Philip Kerr

Darkly imaginative alternative history thriller from the global bestseller and author of the Bernie Gunther thrillers. America, 1960. In Washington, DC, John F Kennedy has just been elected President. In Havana, Fidel Castro has been in office for a year, and with Cold War tensions rapidly heating up and the Soviets leading the space race, the thought of a Communist leader so close to home is already raising American blood pressure. Anti-communist fever is rampant in the USA, with a paranoid establishment seeing reds under every bed. Nevertheless, the decision to snuff out the threat of Castro by hiring Tom Jefferson, America's best assassin, to kill him comes from an unusual quarter: the Mafia. But Jefferson's very skillset that makes him the perfect man for this job also ensures he has no qualms in double crossing his criminal paymasters. Jefferson has no issue with Castro: his preferred target is someone much closer to home...

Berlin, 1928, the dying days of the Weimar Republic shortly before Hitler and the Nazis came to power. It was a period of decadence and excess as Berliners - after the terrible slaughter of WWI and the hardships that followed - are enjoying their own version of Babylon. Bernie is a young detective working in Vice when he gets a summons from Bernard Weiss, Chief of Berlin's Criminal Police. He invites Bernie to join KIA - Criminal Inspection A - the supervisory body for all homicide investigation in Kripo. Bernie's first task is to investigate the Silesian Station killings - four prostitutes murdered in as many weeks. All of them have been hit over the head with a hammer and then scalped with a sharp knife. Bernie hardly has time to acquaint himself with the case files before another prostitute is murdered. Until now, no one has shown much interest in these victims - there are plenty in Berlin who'd like the streets washed clean of such degenerates. But this time the girl's father runs Berlin's foremost criminal ring, and he's prepared to go to extreme lengths to find his daughter's killer. Then a second series of murders begins - of crippled wartime veterans who beg in the city's streets. It seems that someone is determined to clean up Berlin of anyone less than perfect. The voice of Nazism is becoming a roar that threatens to drown out all others. But not Bernie Gunther's ...

Berlin detective Bernie Gunther bows out at last in the 14th and final book of the Sunday Times and New York Times bestselling series. With an introduction by Ian Rankin. 'One of the greatest anti-heroes ever written' LEE CHILD 'One of the greatest master story-tellers in English' ALAN FURST Berlin, 1928, the dying days of the Weimar Republic shortly before Hitler and the Nazis came to power. It was a period of decadence and excess as Berliners - after the terrible slaughter of WWI and the hardships that followed - are enjoying their own version of Babylon. Bernie is a young detective working in Vice when he gets a summons from Bernard Weiss, Chief of Berlin's Criminal Police. He invites Bernie to join KIA - Criminal Inspection A - the supervisory body for all homicide investigation in Kripo. Bernie's first task is to investigate the Silesian Station killings - four prostitutes murdered in as many weeks. All of them have been hit over the head with a hammer and then scalped with a sharp knife. Bernie hardly has time to acquaint himself with the case files before another prostitute is murdered. Until now, no one has shown much interest in these victims - there are plenty in Berlin who'd like the streets washed clean of such degenerates. But this time the girl's father runs Berlin's foremost criminal ring, and he's prepared to go to extreme lengths to find his daughter's killer. Then a second series of murders begins - of crippled wartime veterans who beg in the city's streets. It seems that someone is determined to clean up Berlin of anyone less than perfect. The voice of Nazism is becoming a roar that threatens to drown out all others. But not Bernie Gunther's

Bernie Gunther returns in the thirteenth book in theSunday Timesand New York Timesbestselling series, perfect for fans of John le Carre and Robert Harris. 1957, Munich. Bernie Gunther's latest move in a string of varied careers sees him working for an insurance company. It makes a kind of sense: both cops and insurance companies have a vested interest in figuring out when people are lying to them, and Bernie has a lifetime of experience to call on. Sent to Athens to investigate a claim from a fellow German for a sunken ship, Bernie takes an instant dislike to the claimant. When he discovers the ship in question once belonged to a Greek Jew deported to Auschwitz, he is convinced the sinking was no accident but an act of vengeance. And so Bernie is once again drawn inexorably back to the dark history of the Second World War, and the deportation of the Jews of Salonika - now Thessaloniki. As Europe prepares to move on to a more united future with Germany as a partner rather than an enemy, at least one person in Greece is ready neither to forgive nor forget. And, deep down, Bernie thinks they may have a point.

