Lee Stan

Hoping to break out of a sales slump at Marvel in the early 1960s, veteran comic creators Stan Lee and Jack Kirby hit on the idea of doing a super-team. Kirby, who thought super heroes were due for a revival after 15 years of being pushed aside by romance, horror, and war comics, saw it as smart business. Lee just once wanted to “do the type of story I myself would enjoy reading.” The Fantastic Four forever changed their careers, their lives, and the comic book industry. Some of the most iconic moments in Marvel history are here, starting with Reed Richards, his girlfriend Sue Storm, his best friend Ben Grimm, and her little brother Johnny Storm crash landing their rocket after it has been hit by cosmic rays and discovering they have been transformed into Mr. Fantastic, the Invisible Girl, the Thing, and the Human Torch in issue No. 1. They were emotionally complex characters, who weren’t always sure whether their powers were a benefit or burden. Stories were set in New York City, not some fictional stand-in, and Marvel heroes regularly crossed over into each other’s books. The art was dynamic and the writing conversational and engaging. Lee and Kirby were like the Lennon and McCartney of comic books. Where the talents of one ended and the other began was not always clear, but together one plus one equaled three. Collected here are the first 20 issues reproduced from the most pristine, pedigreed original comics, which were cracked open and photographed in close collaboration with Marvel and the Certified Guaranty Company. Featured alongside the comics are an in-depth essay by acclaimed Marvel writer Mark Waid and original art, photographs, and other rarities. Welcome true believers to the Marvel Age of Comics. © 2026 MARVEL

When Stan Lee first pitched the idea of Spider-Man in 1962, his boss was full of objections: People hate spiders. Teenagers aren’t lead characters; they’re sidekicks. He should be glamorous and successful, not a friendless loser. But Stan persisted and Martin Goodman let him give the unlikely hero a tryout in Amazing Fantasy, which was already slated for cancellation. With Spider-Man on the cover, No. 15 shot to the top of Marvel’s best-seller list for the year, and the rest is history.Amazing Spider-Man, which debuted seven months later, broke the comics mold. Peter Parker lived in uncool Queens, was always broke, continually worried about his Aunt May, was unlucky in love, and was constantly getting yelled at by his boss, Daily Bugle publisher J. Jonah Jameson. Spider-Man had the quips and confidence that Parker lacked, but learning to use his powers wasn’t always easy. He often seemed on the verge of defeat against the rogue’s gallery of classic foes that debuted in the first couple of years: Vulture, Doctor Octopus, Sandman, Lizard, Electro, Kraven the Hunter, Mysterio, and the Green Goblin. Much of the credit for Spider-Man’s greatness goes to co-creator and artist Steve Ditko, who had a knack for portraying teenagers and their problems. His artwork infused Spider-Man with a loose-limbed energy, and, while maybe everyone was scared of spiders, Ditko made swinging through New York seem like the coolest adventure ever.First available as an XXL-sized collector’s dream, this Bibliotheca Universalis edition features the first 21 stories of the world’s favorite web slinger from 1962–1964. The most pristine pedigreed comics have been cracked open and photographed for reproduction in close collaboration with Marvel and the Certified Guaranty Company.With an in-depth historical essay by Marvel editor Ralph Macchio, as well as original art, rare photographs, and other gems, this robust collection of wall-crawling wonder will make anyone’s spider-sense tingle with anticipation. © 2026 MARVEL

