates Freud’s world and legacy.

'Saville can be appreciated as one of the greatest of any era' ***** Review of Jenny Saville: The Anatomy of Painting, National Portrait Gallery - Evening Standard Jenny Saville's large-scale depictions of the human form are a celebration of flesh and paint, figure and abstraction. Jenny Saville: The Anatomy of Painting brings together works from across the artist's career, ranging from pencil drawings to monumental paintings in oil. The British artist Jenny Saville is one of today's leading painters, for whom painting the human body gives the artist 'the possibility to work in both an abstract and figurative way'. Jenny Saville: The Anatomy of Painting accompanies Saville's first major museum exhibition, showcasing over 50 works from throughout her career in a broadly chronological framework. Essays consider the development of Saville's practice, marking key moments and the strong connection she makes to art history, while a conversation with the artist gives us a glimpse into her life in the studio, her working methods and influences.

This book, which accompanies the first major exhibition devoted to David Hockney's drawings inover 20 years,will explore Hockney as a draughtsman from the 1950s to now, with a focus on himself, his family and friends. From Ingres to the iPad -this book demonstrates the artist's ingenuity in portrait drawing with reference to both tradition and technology. David Hockney is recognised as one of the master draughtsmen of our times and a champion of the medium. This book will feature Hockney's work from the 1950s to now and focus on his depictions of himself and a smaller group of sitters close to him: his muse, Celia Birtwell; his mother, Laura Hockney; and his friends, the curator, Gregory Evans, and master printer, Maurice Payne. This book will examine not only how drawing is fundamental to Hockney's distinctive way of observing the world around him, but also how it has been a testing ground for ideas and modes of expression later played out in his paintings. From Old Masters to modern masters, from Holbein to Picasso, Hockney's portrait drawings reveal his admiration for his artistic predecessors and his continuous stylistic experimentation throughout his career. Alongside an in-depth essay from the curator, this book will feature an exclusive interview between author and curator, Sarah Howgate, and artist, David Hockney. In addition, an 'In Focus' essay by British Museum curator Isabel Seligman, will explore the relationship between Hockney, Ingres and Picasso drawings.