Andreas Marks
autor
Japanese Woodblock Prints
From Edouard Manet’s portrait of naturalist writer Émile Zola sitting among his Japanese art finds to Van Gogh’s meticulous copies of the Hiroshige prints he devotedly collected, 19th-century pioneers of European modernism made no secret of their love of Japanese art. In all its sensuality, freedom, and effervescence, the woodblock print is single-handedly credited with the wave of japonaiserie that first enthralled France and, later, all of Europe?but often remains misunderstood as an “exotic” artifact that helped inspire Western creativity.
The fact is that the Japanese woodblock print is a phenomenon of which there exists no Western equivalent. Some of the most disruptive ideas in modern art?including, as Karl Marx put it, that “all that is solid melts into air”?were invented in Japan in the 1700s and expressed like never before in the designs of such masters as Hokusai, Utamaro, and Hiroshige in the early 19th century.
This book lifts the veil on a much-loved but little-understood art form by presenting the 200 most exceptional Japanese woodblock prints in their historical context. Ranging from the 17th-century development of decadent ukiyo-e, or “pictures of the floating world,” to the decline and later resurgence of prints in the early 20th century, the images collected in this edition make up an unmatched record not only of a unique genre in art history, but also of the shifting mores and cultural development of Japan.
From mystical mountains to snowy passes, samurai swordsmen to sex workers in shop windows, each piece is explored as a work of art in its own right, revealing the stories and people behind the motifs. We discover the four pillars of the woodblock print?beauties, actors, landscapes, and bird-and-flower compositions?alongside depictions of sumo wrestlers, kabuki actors, or enticing courtesans?rock stars who populated the “floating world” and whose fan bases fueled the frenzied production of woodblock prints. We delve into the horrifying and the obscure in prints where demons, ghosts, man-eaters, and otherworldly creatures torment the living?stunning images that continue to influence Japanese manga, film, and video games to this day. We witness how, in their incredible breadth, from everyday scenes to erotica, the martial to the mythological, these works are united by the technical mastery and infallible eye of their creators and how, with tremendous ingenuity and tongue-in-cheek wit, publishers and artists alike fought to circumvent government censorship.
This two-volume edition in a box, crafted with traditional Japanese binding, presents reproductions of the finest extant impressions from the vaults of museums and private collections across the globe. Stunning fold-outs invite us to study even the subtlest details, while extensive descriptions guide us through this frantic period in Japanese art history.
Hokusai. Thirty-six Views of Mount Fuji
Mount Fuji has long been a centerpiece of Japanese cultural imagination, and nothing captures this with more virtuosity than the landmark woodblock print series Thirty-six Views of Mount Fuji by Katsushika Hokusai (1760–1849). The renowned printmaker documents 19th-century Japan with exceptional artistry and adoration, celebrating its countryside, cities, people, and serene natural beauty. Produced at the peak of Hokusai’s artistic ambition, the series is a quintessential work of ukiyo-e that earned the artist world-wide recognition as a leading master of his craft.
The prints illustrate Hokusai’s own obsession with Mount Fuji as well as the flourishing domestic tourism of the late Edo period. Just as the mountain was a cherished view for travelers heading to the capital Edo (now Tokyo) along the Tokaido road, Mount Fuji is the infallible backdrop to each of the series’ unique scenes. Hokusai captures the distinctive landscape and provincial charm of each setting with a vivid palette and exquisite detail.
Including the iconic Under the Great Wave off Kanagawa (also The Great Wave), this widely celebrated series is a treasure of international art history. Among only a few complete reprints of the series, this XL edition pays homage to Hokusai’s striking colors and compositions with unprecedented care and magnitude. Bound in the Japanese tradition, Thirty-six Views of Mount Fuji presents the original 36 plates plus the additional 10 later added by the artist.
The perfect companion piece to TASCHEN’s One Hundred Views of Edo and The Sixty-Nine Stations along the Kisokaido, this publication paints an enchanting picture of pre-industrial Japan and is itself a stunning monument to the art of woodblock printing.
Hokusai. Shunga
Beneath the Kimono
The master’s complete erotica, gathered in one arresting volume
If you think you know Hokusai (1760–1849), think again. Long before The Great Wave, the great master turned his hand (and eye) to something altogether more intimate. From maidservants and wives to courtesans, lovers, and curious onlookers – and, yes, an infamous pair of frisky octopuses – Hokusai’s shunga (literally “spring pictures”) are bold, joyful, and often laugh-out-loud funny.
