Jean-Patrick Manchette

'Manchette was Le Homme...rediscover him this very instant' - James EllroyMeet Eugene Tarpon: ex-cop, ex-idealist, man in free fall. Kicked off the force for killing a protestor, Tarpon is drinking too much and waiting around for something to happen. Then it does. In bursts the wild-eyed and bloodstained Memphis Charles, whose roommate has been brutally murdered. And she wants no one but Tarpon on the case. As the bodies mount, Tarpon is dragged into a Parisian underworld of politics, sleaze, and paranoia – with nothing to guide him but instinct, stubbornness, and a battered sense of justice. With No Room at the Morgue, Manchette rewrote the American hardboiled detective novel into a bleak, boozy, and brilliantly French bruising meditation on guilt, truth, and the art of going down swinging. PRAISE FOR JEAN-PATRICK MANCHETTE'A comedic genius... I read and reread him, stunned, appalled, and laughing out loud' - Rachel Kushner'Manchette is one of the greatest writers since Dashiell Hammett, his only true son and heir' - David Peace'Manchette is Camus on overdrive... He deserves much the same attention' - James Sallis

Long live the revolution. To hell with its children.In Paris, the Nada gang – a small cell of left-wing radicals – hatch a plan: kidnap the U.S. ambassador. They’re armed, angry, and almost successful – but totally unprepared for what follows.The state moves fast and without mercy. As the crackdown begins, the group splinters under pressure – exposing cowardice, betrayal, and the thin line between radical idealism and outright nihilism. There will be no heroes – only casualties.Jean-Patrick Manchette skewers both the establishment and its would-be destroyers in this pitch-black political thriller. Nada is his most overtly radical work: a savage, stylish dissection of violence, ideology, and the wreckage left behind.

Murder isn’t always ugly.Aimée is drop-dead gorgeous, razor-sharp, and lethally efficient. A killer with a cool head and a taste for chaos, she arrives in the backwater town of Bléville – a festering stew of grudges, corruption, and small-town rot – ready to make a killing.She’s played this game before: stir up trouble, pit the locals against one another, then disappear with blood on her hands and money in her pocket. But this time, something breaks. Aimée lets someone in – and the game turns personal.Jean-Patrick Manchette transformed the crime novel into a weapon of satire and stylish mayhem. Fatale is his bloodiest, funniest, and most brilliantly unhinged work: a riot of revenge, farce, and gleeful destruction.PRAISE FOR JEAN-PARICK MANCHETTE‘Manchette was was Le Homme... We must revere him now and rediscover him this very instant. ’ James Ellroy‘Manchette is Camus on overdrive... He deserves much the same attention’ James Sallis‘Manchette is legend among all of the crime writers I know, and with good reason: his novels never fail to stun and thrill from page one’ Duane Swierczynski