Hanif Kureishi

Imagine your life changing in a second: one minute you are watching the football with a beer, the next you are on the floor in a pool of blood, deprived of the use of your arms and legs. This fall renders you paralysed, robbed of your independence, entirely reliant on others for everything. This happened to writer Hanif Kureishi on Boxing Day 2022. His account of what happened and its aftermath is a unique, riveting and frequently riotous account of a year-long odyssey home through five hospitals. From despair to hope, rage to courage, it might be the most truthful, and the funniest, medical disaster story ever written.

The book opens in January 1969, the beginning of The Beatles' last year as a band. The Beatles (The White Album) is at number one in the charts and the foursome gather in London for a new project. Over 21 days, first at Twickenham Film Studios and then at their own brand-new Apple Studios, with cameras and tape recorders documenting every day's work and conversations, the band rehearse a huge number of songs, culminating in their final concert, which famously takes place on the rooftop of their own office building, bringing central London to a halt. The Beatles: Get Back tells the story of those sessions through transcripts of the band's candid conversations. Drawing on over 120 hours of sound recordings, leading music writer John Harris edits the richly captivating text to give us a fly-on-the-wall experience of being there in the studios. These sessions come vividly to life through hundreds of unpublished, extraordinary images by two photographers who had special access to their sessions-Ethan A. Russell and Linda Eastman (who married Paul McCartney two months later). Also included are many unseen high-resolution film-frames, selected from the 55 hours of restored footage from which Peter Jackson's documentary is also drawn. Legend has it that these sessions were a grim time for a band falling apart. However, as acclaimed novelist Hanif Kureishi writes in his introduction, "In fact this was a productive time for them, when they created some of their best work. And it is here that we have the privilege of witnessing their early drafts, the mistakes, the drift and digressions, the boredom, the excitement, joyous jamming and sudden breakthroughs that led to the work we now know and admire." Half a century after their final performance, this book completes the story of the creative genius, timeless music, and inspiring legacy of The Beatles. "It would be fair to say that today Let It Be symbolizes the breaking-up of The Beatles. That's the mythology, the truth is somewhat different. The real story of Let It Be has been locked in the vaults of Apple Corps for the last 50 years." - Peter Jackson

Hanif Kureishi's cinematic storytelling embraces a wide spectrum of characters from all classes and nationalities, depicting them with compassion, humour and relish, though never fighting shy of controversy. This volume comprises four of Kureishi's screenplays. My Beautiful Laundrette (1985) Omar is a restless young Asian man, caring for his alcoholic father in the hustling London of the mid-1980s. His uncle, a keen Thatcherite, offers Omar an entrepreneurial opportunity to revamp a dingy laundrette, and ambitious Omar rolls up his sleeves, enlisting the assistance of his old school-friend Johnny, who has since fallen in with a gang of neo-fascists. Omar and Johnny soon form an unlikely alliance that leads to business success, as well as other, more intimate surprises. Sammy and Rosie Get Laid (1987) 1980s London, and Sammy and Rosie share an 'open' marriage, strings of lovers, and a bohemian existence amidst inner-city turmoil. Sammy's father, Rafi, formerly a government minister in India, visits London as racial tensions rise with the death of a woman in a police raid. Rafi offers Sammy financial assistance if the couple will leave their 'war zone' behind them and produce grandchildren. But Rafi's own shady past threatens to haunt him. London Kills Me (1991) A weekend in the lives of homeless Clint and his pal Muffdiver, youthful veterans of the streets of London, whose chief source of income derives from selling drugs to the wealthier denizens of Notting Hill. But what Clint wants more than anything else is a proper job, and he's been promised a position as a waiter in a restaurant - on the condition that he can come up with a pair of 'sensible' shoes. My Son the Fanatic (1997) Parvez is a Pakistani cab driver in a northern industrial town who chauffeurs young prostitute Bettina. Their gentle friendship grows more tender as Parvez's home life starts to crumble, his son Farid embracing a fundamentalist sect of Islam and rejecting his father's values. When Farid then involves himself with a group committed to purging the town of corruption, Parvez is compelled to choose where his loyalties lie.

This collection begins in the early 1980s with The Rainbow Sign, which was written as the Introduction to the screenplay of My Beautiful Laundrette. It allowed Kureishi to expand upon the issues raised by the film: race, class, sexuality - issues that were provoked by his childhood and family situation. In the ensuing decades, he has developed these initial ideas, especially as the issue of Islam's relation to the West has become one of the burning issues of the time. Kureishi shows how flexible a form the essay can be - as intellectual as Sontag or Adam Phillips, as informal and casual as Max Beerbohm, as cool and minimalist as Joan Didion, or as provocative as Norman Mailer. As with his fictional work, these essays display Kureishi's ability to capture the temper of the times.

