Sarah Moss

The perfect book club spring read from the Sunday Times bestselling author. In 1960s Italy, a family secret rips a teenage girl's world apart, only for her to discover its true meaning decades later. 'Moss makes every moment count' – The Sunday Times'A book of lasting pleasures' – Eleanor Catton, Booker Prize-winning author of The Luminaries'Powerful and beautifully written' – The GuardianJust out of school and teetering on the brink of adulthood, Edith is sent alone to rural Italy. Her task is simple: support her sister Lydia, a brilliant but brittle ballet dancer, through the final weeks of her pregnancy. Once the baby is born, she is to make a phone call that will change all of their lives forever. Decades later, Edith is living a contented life in Ireland, happily divorced and finally free. But with the arrival of an unexpected message, Edith must face the truth of that long-ago summer, and the secret she has carried for a lifetime. 'Tender and rueful’ – Emma Donoghue, Booker Prize-shortlisted author of Room'A delicious novel' – Literary Review'Sublime . . . glorious' – Vogue'Luminous' – Financial Times'Beautifully crafted . . . absorbing and moving' – Daily Mail

From 1960s Italy to present-day Ireland, Ripeness is the story of a family secret that rips a teenage girl's world apart, only for her to discover its true meaning decades later. From the Sunday Times bestselling author of Summerwater, Sarah Moss. 'Moss makes every moment count' - The Sunday Times'A book of lasting pleasures' - Eleanor Catton'Powerful and beautifully written' - The GuardianJust out of school and teetering on the brink of adulthood, Edith is sent alone to rural Italy. Her task is simple: support her sister Lydia, a brilliant but brittle ballet dancer, through the final weeks of her pregnancy. Once the baby is born, she is to make a phone call that will change all of their lives forever. Decades later, Edith is living a contented life in Ireland, happily divorced and finally free. But with the arrival of an unexpected message, Edith must face the truth of that long-ago summer, and the secret she has carried for a lifetime. ‘Tender and rueful’ - Emma Donoghue'A delicious novel' - Literary Review'Sublime . . . glorious' - Vogue'Luminous' - Financial Times'Beautifully crafted . . . absorbing and moving' - Daily Mail

Winner of Scotland's Non-Fiction Book of the YearA memoir about thinking and reading, eating and denying your body food, about the relationships that form us and the long tentacles of childhood. 'Extraordinary . . . Moss is a towering figure in the contemporary literary landscape' - The Daily Telegraph‘Devastating, funny . . . a brave and important book’ - Melissa Harrison'Full of daring . . . revelatory' - The Observer'An observational masterpiece' - The iIn the household of Sarah Moss's childhood she learnt that the female body and mind were battlegrounds. 1970s austerity and second-wave feminism came together: she must keep herself slim but never be vain, she must be intelligent but never angry. Clever girls should be ambitious but women must restrain themselves. Women had to stay small. Years later, her self-control had become dangerous, and Sarah found herself in A&E. The return of her teenage anorexia had become a medical emergency, forcing her to reckon with all that she had denied her hard-working body and furiously turning mind. My Good Bright Wolf navigates contested memories of girlhood, the chorus of relentless and controlling voices that dogged Sarah’s every thought, and the writing and books in which she could run free. Beautiful, audacious, moving and very funny, this memoir is a remarkable exercise in the way a brain turns on itself, and then finds a way out. From Sarah Moss, the Sunday Times bestselling author of Summerwater, My Good Bright Wolf is a memoir like no other. 'Compulsive and compelling' - Emilie Pine‘Confronts what it means to be a woman trying to find a way to be’ - Jan Carson'Moss writes so compassionately about human frailty while her own work is as close to perfect as a novelist’s can be' - The Times

It is high summer in rural Northumberland. Seventeen-year-old Silvie and her parents have joined an encampment run by an archaeology professor with an interest in the region's dark history of ritual sacrifice. As Silvie finds a glimpse of new freedoms with the professor's students, her relationship with her overbearing father begins to deteriorate, until the haunting rites of the past begin to bleed into the present.

Teenage Silvie and her parents are living in a hut in Northumberland as an exercise in experimental archaeology. Her father is a difficult man, obsessed with imagining and enacting the harshness of Iron Age life. Haunting Silvie's narrative is the story of a bog girl, a young woman sacrificed by those closest to her, and the landscape both keeps and reveals the secrets of past violence and ritual as the summer builds to its harrowing climax.

Adam is a stay-at-home dad who is also working on a history of the bombing and rebuilding of Coventry Cathedral. He is a good man and he is happy. But one day, he receives a call from his daughter's school to inform him that, for no apparent reason, fifteen-year-old Miriam has collapsed and stopped breathing. In that moment, he is plunged into a world of waiting, agonising, not knowing. The story of his life and the lives of his family are rewritten and re-told around this shocking central event, around a body that has inexplicably failed. In this exceptionally courageous and unflinching novel of contemporary life Sarah Moss goes where most of us wouldn't dare to look, and the result is riveting - unbearably sad, but also miraculously funny and ultimately hopeful. The Tidal Zone explores parental love, overwhelming fear, illness and recovery. It is about clever teenagers and the challenges of marriage. It is about the NHS, academia, sex and gender in the twenty-first century, the work-life juggle, and the politics of packing lunches and loading dishwashers. It confirms Sarah Moss as a unique voice in modern fiction and a writer of luminous intelligence.

Only weeks into their marriage a young couple embark on a six-month period of separation. Tom Cavendish goes to Japan to build lighthouses and his wife Ally, Doctor Moberley-Cavendish, stays and works at the Truro asylum. As Ally plunges into the institutional politics of mental health, Tom navigates the social and professional nuances of late 19th century Japan. With her unique blend of emotional insight and intellectual profundity, Sarah Moss builds a novel in two parts from Falmouth to Tokyo, two maps of absence; from Manchester to Kyoto, two distinct but conjoined portraits of loneliness and determination. An exquisite continuation of the story of Bodies of Light, Signs for Lost Children will amaze Sarah Moss's many fans.