This comprehensive portfolio brings together eight complete books and print sets from 1786–1823, with many of their accompanying narratives penned by the artist himself. Blending the visual with the verbal, the pages brim with exaggerated anatomy, impish voyeurism, tender exchanges, and a surprisingly egalitarian attitude to enjoyment for both sexes.
In contrast to the prudery of 18th-century Europe, Edo-period (1603–1868) Japan accepted sexuality as a natural part of life. With shunga officially banned but tolerated in practice, many reputable artists navigated government censorship to embrace the genre with gusto, albeit under pseudonyms. These works were made to entertain, to arouse, and even used for good luck – samurai carried them as talismans when going into battle. Technical innovations in printing during Hokusai’s lifetime allowed for rich colours and exquisitely rendered textiles, but the content remained delightfully human: full of risky rendezvous, stolen moments, and scenes of marital (or extra-marital) bliss.
Realized with new photography of these rare works, and complemented by an in-depth introduction and explanatory essays, this retrospective offers gorgeous glimpses into a lesser-known but wildly imaginative thread in Hokusai’s over 70-year career: proof, perhaps, that great masters have their guilty pleasures too.
Hokusai
The most distinguished artist of Edo-period Japan, explored like never before
At the age of six, Hokusai was said to have painted his first picture, and a year after his death aged 89, his designs for illustrated books were posthumously published. Tracing a long, prolific career, this edition spans each of the artist’s creative phases: from the actor portraits with which Hokusai started out to the 1,300 designs carried out in his final years under the name Manji.
Reproducing 746 woodblock prints, paintings, sketches, and book illustrations, many of them in granular detail, this volume is comfortably the most complete publication on perhaps Japan’s most famous artist. Hokusai’s wide appeal as the recognizable figure of Japan’s Edo period endures to this day: in March 2023, a version of his iconic woodblock print Under the Wave off Kanagawa (or The Great Wave), from his series Thirty-six Views of Mount Fuji, was auctioned for 2.76 million US dollars.
Looking far beyond The Great Wave, this monograph features both familiar and lesser known, rarely reprinted artworks. Entitled The (almost) complete Hokusai, it offers an unmatched variety of subjects and techniques: from a landscape of the Kirifuri Waterfall to large-format maps of the Tokaido and Kisokaido roads and the Boso Peninsula; spreads of illustrated books, from his sensual, imaginative erotica (shunga) to drawing manuals such as the fifteen-volume Hokusai manga; and several depictions of animals, from his various woodblock print series on birds and flowers to his later hanging scroll paintings of ducks amidst a flowing stream and a tiger suspended in the snow.
The result of an extensive campaign of new photography, this edition has sourced images of artworks from over 100 institutions worldwide. These include museums and collections from Europe and the United States to Japan, such as the Hiei Shrine at Kisarazu, where a surviving panel painting of a boar hunt at the foot of Mount Fuji was rephotographed for this edition.
Accompanying texts by Andreas Marks place Hokusai’s works in historical context, exploring his influence on Western artists such as Degas and Gauguin despite never leaving Japan himself. Combining rigorous research on the authenticity of Hokusai’s art with extra-large reproductions, including four fold-outs, The (almost) complete Hokusai is both a visual carnival of Edo-period Japan and a significant monograph of scholarly reference.
Jókai: Japonské nadprirodzené javy a bytosti
Fascinujúci panteón japonských nadprirodzených bytostí
V tejto rozsiahlej knižnej zbierke nájdete démonov (jókai), duchov a zjavenia (júrei), duchov v hrách kabuki, čarodejníkov (jodžucuši), diablov či čertov (oni) a duše hľadajúce pomstu (onrjó) – mýtické javy a bytosti z folklóru a ľudovej kultúry, ktoré dodnes nadchýnajú čitateľov tradičných príbehov či komiksov manga. Kniha je encyklopedickým kaleidoskopom stovky takýchto bytostí s ich podrobnými opismi a ikonografiou.