When Marvel publisher Martin Goodman asked Stan Lee to deliver another new team book for his line of comics, he had no idea he’d be getting something like The X-Men. In fact, nobody could have imagined the extraordinary phenomenon the X-Men would eventually grow into?not Goodman, not Lee, not even the forward-thinking futurist Jack Kirby. What they started out as was a charming, ragtag team of misfits, devised by Lee and Kirby to be mutants?youngsters born with “X-tra” powers thrust upon them not by accidentally crossing paths with cosmic rays or a nuclear blast, but by the fate of birth?led by a no-nonsense professor who trained them to become heroes that could protect the world from menaces, mutant and otherwise. The first years of storytelling laid the foundation for much of what has put the X-Men at the crossroads of comics and popular culture: Hounded by a public that fears and misunderstands them, mutantkind find themselves at the heart of their own civil rights struggle; Cyclops, Marvel Girl, Angel, Beast, and Iceman found safety amongst themselves despite the challenges that set them apart from others in society; and Professor Xavier lined up against his ideological foe, Magneto, who had assembled a Brotherhood of Evil Mutants to take the fight for their self-preservation directly to humankind. Along the way, Lee and Kirby?who were on fire taking comics into the Marvel Age?introduced a menagerie of villains and supporting characters that would become mainstays of Marvel and its lore: the super-powered siblings Quicksilver and Scarlet Witch; the formidable Blob; the unstoppable Juggernaut; the jungle dweller from the Savage Land, Ka-Zar; the demigod from the stars, the Stranger; and Bolivar Trask and his army of mutant-hunting Sentinels. And as Lee and Kirby gave way to new talents so they could move on to new corners of the Marvel Universe, Atlas era art veteran Werner Roth teamed with writing newcomer and future X-Men legend Roy Thomas to begin their long run on the title. This edition features the first 21 stories of our favorite oddball super heroes from 1963 to 1966. The most pristine, pedigreed comics have been cracked open and photographed for reproduction in close collaboration with Marvel and the Certified Guaranty Company. Each page has been photographed as printed more than half a century ago, then digitally remastered using modern retouching techniques to correct problems with the era’s inexpensive, imperfect printing?as if hot off of a world-class 1960s printing press. In addition to these seminal tales are an in-depth essay by X-Men writer Fabian Nicieza as well as original art, photographs, and memorabilia from the early years of X. © 2026 MARVEL

By early 1963 the foundations of the Marvel Universe had been laid. Following the introduction of the Fantastic Four in 1961 came the amazing (Spider-Man), the astonishing (Ant-Man), the strange (Doctor, that is), the incredible (Hulk), the invincible (Iron Man) and the mighty (Thor). Still, Marvel editor in chief Stan Lee realized something was missing. “I was writing these characters and I thought it would fun to put them together in a team,” he recalled. So Lee and artist Jack Kirby assembled Iron Man, Ant-Man and the Wasp, Thor, and the Hulk to create the Avengers.Right away it was clear this team was different. If the Fantastic Four were family, then the Avengers were the co-workers you didn’t choose. Not everyone got along—the Hulk fought with everyone—but working together they could defeat the baddest of Marvel’s bad guys, like Loki, Kang the Conqueror, the Masters of Evil, and Immortus. The lineup was ever changing: The Hulk departed, Captain America joined, and Ant-Man grew up to become Giant-Man. Then, remarkably, villains Hawkeye, Quicksilver, and the Scarlet Witch became heroes—and Avengers—and the group’s founding members shockingly departed, leaving Captain America to lead the newly-minted heroes.Relive the classic early adventures of Avengers Nos. 1–20 now available as a compact trade edition. The most pristine pedigreed comics have been cracked open and photographed for reproduction in close collaboration with Marvel and the Certified Guaranty Company. Accompanying the stories are an in-depth history by the Eisner Award-winning writer Kurt Busiek that’s illustrated with original art, little-seen photographs, and rare documents. This mighty collection about Earth’s Mightiest Heroes is worthy of Tony Stark’s library—or yours.

20 For 20! Celebrate 20 years of BOOM! Studios with the epic science fiction magnum opus, collected in its entirety for the very first time. From the minds of comic book legend Stan Lee and Eisner Award-winning writer Mark Waid (Kingdom Come, Daredevil), Tom Peyer (The Wrong Earth), and artist Chad Hardin (Harley Quinn) comes the greatest hero of all-time! When quantum scientist Ronald Lessik''s experiment went wrong, he was transformed into the time-manipulating superhero, the Traveler! Now, he seeks to find his true love, herself lost in time and space, and defend the world from threats like the Split-Second Men, temporal ghosts, the time-lost planet Anachronopolis, and even comes face-to-face with fellow hero Soldier Zero! A gripping sci-fi superhero adventure by industry legends and from the mind of one of the most prolific creators in all comic history, Stan Lee! Collects The Traveler #1-12.

Classic, rarely seen magazine tales of Spider-Man in oversized glory! At the height of the Silver Age, Spider-Man swung into a new magazine-sized format - and the results were spectacular! With John Romita Sr. channeling film noir in his visuals and Stan Lee offering longer stories for a more mature readership, these were Spidey tales like nothing that had come before! In the first issue, told in glorious halftone black and white, Richard Raleigh bids to be the next mayor of New York - but will a monster running amok in the Big Apple derail his campaign? Then Lee and Romita go fittingly full-colour for the Green Goblin''s highflying return, delivering a feature-length showdown between Spidey and his archnemesis! Plus: Revisit Spider-Man''s origin as retold by Stan and his brother, Larry Lieber! Collecting: Spectacular Spider-Man (1968) 1-2

