Catherine Nixey
autor
Temný věk
Přeneste se do prvních století našeho letopočtu: Oceňovaná, kontroverzní a zároveň fascinující kniha Catherine Nixey vás vtáhne do epochy, která je pro mnohé stále zahalena tajemstvím a je vnímána jako temný věk. Do epochy, v níž nastupující křesťanská civilizace nemilosrdně likvidovala antickou kulturu a památky starověku. Zbyly jen trosky?
Temný věk ukazuje zrození západní civilizace ve zcela nových souvislostech. Autorka, historička a zkušená novinářka, odkrývá příběh ničení chrámů, pálení knih a umlčování hlasů, které nesouzněly s novým učením. Ve svém strhujícím vyprávění přirozeně spojuje odbornost s čtivým stylem a přibližuje tak nejen fakta, ale i plastický obraz světa, který se téměř podařilo vymazat z historické paměti lidstva.
Kniha roku podle Daily Telegraph, Spectator, Observer a BBC History Magazine
„Zajímalo vás, proč antickým sochám mnohdy chybějí hlavy, paže, nosy nebo genitálie? Teď už znáte odpověď. Temný věk přináší dokonalý popis zkázy a zoufalství. Nixey kombinuje autoritu seriózního akademika s expresivním stylem dobrého novináře.“ – Gerard DeGroot, The Times
„Silná, provokativní a znepokojivá.“ – Peter Frankopan, autor knihy Hedvábné stezky: Nová historie světa
„Strhující a návyková kniha zpochybňuje celé naše chápání nejranějších let křesťanství a středověké společnosti, která následovala.“ – Dan Jones, autor knihy Rytíři Templu
Heresy
'In the beginning was the Word,' says the Gospel of John. This sentence - and the words of all four gospels - is central to the teachings of the Christian Church and has shaped Western art, literature and language, and the Western mind.
Yet in the years after the death of Christ there was not merely one word, nor any consensus as to who Jesus was or why he had mattered. There were many different Jesuses, among them the aggressive Jesus who scorned his parents and crippled those who opposed him, the Jesus who sold his twin into slavery and the Jesus who had someone crucified in his stead.
Moreover, in the early years of the first millennium there were many other saviours, many sons of gods who healed the sick and cured the lame. But as Christianity spread, they were pronounced unacceptable - even heretical - and they faded from view.
Now, in Heresy, Catherine Nixey tells their extraordinary story, one of contingency, chance and plurality. It is a story about what might have been.
The Darkening Age
In The Darkening Age, Catherine Nixey tells the little-known - and deeply shocking - story of how a militant religion deliberately tried to extinguish the teachings of the Classical world, ushering in unquestioning adherence to the 'one true faith'.
The Roman Empire had been generous in embracing and absorbing new creeds. But with the coming of Christianity, everything changed. This new faith, despite preaching peace, was violent, ruthless and intolerant. And once it became the religion of empire, its zealous adherents set about the destruction of the old gods. Their altars were upturned, their temples demolished and their statues hacked to pieces. Books, including great works of philosophy and science, were consigned to the pyre. It was an annihilation.
Heresy
‘In the beginning was the Word,’ says the Gospel of John. This sentence – and the words of all four gospels – is central to the teachings of the Christian church and has shaped Western art, literature and language, and the Western mind.
Yet in the years after the death of Christ there was not merely one word, nor any consensus as to who Jesus was or why he had mattered. There were many different Jesuses, among them the aggressive Jesus who scorned his parents and crippled those who opposed him, the Jesus who sold his twin into slavery and the Jesus who had someone crucified in his stead.
Moreover, in the early years of the first millennium there were many other saviours, many sons of gods who healed the sick and cured the lame. But as Christianity spread, they were pronounced unacceptable – even heretical – and they faded from view. Now, in Heresy, Catherine Nixey tells their extraordinary story, one of contingency, chance and plurality. It is a story about what might have been.
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