The twelfth book in the Sunday Times and New York Times bestselling series, perfect for fans of John le Carre and Charles Cumming. Lee Child calls Bernie Gunther 'one of the greatest anti-heroes ever written'. France, 1956. Bernie Gunther is on the run. If there's one thing he's learned, it's never to refuse a job from a high-ranking secret policeman. But this is exactly what he's just done. Now he's a marked man, with the East German Stasi on his tail. Fleeing across Europe, he remembers the last time he worked with his pursuer: in 1939, to solve a murder at the Berghof, Hitler's summer hideaway in the Bavarian Alps. Hitler is long dead, the Berghof now a ruined shell, and the bizarre time Bernie spent there should be no more than a distant memory. But as he pushes on to Berlin and safety, Bernie will find that no matter how far he thinks he has put Nazi Germany behind him, for him it will always be unfinished business. The Berghof is not done with Bernie yet.

Psychologický thriller ze současnosti, který se vzpíná k netušeným výšinám. Co když Bůh existuje, ale je zlý? Houstonský agent FBI Gil Martins prochází už nějaký čas krizí víry, a rozhodně ho z ní nedostane série vražd, které se odehrávají ve městě a okolí. Oběti jsou dvojího druhu: pobožní svatoušci, kteří nikdy nemluví sprostě a nejlépe se cítí v kostele, a na druhé straně ateisti, kteří veřejně označili náboženství za tmářství. Je snad možné, aby se v moderním velkoměstě odehrávala skrytá náboženská válka? Gil Martins případ rozkryje, ale projde si přitom peklem. Philip Kerr (*1956) je britský autor píšící jak pro dospělé, tak i pro děti. Proslavil se především svou sérií detektivních románů, které spojuje postava detektiva Bernharda Günthera. Vystudoval práva na univerzitě v Birminghamu a po dosažení magisterského titulu se několik let živil psaním textů pro reklamní agenturu. V roce 1989 se stal spisovatelem na volné noze.

Straightforward has been revamped in a second edition, with much of the content updated and made more relevant to our ever-changing world. New topics, articles and exercises appear within a fresh new design. All the old teachers' favourites are still there - meaning it will still be a joy to teach with. Each unit is structured to provide one lesson per double-page spread (A/B/C/D), lasting around 90 minutes. All lessons are interlinked to promote better and more memorable learning, with the flexibility to pick out key sections to focus on certain language points. All language is clearly signposted and scaffolded so there is great clarity of progression of learning - students can really feel they are getting somewhere. There are extra communication pages and unit reviews, plus new videos, online material and photocopiables to extend and add to a lesson. The CEFR plays a prominent part in the second edition with clear signposting, self-assessment opportunities and the invaluable portfolio. The Teacher's Book and supporting website have tips, photocopiables and information.

The French Riviera, 1956. A world-weary Bernie Gunther is working under a false name as a hotel concierge. His attempts to keep his nose clean go horribly awry when a wartime acquaintance sucks him into a blackmail plot involving one of the most famous British writers of the 20th century and the Cambridge Spies. Bernie is missing his old detective life when his past walks through the door in the shape of Harold Hennig, a former captain in the Nazi security service - the man who, in 1945, was responsible for the deaths of thousands, among them a woman Bernie loved. Hennig now enjoys a lucrative career as a blackmailer. Hennig's target on the Cote d'Azur is a famous resident with a dark past and plenty to hide - the writer, Somerset Maugham. A shared love of bridge draws Bernie to Maugham's magnificent villa, where Maugham tells him of the existence of a very compromising photograph. Taken in 1937, it shows Maugham among a group of naked men beside a swimming pool - one of whom is the infamous spy and homosexual, Guy Burgess, who, with Donald Maclean, has recently defected to Moscow. Hennig has the photograph and is demanding $50,000 for its release. Bernie is reluctant to become Maugham's agent but his former life has made him as vulnerable to blackmail as Maugham himself. Not only that - he has a massive score to settle with Hennig.

Náci orvosok, szadista hatalmasságok, fanatizált gyerekek, narkomán szélhámosok és az SS belső körének spiritiszta szeánsza - a Sápadt gonosztevő vérfagyasztóan hiteles képet fest egy velejéig romlott korról. Nyers, brutális és lebilincselően hiteles

Summer 1942. When Bernie Gunther is ordered to speak at an international police conference, an old acquaintance has a favour to ask. Little does Bernie suspect what this simple surveillance task will provoke ...One year later, resurfacing from the hell of the Eastern Front, a superior gives him another task that seems straightforward: locating the father of Dalia Dresner, the rising star of German cinema. Bernie accepts the job. Not that he has much choice - the superior is Goebbels himself. But Dresner's father hails from Yugoslavia, a country so riven by sectarian horrors that even Bernie's stomach is turned. Yet even with monsters at home and abroad, one thing alone drives him on from Berlin to Zagreb to Zurich: Bernie Gunther has fallen in love.