Az eredetileg 1975-ben megjelent kiadvány a Marvel-mitológia legismertebb szereplőinek első történeteit tartalmazza: a könyvet lapozgatva megismerkedhetünk az X-Men, Vasember, a Bosszúállók, Fenegyerek, Nick Fury, Szemlélő és az Ezüst Utazó eredetével. Mindegyik képregényt a legendás, felülmúlhatatlan Stan Lee válogatta a kötetbe, és mindegyikhez ő maga írt külön bevezetőt. A kiadványban Lee mellett olyan klasszikus írók és rajzolók munkáival ismerkedhetünk meg, mint Jack Kirby, Steve Ditko, John Romita és Marie Severin. A Marvel Comics eredettörténetek megbecsült alkotók munkáinak gyűjteménye a képregénytörténet ezüstkorának legjobbjaiból, párját ritkító kiadvány, tele ikonikus hősök legelső sztorijaival. A könyv egyszerre szemlélteti, hogyan váltak ezek a figurák a születésük óta eltelt években időtlenné, és hogy univerzumépítő alkotóik milyen felbecsülhetetlen értékű kincsekkel gazdagították a popkultúrát.

Namor the Sub-Mariner was Marvel''s first superhero, and his re-introduction to the Marvel Universe in the 60s shows what makes him one of the most complex and fascinating characters in comics! Created in 1939, Namor was Marvel''s first super hero, and his 1960s reintroduction linked those appearances to create the tapestry of the Marvel Universe! Imperius rex! Namor, the Sub-Mariner, is getting the Omnibus treatment! This volume takes a deep dive into his first Marvel Age exploits, collecting all the rare appearances where the anarchic antihero wreaked havoc on the nascent Marvel Universe. Back then, Namor was just as likely to team up with Doctor Doom as he was to save the world, and that was a formula for excitement! When the brash monarch earned his own series in TALES TO ASTONISH, he set out on a quest for the Trident of Neptune that would prove his status as rightful heir to the throne of Atlantis. He''ll also battle Warlord Krang, defend the Lady Dorma and go to war with the Secret Empire on the way to his own solo series! Collecting: Sub-Mariner (1968) #1; Fantastic Four (1961) #4, #6, #9, #14, #27, #33 and Annual (1963) #1; Avengers (1963) #3-4; X-Men (1963) #6; and Daredevil (1964) #7 - and material from Tales To Astonish (1959) #70-101; Iron Man And Sub-Mariner #1; Tales Of Suspense (1959) #79-80; Strange Tales (1951) #107 and #125; and Not Brand Echh (1967) #1, #4 and #9

Stunningly photographed by award-winner Geoff Spear, Amazing Fantasy no. 15 and Amazing Spider-Man no. 1 are showcased as you’ve never seen them before—oversize and up close—in this gorgeous celebration of the web-slinger. Spider-Man first swung onto the comic book pages in August 1962 with the publication of Amazing Fantasy no. 15, created by Stan Lee and Steve Ditko and with cover art by Jack Kirby. Sixty years after the comic’s publication, award-winning graphic designer Chip Kidd reimagines the iconic first story also told in The Amazing Spider-Man no. 1 from March 1963 using original vintage copies of both comic books to present these classic tales in a whole new way. This handsome book is perfect for both lifelong fans and the latest generation of Marvel enthusiasts. It's a panel-by-panel exploration of both entire issues that captures every single detail and nuance of Lee and Ditko’s groundbreaking story, making it a must-have for every comic book collection. The book also includes text by Chip Kidd, Marvel editor Tom Brevoort, historian Peter Sanderson, and Library of Congress curator Sara Duke.

The Great Devourer! The Eater of Worlds! He is known by names across a thousand galaxies and strikes fear into all who hear it, for he is GALACTUS! A being from before the dawn of time, consumed by an eternal hunger that forces him to feed upon entire planets! Marvel Platinum proudly present the most important tales in the eter nal life of Galactus. Collecting FANTASTIC FOUR (1964) #48-50, 175 & 262, GALACTUS THE DEVOURER (1999) #6, FANTASTIC FOUR (1998) #49, THE MIGHTY THOR (2011) #4-6 AND FANTASTIC FOUR (2018) #45

