Paul StJohn Mackintosh

The Corps franc Pommies (CFP) was founded on 17 November 1942 by its namesake André Pommies. It operated in southwestern France, becoming one of the largest and most important Resistance units in the south. After initial work in sabotage of rail and road networks, factories and power plants, on 15 April 1944 it sabotaged the Hispano-Suiza factory in Soues in the Hautes-Pyrénées, forestalling Allied bombing of the factory and the inevitable collateral damage.This was no small covert cell: the CFP mobilized some 12,000 combatants to support the D-Day landings. Its harassment of the Gestapo, the fascist Milice, and other Occupation forces turned the area around Toulouse into a no-man’s land for the Nazis. The CFP linked up with the newly formed French 1st Army during the advance into central France and fought in the brutal campaign to liberate Alsace. It participated in the Rhine crossings, the march on Stuttgart, and the French occupation of Germany, becoming the first French regiment to occupy Berlin.

Comic-operetta stage set, or ghost town haunted by the walking dead – Sigmaringen still fascinates long after its collapse at the end of the Second World War. This enclave of French Vichy officials and fascists on German soil – refugees and hostages maintained at the Nazis’ pleasure – played out the last residue of French collaborationism in the closing months of the war, presided over by the inert figurehead of Marshal Pétain, against the fairytale backdrop of Sigmaringen Castle. No single English-language history of the Sigmaringen enclave exists, yet it brought together some of the most colourful and controversial collaborationists, from the militant French SS officer Joseph Darnand to the delirious writer Louis-Ferdinand Céline, in a petri dish for the last samples of the collaborationism that had infected France and laid her low.Vichy’s Last Castle brings together contemporary documents, eye-witness reports, diplomatic communiques and protests, and personal chronicles, alongside post-war analyses, war crimes trials, apologetics and memoirs, to provide a complete picture of the Sigmaringen enclave, from daily life to political chicanery. From the vain, formal protests of Marshal Pétain to the hallucinatory stream-of-consciousness of Céline, the book draws on contemporary photographs as well as texts to encapsulate this bizarre milieu, where the rank-and-file starved and suffered, while the elite played and plotted their tragicomic endgame, in a sublimely appropriate Wagnerian setting.