Sophie Pinkham

‘A towering achievement’ MERVE EMRE NYT Best New Books of 2026 A majestic cultural and environmental history that reveals how forests have made – and resisted – Russia’s many empires. From the Baltic to the Pacific, from the Arctic to the Steppes of Central Asia, Russia’s forests account for nearly one-fifth of the world’s wooded lands. The Oak and the Larch is the first-ever English-language exploration of this vast expanse – a dazzling environmental history of Russia that offers an urgent new understanding of the nature of Russian power, and of Russia’s ideas of itself. Inspired by the majestic oak, which towers over the country’s western heartland, and the hardy Siberian larch, an emblem of survival in the east, award winning scholar Sophie Pinkham’s magisterial account spans centuries, revealing how forests have nourished ancient Siberian Indigenous societies, defended medieval Slavic settlements from Mongol invasion and served as both an essential natural resource and a potent cultural symbol for Russia in all its incarnations, from the days of the tsars to the Soviets to Putin’s Federation. By examining the country from the forest’s perspective, Pinkham pushes far beyond the contemporary political environment in Russia. She draws on literature, history and art to connect the expanse of the Russian wilderness and the nature of Russian culture, with indelible portraits of the diverse figures who have inhabited and celebrated these forests: the legendary Indigenous guide Dersu Uzala, giants of literature like Tolstoy and Chekhov, political thinkers like Kropotkin and even Stalin. She confronts the forest’s role in Russia’s long history of imperial conquest, and in resistance to this conquest. Gorgeously written and surprising at every turn, The Oak and the Larch offers a vision of Russia rarely seen in the West, as a land defined by its wilderness, shaped by its encounters with the frontier, and – much like our own – ultimately beholden to nature’s whim.

When I first lived in Ukraine, I was preoccupied with its ideas of the past and future. Once Maidan started, there was nothing but the present; every hour held the possibility of transformation, and of terrible violence...' After leaving university in 2004, Sophie Pinkham moved to Siberia to volunteer for the Red Cross, tackling the rising AIDS crisis by folding origami tulips. Over the next decade, she travelled and worked across the post-Soviet world, from Lake Baikal to the Black Sea, at a time when the young countries of the region were struggling to define their new identities. Black Square is a multidimensional portrait of a period of tumultuous change, and of a generation that came of age after the fall of the USSR, only to see protestors shot on Kiev's main square, Crimea annexed by Russia, and a bitter war in eastern Ukraine. We meet a charismatic doctor fighting the AIDS epidemic even as he struggles with his own drug addiction; an iconoclastic artist with a penchant for public nudity; and a Russian-Jewish clarinettist agitating for Ukrainian liberation. With a deep knowledge of the literature and legends of the region, and a keen outsider's eye for the dark absurdities of post-Soviet society, Black Square delivers an indelible impression of a region, and a world, on the brink.