Yun Ko-Eun

A darkly comic and compelling satire of the art world from the author of The Disaster Tourist. An Yiji’s career had been stalling for some time when a representative of the illustrious Robert Foundation offers her a spot on their all-expenses-paid artist residency in California. The residency has launched many famous artists’ careers, so she knows she can’t waste this opportunity. Still, she feels reluctant to accept, and with good reason: the foundation’s patron is a small dog named Robert, known for both his talent as a photographer, but also his arrogance. Moreover, the offer comes with a condition: on the last day of the residency, one of An’s paintings must be incinerated, and Robert gets to select which one. When An reaches California, she finds the state ablaze with wildfires, but at the Foundation all is calm. She navigates awkward dinners with Robert, tries to find inspiration while being bombarded with sponsors who all want their business to be the subject of her art, and despairs at the prospect of her work being set on fire. Was coming to California a huge mistake?

Yona has been stuck behind a desk for years working as a programming coordinator for Jungle, a travel company specialising in package holidays to destinations ravaged by disaster. When a senior colleague touches her inappropriately she tries to complain, and in an attempt to bury her allegations, the company make her an attractive proposition: a free ticket for one of their most sought-after trips, to the desert island of Mui. She accepts the offer and travels the remote island, where the major attraction is a supposedly-dramatic sinkhole. When the customers who've paid a premium for the trip begin to get frustrated, Yona realises that the company has dangerous plans to fabricate an environmental catastrophe to make the trip more interesting, but when she tries to raise the alarm, she discovers she has put her own life in danger.