Každá bytosť je vyobrazená na ukážkach z pôvodných japonských drevorezov, kníh a obrazov z 18. a 19. storočia z múzeí, knižníc a zo súkromných zbierok po celom svete. Ilustrácie zobrazujú „originálne“ tradičné podoby a vzhľad týchto bytostí, ktoré tvoria základ všetkých ich neskorších zobrazení. Medzi najvýznamnejšie diela patria dva maľované zvitky – Zbierka strašidiel a Nočný sprievod stovky démonov – z fondu Minneapoliského inštitútu umenia, ktoré sú prvý raz reprodukované práve v tejto knihe.
Objavte pôvodné maľby a tlače 100 japonských duchov, démonov, strašidiel a čarodejníkov.
Z anglického originálu preložili Martin Katuščák a František Paulovič.
Japanese Woodblock Prints
Japanese Woodblock Wonders
Masterpieces of a unique art form
From Edouard Manet’s portrait of naturalist writer Émile Zola sitting among his Japanese art finds to Van Gogh’s meticulous copies of the Hiroshige prints he devotedly collected, 19th-century pioneers of European modernism made no secret of their love of Japanese art. In all its sensuality, freedom, and effervescence, the woodblock print is single-handedly credited with the wave of japonaiserie that first enthralled France and, later, all of Europe—but often remains misunderstood as an “exotic” artifact that helped inspire Western creativity.
The fact is that the Japanese woodblock print is a phenomenon of which there exists no Western equivalent. Some of the most disruptive ideas in modern art—including, as Karl Marx put it, that “all that is solid melts into air”—were invented in Japan in the 1700s and expressed like never before in the designs of such masters as Hokusai, Utamaro, and Hiroshige in the early 19th century.
This volume lifts the veil on a much-loved but little-understood art form by presenting the most exceptional Japanese woodblock prints in their historical context. Ranging from the 17th-century development of decadent ukiyo-e, or “pictures of the floating world,” to the decline and later resurgence of prints in the early 20th century, the images collected in this edition make up a record not only of a unique genre in art history, but also of the shifting mores and cultural development of Japan.
We discover the four pillars of the woodblock print—beauties, actors, landscapes, and bird-and-flower compositions—alongside depictions of sumo wrestlers, kabuki actors, or enticing courtesans—rock stars who populated the “floating world” and whose fan bases fueled the frenzied production of woodblock prints. We delve into the horrifying and the obscure in prints where demons, ghosts, and otherworldly creatures torment the living—stunning images that continue to influence Japanese manga, film, and video games to this day. We witness how, in their incredible breadth, from everyday scenes to erotica, the martial to the mythological, these works are united by the technical mastery and infallible eye of their creators and how, with tremendous ingenuity and tongue-in-cheek wit, publishers and artists alike fought to circumvent government censorship.
This edition compiles the finest extant impressions from museums and private collections across the globe, accompanied by descriptions to guide us through this frantic period in Japanese art history.
Hiroshige & Eisen The Sixty-Nine Stations Along the Kisokaido
The Kisokaido route through Japan was ordained in the early 1600s by the country's then-ruler Tokugawa Ieyasu, who decreed that staging posts be installed along the length of the arduous passage between Edo (present-day Tokyo) and Kyoto. Inns, shops, and restaurants were established to provide sustenance and lodging to weary travelers. In 1835, renowned woodblock print artist Keisai Eisen was commissioned to create a series of works to chart the Kisokaido journey. After producing 24 prints, Eisen was replaced by Utagawa Hiroshige, who completed the series of 70 prints in 1838.
Both Eisen and Hiroshige were master print practitioners. In The Sixty-Nine Stations along the Kisokaido, we find the artists' distinct styles as much as their shared expertise. From the busy starting post of Nihonbashi to the castle town of Iwamurata, Eisen opts for a more muted palette but excels in figuration, particularly of glamorous women, and relishes snapshots of activity along the route, from shoeing a horse to winnowing rice. Hiroshige demonstrates his mastery of landscape with grandiose and evocative scenes, whether it's the peaceful banks of the Ota River, the forbidding Wada Pass, or a moonlit ascent between Yawata and Mochizuki.
Taken as a whole, The Sixty-Nine Stations collection represents not only a masterpiece of woodblock practice, including bold compositions and an experimental use of color, but also a charming tapestry of 19th-century Japan, long before the specter of industrialization. This TASCHEN volume is sourced from one of the finest surviving first editions and revives the series in our compact anniversary edition.