The mostly true tale of Stan Lee, the one and only Godfather of Comics. From his childhood in Depression-era New York, to transforming Marvel into the number one comics publisher in the world, to his 21st-century reinvention as Chief Creative Officer of global entertainment company POW! Entertainment, Stan “the Man” Lee stands the test of time as the most legendary name in comicbook history. Stanley Lieber began working at Timely Comics in 1940 at the age of 17 and found himself at the helm of the bullpen as its top editor just two years later. But it wasn’t until 1961 that he ignited a revolution known as the “Marvel Age of Comics.” With a legendary stable of art partners including Jack Kirby, Steve Ditko, John Romita, and Jim Steranko, Lee unleashed a dizzying cascade of seminal comicbook creations—the Fantastic Four, Hulk, Spider-Man, Thor, Iron Man, the X-Men, and the Avengers to name a few. After moving to Hollywood in 1980, he did it again, developing TV and film projects that laid the groundwork for the “Marvel movie.” Stan’s constant cameo presence in these billion-dollar worldwide events was a testament to his influence. As the man behind POW! Entertainment, he became a master of all media—working with rock stars and professional sports leagues, movie mavens and reality TV shows—reinforcing his creative stature the world over. First published as a signed Collector’s Edition and sold out within a week, the book was written and edited with Lee himself. His tale is told by his successor at Marvel, renowned comics writer, editor, and historian Roy Thomas, who brings “you are there” insights and wide-eyed clarity to key moments of Lee’s journey to pop culture immortality. Featuring hundreds of treasures of comicbook art, intimate photographs sourced straight from his family archives, a foreword written by Lee himself, a novel-length essay and new epilogue by Thomas, and an appendix with complete reprints of Stan’s comics from throughout the decades, this is a titanic tribute worthy of the Man. All Marvel characters are © MARVEL

May 1965 marked the debut of Nick Fury, agent of SHIELD - and this omnibus collects the entire publishing slate from that monht, in this time capsule of an omnibus! Marvel proudly celebrates the 60th anniversary of Stan Lee and Jack Kirby''s S.H.I.E.L.D. with an Omnibus collecting every Marvel comic released in May 1965, the month Nick Fury''s super-hero spy thriller debuted! It''s the next step in the evolution of the Marvel Universe, one that''s increasingly being taken over by innovative super heroes. But the there''s still plenty to be had in the pages of Patsy Walker and Millie the Model as those titles adapt to the ever-swinging Sixties. While over on the range in Two-Gun Kid, the Western villain the Panther seems like a fantastic idea. May 1965 also featured the beginning of Namor the Sub-Mariner - Marvel''s original antihero - in his Tales to Astonish solo series. Take a trip back in time and experience the whole of the Marvel Universe with the Marvel: May 1965 Omnibus! Collecting: Strange Tales (1951) #135, The X-Men (1963) #12, Journey Into Mystery (1952) #118, Tales To Astonish (1959) #70, Patsy And Hedy (1952) #101, Rawhide Kid (1955) #47, The Fantastic Four (1961) #41, The Amazing Spider-Man (1963) #27, The Avengers (1963) #18, Tales of Suspense (1959) #68, Sgt. Fury (1963) #20, Daredevil (1964) #9, Modeling With Millie (1963) #40, Patsy Walker (1945) #122, Kid Colt Outlaw (1948) #124, Two-Gun Kid (1948) #77 and Millie The Model (1945) #130

Back in hardcover, beautifully restored to match the original comics and boasting expanded bonus material, the original Marvel Masterworks return at last, this time with the early modern adventures of Captain America! On the eve of America''s entrance into World War II, Steve Rogers was transformed from a 97-pound weakling into Captain America, but before the war''s end a tragic encounter left the Star-Spangled Avenger frozen in the North Atlantic and his sidekick Bucky dead. The world turned on for decades. When Cap was finally resuscitated, he was a man out of time tormented by the death of his partner. Stan Lee and Jack Kirby explore those themes as they bring you the rebirth of an American icon. They''ll explore Cap''s new life in the Marvel Age, reveal the origins of Cap, Bucky and the Red Skull and introduce cornerstone characters and creations including Sharon Carter and the Cosmic Cube. Collecting: Tales of Suspense (1959) #59-81

