Gerald Murnane

Five of the six stories in Landscape with Landscape trace a suburban journey in the 1960s, as the writer negotiates the conflicting demands of Catholicism and sex, self-consciousness and intimacy, alcohol and literature. In the sixth story a Paraguayan man imagines a country called Australia, while his son sickens before his eyes. ‘Murnane is unlike anyone else, the sort of writer who demands to be read in a new way but, above all, demands to be read.’ Brian Evenson, Chicago Review of Books‘The emotional conviction . . . is so intense, the sombre lyricism so moving, the intelligence behind the chiselled sentences so undeniable, that we suspend all disbelief.’ J. M. Coetzee

Published in Australia in 2009, Barley Patch was Murnane''s first book in fourteen years, written after a period in which he had thought he would never write fiction again. The book begins with the question, ‘Must I write?’ What follows is both a chronicle of the images that have endured in the author’s mind and an exploration of their nature. The clarity of the images is extraordinary, as is their range, from Mandrake the Magician to the bachelor uncle kicked in the ‘stones’ as a child, from a cousin’s doll’s house to the mysterious woman who lets her hair down, from the soldier beetle who winks messages from God to the racehorses that run forever in the author’s mind.The narrator lays bare the acts of writing and imagining, finally giving us a glimpse of the mythical place where the characters of fiction dwell before they come into existence in books. With something of the spirit of Italo Calvino and Georges Perec, this is a cornerstone of Murnane''s unclassifiable project, for which he is a deserving Nobel Prize candidate.‘A genius.’ Teju Cole