Luke Kennard

'A campus novel for our end times . . . Black Bag fizzes with wit and invention and winningly communicates a very human concern for meaning and connection' Observer 'A triumph of deadpan comedy . . . As surreal and ambitious as Tom McCarthy's Remainder, only written by someone with the comic instincts of Peep Show's Jesse Armstrong . . . [Kennard is] so generous with the jokes that I found myself laughing on almost every page. A brilliant comic tour de force' Sunday Times'Hilarious and poignant . . . Luke's prose ripples with unusual images and wry aphorisms. The tone throughout is delightfully mordant. This is a very modern novel with a comfortingly familiar core: that of an ode to the importance of friendship, tenderness and love' TLSA penniless and out-of-work actor picks up a job working for Dr Blend, a university professor who is conducting a psychological experiment. How will Dr Blend's students react to someone zipped into on oversized bag, sitting at the back of the lecture hall over a series of autumn term lectures? The role, eagerly accepted, soon has unexpected consequences. A professor of post-humanism develops research questions of her own, in particular can you love someone secreted away inside a black bag? Meanwhile, the actor's childhood friend and flatmate forms a vision for monetising this new situation . . . A warped campus novel, an investigation into the crisis of masculinity and an off-kilter love story, Black Bag is a firework of a novel: blazingly funny and profoundly humane.

‘Kennard’s distinctive voice – surreal, funny, anxious, always overthinking, and cringingly self-deprecating – has made him one of the most widely liked and imitated British poets’ – Tristram Fane Saunders, TLSA Telegragh, Irish Times, Guardian and The Week Book of the YearNone of the Old Testament prophets were especially happy or confident in their calling, but Jonah was the only one who rejected it outright, disobeying direct instruction from God and literally running away. In The Book of Jonah, Luke Kennard transforms the unique and awkward position Jonah’s story occupies in scripture – part dream, part joke, part provocation – into a madcap picaresque which marries the sacred and the absurd. Though Jonah’s encounter with the whale is most commonly interpreted as the story of a reluctant prophet being punished by his maker, Kennard’s Jonah is more wily business traveller than seer. Taking his instruction instead from non-governmental organizations, arts development agencies and public-relations gurus, this Jonah keeps relentlessly busy, accepting any assignment that will take him further away from Nineveh and drown out the word of God in his ears. On his travels he meets errant writers, fixers, artists and consultants, but nobody who can give him a sense of what his work might be beyond a five-star capitalist purgatory in a series of exotic locations. What would it mean to be a prophet – or even a false prophet – in this milie? aking on the decimation of funding for the arts, the emptiness of the hero’s journey and a literary culture regarded by wider society with cynicism, ignorance and apathy, The Book of Jonah is a blistering poetry collection from the Forward Prize-winning author of Notes on the Sonnets. 'Brilliant . . . Deadly serious in the way only the playfully comic can be, the poems here are liable to leave you both smiling and wincing in the same breath' – Rishi Dastidar, Telegraph'A fun, testing read – rather like being regaled at the pub by a tipsy Theology professor' – Telegraph, Books of the Year