The second Marvel character to spring from the legendary creative collaboration of Stan Lee and Jack Kirby in the early 1960s was a far cry from the Fantastic Four’s recognizable family dynamics and globe-trotting super heroics. The Hulk was a Monster! The alter ego of puny human scientist Bruce Banner unleashed when an experimental bomb douses the hapless scientist in Gamma radiation, and thereupon unleashed every time the mild-mannered Banner lost his temper, the Hulk exploded from comics stands into an unsuspecting world…and he hasn’t stopped since. Unquestionably one of the strangest, strongest, and most evocative archetypes to come from Marvel Comics, the Hulk defies all explanation. At times at war with other superheroes, villains, the United States military, humanity, and even his alter-ego Bruce Banner himself, he stands as an avatar of unbridled fury, primal instincts, the destructive potential of the atomic bomb and humanity’s hubris all at once. A modern Prometheus, imbued by atomic fire, who will never stop raging, never stop smashing. Now, TASCHEN brings you the Hulk as you’ve never seen him before, in an XXL-size volume worthy of his name. Collecting The Incredible Hulk Nos. 1–6, along with his appearances in Tales to Astonish. All issues have been photographed using TASCHEN’s sterling reproduction methods, resembling the way these comics first looked when initially published, while also being digitally remastered using modern retouching techniques to correct problems with the era’s inexpensive, imperfect printing. An introduction by pop-culture and comic scholar Douglas Wolk, meticulously researched and adorned with rarely seen original art, photos, and paraphernalia showcasing the Hulk’s lasting impact on global culture, rounds out this massive package to honor of the biggest, meanest, and greenest superheroes of all time.

Back in hardcover, beautifully restored to match the original comics and boasting expanded bonus material, the original Marvel Masterworks return at last! Stan Lee and Jack Kirby set the standard for out-of-this-world imaginative adventure and launched the Marvel Universe in The Fantastic Four. Now, with all the super-hero players in place, it''s time for the FF to prove themselves against the Marvel Universe. The Thing throws down with the Hulk in a battle so huge it takes the combined might of the FF and the Avengers to stop it; the Sub-Mariner makes a play for Sue Storm; the FF tangle with the X-Men; Nick Fury appears in the story that set the table for ''Agent of S.H.I.E.L.D.''; and even Doctor Strange makes an ever-so-astral appearance! Collecting: The Fantastic Four (1961) #21-30

Witness the creation of the world’s favorite web-slinger as dreamed up by comic book legends Stan Lee and Steve Ditko, who redefined what it meant to be a hero. The first 21 Spider-Man stories are collected in an intimate view of the teen hero’s origin story and early exploits alongside original essays and rare artwork and ephemera. The origins of the teenager who broke the super hero mold When Stan Lee first pitched the idea of Spider-Man in 1962, his boss was full of objections: People hate spiders. Teenagers aren’t lead characters; they’re sidekicks. He should be glamorous and successful, not a friendless loser. But Stan persisted and Martin Goodman let him give the unlikely hero a tryout in Amazing Fantasy, which was already slated for cancellation. With Spider-Man on the cover, No. 15 shot to the top of Marvel’s best-seller list for the year, and the rest is history. Amazing Spider-Man, which debuted seven months later, broke the comics mold. Peter Parker lived in uncool Queens, was always broke, continually worried about his Aunt May, was unlucky in love, and was constantly getting yelled at by his boss, Daily Bugle publisher J. Jonah Jameson. Spider-Man had the quips and confidence that Parker lacked, but learning to use his powers wasn’t always easy. He often seemed on the verge of defeat against the rogue’s gallery of classic foes that debuted in the first couple of years: Vulture, Doctor Octopus, Sandman, Lizard, Electro, Kraven the Hunter, Mysterio, and the Green Goblin. Much of the credit for Spider-Man’s greatness goes to cocreator and artist Steve Ditko, who had a knack for portraying teenagers and their problems. His artwork infused Spider-Man with a loose-limbed energy, and, while maybe everyone was scared of spiders, Ditko made swinging through New York seem like the coolest adventure ever. First available as an XXL-sized collector’s dream, close in size to the original artworks, this compact edition features the first 21 stories of the world’s favorite web slinger from 1962–1964. Rather than recolor the original artwork (as has been done in previous decades’ reprints of classic comics), TASCHEN has attempted to create an ideal representation of these books as they were produced at the time of publication. The most pristine pedigreed comics have been cracked open and photographed for reproduction in close collaboration with Marvel and the Certified Guaranty Company. Each page has been photographed as printed more than half a century ago, then digitally remastered using modern retouching techniques to correct problems with the era’s inexpensive, imperfect printing—as if hot off a world-class 1960s printing press. With an in-depth historical essay by Marvel editor Ralph Macchio, an introduction by uber-collector David Mandel, and original art, rare photographs, and other gems, this robust collection of wall-crawling wonder will make anyone’s spider-sense tingle with anticipation. © 2024 MARVEL