Hanna Johansson

A surreal thriller that blurs the lines between lies and truth, between the selves we conceal and the faces we show the world. As winter descends and the city fills with the scent of woodsmoke, a young transcriber follows the same routine each day. She collects tapes from a ghostwriter’s office, stops for an espresso and croissant, and returns home to type out the voices of strangers — stories that will become someone else’s novels. Her solitary life is predictable, unremarkable … until the day she hears something different on the tapes: a message meant only for her. Across the city, two women, Laura and Naomi, accidentally swap coats at a department store cafe. This brief encounter sparks something electric and strange, and soon, Laura has moved in with Naomi. As the days pass, she begins to mirror her more and more closely — her gestures, her habits, her very essence. Slowly, deliberately, Laura starts to take over Naomi’s life. Meanwhile, the transcriber makes a disturbing discovery: she is beginning to disappear …

On a Greek island rich with ancient beauty, a lonely woman in her thirties upends the relationship between a mother and her teenage daughter. Lust and admiration for Helena, a chic older artist, brings Antiquity''s unnamed narrator to Ermoupoli, where Helena''s daughter, Olga, seems at first like an obstacle and a nuisance. But the unpredictable forces of ego and desire take over, leading our narrator down a more dangerous path, and causing the roles of lover and beloved, child and adult, stranger and intimate to become distorted. As the months go by, the fragile web connecting the three women nears rupture, and the ominous consequences of their entanglement loom just beyond a summer that must end. With echoes of Death in Venice, Call Me by Your Name, and The Lover, but wholly original and contemporary, Antiquity probes the depths of memory, beauty, morality, and the narratives that arrange our experience of the world.