První kniha z plánované série detektivek z prostředí první ligy anglické kopané. Philip Kerr je Dickem Francisem fotbalového světa! Jak vědí fanoušci tohoto sportu, v každém mači každé ligy jde o všechno. A v tomto zápase jde dokonce o život. Scott Manson, trenér manšaftu London City FC, umí pro své chlapce udělat první poslední a ti ho za to zbožňují. Manažeři týmu Scotta respektují. Jeden z nich je však zavražděn a na mužstvo dolehne krize, s níž se musí Scott poprat a dodat hráčům chuť pokračovat. Navíc dostane příležitost polapit vraha a s rozhodností jemu vlastní to také udělá. . .

In 1942, there are many worse places to be than Zurich, and detective Bernie Gunther has seen his fair share of them. So when a superior asks him to track down a glamorous German actress believed to be hiding in Zurich, he takes the job. Not that he has much choice: the superior is Goebbels himself. Soon Bernie finds himself involved in something much more sinister. The actress, it emerges, is the daughter of a fanatical Croatian fascist, the sadistic commandant of a notorious concentration camp. And the Swiss police have a cold case that they want Bernie to take a look at: one that seems to have connections to some powerful people back in the Reich. The Lady from Zagreb is another inimitable Bernie Gunther investigation from Philip Kerr: a rich, dark and fast-paced adventure of a nightmarish time and a lonely, indomitable hero.

Zuří válka, uběhl měsíc od německého debaklu u Stalingradu, Rudá armáda táhne na západ. Do policejního ústředí v Berlíně dolehne zpráva, že u ruského Smolensku byly nalezeny ostatky svázaných a zastřelených polských důstojníků. Vina má padnout na Němce, ale to nesmí Bernie Günther a jeho parťáci dopustit. Jak ale dokázat, že tu vraždili Rusové? Je třeba vydat se na dlouhou cestu na východ...

The Workbook provides extra language and vocabulary practice that supports the units of the Student's Book making it ideal for homework. This version comes with the key. READING/LISTENING - All Workbook and some Student's Book texts are read aloud on the accompanying CD - this will provide students with further listening and pronunciation practice. To provide them with integrated listening and writing practice there is also a series of dictations for them to check their understanding. As they are usually working alone on the Workbook, students will be able to work at their own pace and practise key language further. TRANSLATION - Student's at this lower level are given the opportunity to link the language learnt with their own language. WRITING - Special feature at lower levels is that all Writing work is contained here, in the back of the Workbook, covering a wide variety of genres pertinent to students' every day needs. READING - Each Workbook has a complete Macmillan Reader for the relevant level at the back of the book allowing students to naturally expand their language outside of the everyday classes.

For ease of use and practicality Straightforward Second Edition is structured to provide one lesson per double-page spread (A/B/C/D), lasting around 90 minutes. All lessons are interlinked to promote better and more memorable learning, but there is the flexibility to pick out certain key sections to focus on certain language points. GRAMMAR - Clear and uncomplicated grammar explanations present new grammar elements. Students are always supported by the Language Reference pages at the back of their book allowing them to further work on a difficult area and understand the language. VOCABULARY - Difficult and out of context words from the text are presented in the glossary so students are not distracted by these lexical hurdles. READING - Texts are accessible for the relevant level, realistic and from a variety of different sources/contexts. FUNCTIONAL LANGUAGE - Students are not expected to learn in a vacuum and their interests and curiosities are met with 'Did you know' sections. CEF/SELF ASSESSMENT - Each unit culminates in a self assessment box so students can check and monitor their own progress and become more independent learners. The checklist is a selection of clear 'can-do' statements and therefore links to the CEF and portfolio elements of the course. FUNCTIONAL LANGUAGE - This section helps students to deal with common, every-day situations in an English-speaking environment - what we might think of as survival language.

For ease of use and practicality Straightforward Second Edition is structured to provide one lesson per double-page spread (A/B/C/D), lasting around 90 minutes. All lessons are interlinked to promote better and more memorable learning, but there is the flexibility to pick out certain key sections to focus on certain language points. GRAMMAR - Clear and uncomplicated grammar explanations present new grammar elements. Students are always supported by the Language Reference pages at the back of their book allowing them to further work on a difficult area and understand the language. VOCABULARY - Difficult and out of context words from the text are presented in the glossary so students are not distracted by these lexical hurdles. READING - Texts are accessible for the relevant level, realistic and from a variety of different sources/contexts. FUNCTIONAL LANGUAGE - Students are not expected to learn in a vacuum and their interests and curiosities are met with 'Did you know' sections. CEF/SELF ASSESSMENT - Each unit culminates in a self assessment box so students can check and monitor their own progress and become more independent learners. The checklist is a selection of clear 'can-do' statements and therefore links to the CEF and portfolio elements of the course. FUNCTIONAL LANGUAGE - This section helps students to deal with common, every-day situations in an English-speaking environment - what we might think of as survival language