Mary Morrissy

Christine Beckett is faced with some home truths when her best friend, suffering from dementia, decides after a lifetime to be honest with her; Olivia Fletcher has an epiphany at a vaccination centre about a man who has loved her for decades; Bernard Travers revisits an unlikely romantic interlude with the mother of his teenage pen pal that has sustained him for 40 years. Twenty-Twenty Vision is a collection of interlinked short stories about hindsight and late middle-age regret subtly framed within the first year of the pandemic. It’s also a portrait, an emotional map of the 1950s generation moving into the third age with a mixture of apprehension and regret. The characters make chastening discoveries – one finds after a lifetime that she’s a bullying victim, another draws up a curriculum vitae of her emotional life when there are no jobs left to apply for. The work focuses on a handful of characters – Christine, Olivia, Bernard, Freddie, Triona and Eva – as they revisit their past and grapple with late-life perspectives. The overarching narrative is connected by character and situation, and united in theme, to form a tapestry of late middle-age reckoning.

Youth dives into the lives of four teenagers in Ireland’s most diverse town, Balbriggan. Angel is about to finish school and discover if Drill music and YouTube fame can deliver on their promises. Princess is battling to escape her claustrophobic surroundings and go to university and Dean is ready to come out from under his famous father’s shadow, while Tanya, struggling with the spotlight of internet infamy, is still posting her dream life for all of her faithful followers. Isolated and disorientated by the white noise and seemingly insurmountable expectations of adolescence, our protagonists are desperate to find anything that helps them belong. Oblivious to one another’s presence, potential and struggles, they pass each other on the street as strangers. But when their paths cross, the connections they make will change the course of their lives. Twenty-first century life – hyper-sexualized, social media saturated, anxiety-plagued – is here. Living inside its characters’ heads, and negotiating their interior landscape, this book is a love song to the possibilities of youth. Using insights gained from the young people he works with, Curran’s evocative writing yields the authenticity this novel demands. With instinctive affection and admiration for his characters’ strengths and complexities, Youth is a journey through streets less travelled.