Japanese Woodblock Prints. 40th Ed.
From Edouard Manet's portrait of naturalist writer Emile Zola sitting among his Japanese art finds to Van Gogh's meticulous copies of the Hiroshige prints he devotedly collected, 19th-century pioneers of European modernism made no secret of their love of Japanese art. In all its sensuality, freedom, and effervescence, the woodblock print is single-handedly credited with the wave of japonaiserie that first enthralled France and, later, all of Europe-but often remains misunderstood as an "exotic" artifact that helped inspire Western creativity.
The fact is that the Japanese woodblock print is a phenomenon of which there exists no Western equivalent. Some of the most disruptive ideas in modern art-including, as Karl Marx put it, that "all that is solid melts into air"-were invented in Japan in the 1700s and expressed like never before in the designs of such masters as Hokusai, Utamaro, and Hiroshige in the early 19th century.
This volume, derived from the original XXL monograph, lifts the veil on a much-loved but little-understood art form by presenting the most exceptional Japanese woodblock prints in their historical context. Ranging from the 17th-century development of decadent ukiyo-e, or "pictures of the floating world," to the decline and later resurgence of prints in the early 20th century, the images collected in this edition make up an unmatched record not only of a unique genre in art history, but also of the shifting mores and cultural development of Japan.
From mystical mountains to snowy passes, samurai swordsmen to sex workers in shop windows, each piece is explored as a work of art in its own right, revealing the stories and people behind the motifs. We discover the four pillars of the woodblock print-beauties, actors, landscapes, and bird-and-flower compositions-alongside depictions of sumo wrestlers, kabuki actors, or enticing courtesans-rock stars who populated the "floating world" and whose fan bases fueled the frenzied production of woodblock prints. We delve into the horrifying and the obscure in prints where demons, ghosts, man-eaters, and otherworldly creatures torment the living-stunning images that continue to influence Japanese manga, film, and video games to this day. We witness how, in their incredible breadth, from everyday scenes to erotica, the martial to the mythological, these works are united by the technical mastery and infallible eye of their creators and how, with tremendous ingenuity and tongue-in-cheek wit, publishers and artists alike fought to circumvent government censorship.
As part of our 40th anniversary series, this edition compiles the finest extant impressions from museums and private collections across the globe in a lightweight, accessible format, offering extensive descriptions to guide us through this frantic period in Japanese art history.
Thirty-six Views of Mount Fuji
Famous First Edition: First printing of 6,000 numbered copies
Mount Fuji has long been a centerpiece of Japanese cultural imagination, and nothing captures this with more virtuosity than the landmark woodblock print series Thirty-six Views of Mount Fuji by Katsushika Hokusai (1760-1849). The renowned printmaker documents 19th-century Japan with exceptional artistry and adoration, celebrating its countryside, cities, people, and serene natural beauty. Produced at the peak of Hokusai's artistic ambition, the series is a quintessential work of ukiyo-e that earned the artist world-wide recognition as a leading master of his craft.
The prints illustrate Hokusai's own obsession with Mount Fuji as well as the flourishing domestic tourism of the late Edo period. Just as the mountain was a cherished view for travelers heading to the capital Edo (now Tokyo) along the Tokaido road, Mount Fuji is the infallible backdrop to each of the series' unique scenes. Hokusai captures the distinctive landscape and provincial charm of each setting with a vivid palette and exquisite detail. Including the iconic Under the Great Wave off Kanagawa (also The Great Wave), this widely celebrated series is a treasure of international art history.
Among only a few complete reprints of the series, this XXL edition pays homage to Hokusai's striking colors and compositions with unprecedented care and magnitude. Bound in the Japanese tradition with uncut paper, Thirty-six Views of Mount Fuji presents the original 36 plates plus the additional 10 later added by the artist. The perfect companion piece to TASCHEN's One Hundred Views of Edo and The Sixty-Nine Stations along the Kisokaido, this publication paints an enchanting picture of pre-industrial Japan and is itself a stunning monument to the art of woodblock printing.