'No one else casts such a shrewd and gimlet eye on contemporary life.' - William Boyd Comic, dark and insightful, What Happened? is Hanif Kureishi's new collection of essays and fiction. No topic is too fringe or too mainstream for this insatiable-and much-loved-author. From social media to the ancient classics, from appraisals of David Bowie to Georges Simenon to Keith Jarrett, this is the latest literary 'event' in a unique body of work that displays Kureishi's characteristic boundless curiosity and wit. What Happened? is as much about the very fact of Kureishi's catholic appetite for culture as his observations and insights themselves, and any new book in his oeuvre is a justification for celebration.

'No one else casts such a shrewd and gimlet eye on contemporary life.' - William BoydComic, dark and insightful, What Happened? is Hanif Kureishi's new collection of essays and fiction. No topic is too fringe or too mainstream for this insatiable-and much-loved-author. From social media to the ancient classics, from appraisals of David Bowie to Georges Simenon to Keith Jarrett, this is the latest literary 'event' in a unique body of work that displays Kureishi's characteristic boundless curiosity and wit. What Happened? is as much about the very fact of Kureishi's catholic appetite for culture as his observations and insights themselves, and any new book in his oeuvre is a justification for celebration.

Shortlisted for the Bollinger Everyman Wodehouse Prize Mamoon is an eminent Indian-born writer who has made a career in England - but now, in his early 70s, his reputation is fading, sales have dried up, and his new wife has expensive taste. Harry, a young writer, is commissioned to write a biography to revitalise both Mamoon's career and his bank balance. Harry greatly admires Mamoon's work and wants to uncover the truth of the artist's life. Harry's publisher seeks a more naked truth, a salacious tale of sex and scandal that will generate headlines. Meanwhile Mamoon himself is mining a different vein of truth altogether. Harry and Mamoon find themselves in a battle of wills, but which of them will have the last word? The ensuing struggle for dominance raises issues of love and desire, loyalty and betrayal, and the frailties of age versus the recklessness of youth. Hanif Kureishi has created a tale brimming with youthful exuberance, as hilarious as it is touching, where words have the power to forge a world?

One night, when I am old, sick, right out of semen, and don't need things to get any worse, I hear the noises growing louder. I am sure they are making love in Zenab's bedroom which is next to mine. Waldo, a feted filmmaker, is confined by old age and ill health to his London apartment. Frail and frustrated, he is cared for by his lovely younger wife, Zee. But when he suspects that Zee is beginning an affair with Eddie, 'more than an acquaintance and less than a friend for over thirty years,' Waldo is pressed to action: determined to expose the couple, he sets himself first to prove his suspicions correct - and then to enact his revenge. Written with characteristic black humour and with an acute eye for detail, Kureishi's eagerly awaited novella will have his readers dazzled once again by a brilliant mind at work.

One night, when I am old, sick, right out of semen, and don't need things to get any worse, I hear the noises growing louder. I am sure they are making love in Zenab's bedroom which is next to mine. Waldo, a feted filmmaker, is confined by old age and ill health to his London apartment. Frail and frustrated, he is cared for by his lovely younger wife, Zee. But when he suspects that Zee is beginning an affair with Eddie, 'more than an acquaintance and less than a friend for over thirty years,' Waldo is pressed to action: determined to expose the couple, he sets himself first to prove his suspicions correct - and then to enact his revenge. Written with characteristic black humour and with an acute eye for detail, Kureishi's eagerly awaited novella will have his readers dazzled once again by a brilliant mind at work.

„Zajtra urobím niečo, čo im ublíži a čo ich poznamená na celý život.“ Štyridsiatnik Jay stojí pred vážnym životným rozhodnutím – chce opustiť svoju ženu Susan, ktorú už nemiluje, aj dvoch malých milovaných synov. Román Intimita zachytáva jeho poslednú noc s rodinou, ktorá mu poskytuje bezpečie, ale aj príliš veľkú istotu, že sa v jeho živote už neobjaví ten druh vzrušenia, ktorý ho priťahuje. V zmätených myšlienkach preberá svoj vzťah so Susan, intenzívne sa ale vracia aj k svojej bývalej milenke Nine a necháva sa unášať nejasnými nádejami do budúcnosti. Akokoľvek nedospelé to je, mužskí čitatelia sa môžu nájsť v rozprávačovom odpore k usadenosti a volaní po slobode, ženám poskytuje kniha dosť desivý pohľad do mužskej mysle. Už prvé reakcie po vydaní knihy boli protichodné, autorovi však nik nemohol vyčítať, že by tému nespracoval poctivo a so sebe vlastnou otvorenosťou. Krátko po slovenskom vydaní kultového debutu Budha z predmestia nasleduje aj autorova druhá najúspešnejšia kniha.

