Matt Seitz

Wes Anderson's eighth feature film, a meticulously crafted, visually resplendent matryoshka-doll caper set primarily in an alternate-history version of 1930s Europe, The Grand Budapest Hotel is, perhaps, the fullest expression to date of Anderson's varied thematic and stylistic idiosyncrasies, influences, and obsessions. This supplemental one-volume companion to The Wes Anderson Collection (Abrams 2013) is the only book to take readers behind the scenes of The Grand Budapest Hotel with in-depth interviews between Anderson and cultural critic and New York Times bestselling author Matt Zoller Seitz. Anderson shares the story behind the film's conception, the wide variety of sources that inspired it--from author Stefan Zweig to filmmaker Ernst Lubitsch to Photochrom landscapes from turn-of-the-century Middle Europe--personal anecdotes about the making of the film, and many other reflections on his filmmaking process. These interviews will be accompanied by behind-the-scenes photos, ephemera, and artwork.

Oliver Stone is one of the grand masters of American cinema. A multiple Academy Award-winning screenwriter and director (Midnight Express, Scarface, Platoon, JFK, Natural Born Killers, Snowden), he is as well known for his outspoken, controversial political beliefs as he is for his innovative films.Over the course of five years, Stone and author Matt Zoller Seitz discussed the arc of Stone's life and work with extraordinary candor. The cinematic mastermind shares anecdotes about Vietnam, his childhood, his struggles with posttraumatic stress disorder, and his continual struggle to reinvent himself as an artist. Seitz was given unprecedented access to Stone's personal archive, and these interviews are accompanied by never-before-seen material that dates back to Stone's childhood in the 1950s, including personal snapshots, private correspondence, annotated script pages and storyboards, and behind-the-scenes photography. At once a complex analysis of a master director's vision and a painfully honest autobiography, The Oliver Stone Experience promises to be as daring, intense, and provocative as Stone's films.

This book collects the best artwork from the first five years of "Bad Dads," an annual exhibition of art inspired by the films of Wes Anderson. Curated by Spoke Art Gallery in San Francisco, "Bad Dads" has continued to grow and progress and has featured work from more than four hundred artists. From paintings to sculptures to limited-edition screen prints, the artworks vary greatly in style, but share the imagery and beloved characters from the mind of one of Hollywood's most noteworthy and imaginative filmmakers. The book features an original cover by graphic artist Max Dalton, a foreword by writer and director Wes Anderson himself, and an introduction by TV and movie critic Matt Zoller Seitz, author of the bestselling Wes Anderson Collection books.

On January 10, 1999, a mobster walked into a psychiatrist's office and changed TV history. By shattering preconceptions about the kinds of stories the medium should tell, The Sopranoslaunched our current age of prestige television, paving the way for such giants as Mad Men, The Wire, Breaking Bad, and Game of Thrones. As TV critics for Tony Soprano's hometown paper, New Jersey's The Star-Ledger, Alan Sepinwall and Matt Zoller Seitz were among the first to write about the series before it became a cultural phenomenon. To celebrate the 20th anniversary of the show's debut, Sepinwall and Seitz have reunited to produce The Sopranos Sessions, a collection of recaps, conversations, and critical essays covering every episode. Featuring a series of new long-form interviews with series creator David Chase, as well as selections from the authors' archival writing on the series, The Sopranos Sessions explores the show's artistry, themes, and legacy, examining its portrayal of Italian Americans, its graphic depictions of violence, and its deep connections to other cinematic and television classics.