Hiroshige, Kisokaido
The Kisokaido route through Japan was ordained in the early 1600s by the country’s then-ruler Tokugawa Ieyasu, who decreed that staging posts be installed along the length of the arduous passage between Edo (present-day Tokyo) and Kyoto. Inns, shops, and restaurants were established to provide sustenance and lodging to weary travelers. In 1835, renowned woodblock print artist Keisai Eisen was commissioned to create a series of works to chart the Kisokaido journey. After producing 24 prints, Eisen was replaced by Utagawa Hiroshige, who completed the series of 70 prints in 1838.
Both Eisen and Hiroshige were renowned print practitioners. In The Sixty-Nine Stations along the Kisokaido, we find the artists’ distinct styles as much as their shared expertise. From the busy starting post of Nihonbashi to the castle town of Iwamurata, Eisen opts for a more muted palette but excels in figuration, particularly of glamorous women, and relishes snapshots of activity along the route, from shoeing a horse to winnowing rice. Hiroshige demonstrates his mastery of landscape with grandiose and evocative scenes, from the peaceful banks of the Ota River to the forbidding Wada Pass and a moonlit ascent between Yawata and Mochizuki.
Taken as a whole, The Sixty-Nine Stations collection represents not only a lively woodblock practice, including bold compositions and an experimental use of color, but also a charming tapestry of 19th-century Japan, long before the specter of industrialization. This new TASCHEN XXL edition revives the series with due scale and splendor. Sourced from the only-known set of a near-complete run of the first edition of the series, it ensures optimum quality for this legendary publication. A perfect companion piece to TASCHEN’s One Hundred Famous Views of Edo, it is at once a visual delight and a major artifact from the bygone era of Imperial Japan.
Japanese Woodblock Prints
From Edouard Manet's portrait of naturalist writer Emile Zola sitting among his Japanese art finds to Van Gogh's meticulous copies of the Hiroshige prints he devotedly collected, 19th-century pioneers of European modernism made no secret of their love of Japanese art. In all its sensuality, freedom, and effervescence, the woodblock print is single-handedly credited with the wave of japonaiserie that first enthralled France and, later, all of Europe-but often remains misunderstood as an "exotic" artifact that helped inspire Western creativity.
The fact is that the Japanese woodblock print is a phenomenon of which there exists no Western equivalent. Some of the most disruptive ideas in modern art-including, as Karl Marx put it, that "all that is solid melts into air"-were invented in Japan in the 1700s and expressed like never before in the designs of such masters as Hokusai, Utamaro, and Hiroshige in the early 19th century.
This book lifts the veil on a much-loved but little-understood art form by presenting the 200 most exceptional Japanese woodblock prints in their historical context. Ranging from the 17th-century development of decadent ukiyo-e, or "pictures of the floating world," to the decline and later resurgence of prints in the early 20th century, the images collected in this edition make up an unmatched record not only of a unique genre in art history, but also of the shifting mores and cultural development of Japan.
From mystical mountains to snowy passes, samurai swordsmen to sex workers in shop windows, each piece is explored as a work of art in its own right, revealing the stories and people behind the motifs. We discover the four pillars of the woodblock print-beauties, actors, landscapes, and bird-and-flower compositions-alongside depictions of sumo wrestlers, kabuki actors, or enticing courtesans-rock stars who populated the "floating world" and whose fan bases fueled the frenzied production of woodblock prints. We delve into the horrifying and the obscure in prints where demons, ghosts, man-eaters, and otherworldly creatures torment the living-stunning images that continue to influence Japanese manga, film, and video games to this day. We witness how, in their incredible breadth, from everyday scenes to erotica, the martial to the mythological, these works are united by the technical mastery and infallible eye of their creators and how, with tremendous ingenuity and tongue-in-cheek wit, publishers and artists alike fought to circumvent government censorship.
Three years in the making, this XXL edition presents reproductions of the finest extant impressions from the vaults of museums and private collections across the globe-many newly photographed especially for this project. Some 17 stunning fold-outs invite us to study even the subtlest details, while extensive descriptions guide us through this frantic period in Japanese art history.
Features:
The work of 89 artists, from the world-renowned to the unfamiliar
7 chapters organized chronologically to trace the history of the medium from 1680 to 1938
17 fold-outs, which had to be hand-folded due to their size and specifications
Exclusive reproductions from museums and private collections
An appendix listing all artists and works
Vypredané
165,00 €