"Zajtra urobím niečo, čo im ublíži a čo ich poznamená na celý život." Štyridsiatnik Jay stojí pred vážnym životným rozhodnutím - chce opustiť svoju ženu Susan, ktorú už nemiluje, aj dvoch malých milovaných synov. Román Intimita zachytáva jeho poslednú noc s rodinou, ktorá mu poskytuje bezpečie, ale aj príliš veľkú istotu, že sa v jeho živote už neobjaví ten druh vzrušenia, ktorý ho priťahuje. V zmätených myšlienkach preberá svoj vzťah so Susan, intenzívne sa ale vracia aj k svojej bývalej milenke Nine a necháva sa unášať nejasnými nádejami do budúcnosti. Akokoľvek nedospelé to je, mužskí čitatelia sa môžu nájsť v rozprávačovom odpore k usadenosti a volaní po slobode, ženám poskytuje kniha dosť desivý pohľad do mužskej mysle. Už prvé reakcie po vydaní knihy boli protichodné, autorovi však nik nemohol vyčítať, že by tému nespracoval poctivo a so sebe vlastnou otvorenosťou.

Karim žije so svojim indickým otcom a anglickou matkou na londýnskom predmestí. Roky jeho dospievania zmení otcova premena zo sivého úradníka na "budhu z predmestia", ktorý si opantá skupinku ľudí veriacich, že jeho východná múdrosť nie je len zásterka a spôsob, ako sa vymaniť z nudného života. Veľkú úlohu zohráva aj otcova nová známosť, krásna a ambiciózna Eva a ďalší ľudia, prichádzajúci do Karimovho života zo starého indického aj nového britského prostredia. Nastávajú roky plné dramatických zmien, sexuálnych eskapád, ale aj politických a spoločenských zmien. Román preložený do dvadsiatich jazykov voľne a veľmi vtipne reflektuje autorovo dospievanie na začiatku sedemdesiatych rokov v súvislosti s vtedajšou revoltou mládeže a celkovou spoločenskou situáciou. Veľkú úlohu v ňom zohráva aj populárna hudba, autorom soundtracku k štvordielnemu televíznemu spracovaniu románu bol David Bowie. Kureishi za svoj román získal Whitbreadovu cenu za najlepší debut roka.

Karim žije so svojim indickým otcom a anglickou matkou na londýnskom predmestí. Roky jeho dospievania zmení otcova premena zo sivého úradníka na „budhu z predmestia“, ktorý si opantá skupinku ľudí veriacich, že jeho východná múdrosť nie je len zásterka a spôsob, ako sa vymaniť z nudného života. Veľkú úlohu zohráva aj otcova nová známosť, krásna a ambiciózna Eva a ďalší ľudia, prichádzajúci do Karimovho života zo starého indického aj nového britského prostredia. Nastávajú roky plné dramatických zmien, sexuálnych eskapád, ale aj politických a spoločenských zmien. Román preložený do dvadsiatich jazykov voľne a veľmi vtipne reflektuje autorovo dospievanie na začiatku sedemdesiatych rokov v súvislosti s vtedajšou revoltou mládeže a celkovou spoločenskou situáciou. Veľkú úlohu v ňom zohráva aj populárna hudba, autorom soundtracku k štvordielnemu televíznemu spracovaniu románu bol David Bowie. Kureishi za svoj román získal Whitbreadovu cenu za najlepší debut roka.

"Nothing is as fascinating as love, unfortunately." Jay, the narrator of Hanif Kureishi's third novel, tells his story on the night that he is preparing to leave his lover, Susan, and their two boys. His departure will not be impulsive: "I have contemplated this rupture from all sides," he says. But it will happen. He and Susan live comfortably in London. Each loves the children. Yet Jay, "lost in the middle of [his] life," craves and depends on passion in life, and it is no longer there. Known for "very funny works about serious topics" (San Francisco Review of Books) and his uncanny ability to capture the mores of our time, Kureishi strips away all posturing and self-justification to expose the flaws of his own protagonist and the failure of intimacy. Searingly honest, he explores the fears and desires that drive a man to leave a woman. Rarely has such challenging and complex emotion fit into so compact a novel; rarely has an experience both common and uniquely devastating been so courageously portrayed.

Hate skews reality even more than love. In the story of a Pakistani woman who has begun a new life in Paris, an essay about the writing of Kureishi's acclaimed film Le Week-End, and an account of Kafka's relationship with his father, readers will find Kureishi also exploring the topics that he continues to make new, and make his own: growing up and growing old; betrayal and loyalty; imagination and repression; marriage and fatherhood. The collection ends with a bravura piece of very personal reportage about the conman who stole Kureishi's life savings - a man who provoked both admiration and disgust, obsession and revulsion, love and hate.

Hate skews reality even more than love. In the story of a Pakistani woman who has begun a new life in Paris, an essay about the writing of Kureishi's acclaimed film Le Week-End, and an account of Kafka's relationship with his father, readers will find Kureishi also exploring the topics that he continues to make new, and make his own: growing up and growing old; betrayal and loyalty; imagination and repression; marriage and fatherhood. The collection ends with a bravura piece of very personal reportage about the conman who stole Kureishi's life savings - a man who provoked both admiration and disgust, obsession and revulsion, love and hate.