Bob Stanley
autor
Lets Do It: The Birth of Pop
Pop music didn't begin with the Beatles in 1963, or with Elvis in 1956, or even with the first seven-inch singles in 1949. There was a pre-history that went back to the first recorded music, right back to the turn of the century . . .
Who were the earliest record stars, and were they in any meaningful way 'pop stars'? Who were the likes of George Gershwin writing songs for? Why did swing, the hit sound for a decade or more, become almost invisible after the Second World War?
The prequel to Bob Stanley's Yeah Yeah Yeah, Let's Do It is the first book to tell the definitive story of the birth of pop, from the invention of the 78 rpm record at the end of the nineteenth century to the beginnings of rock and the modern pop age. Taking in superstars such as Louis Armstrong, Bessie Smith, Duke Ellington and Frank Sinatra alongside the unheralded songwriters and arrangers behind some of our most enduring songs, Stanley paints an aural portrait of pop music's formative years in stunning clarity, uncovering the silver threads and golden needles that bind the form together.
Bringing the eclectic, evolving world of early pop to life - from ragtime, blues and jazz to Broadway, country, crooning and beyond - Let's Do It is essential reading for all music lovers.
Yeah Yeah Yeah
For fifty years, pop music was created and consumed like this: you heard a record on the radio, or read about it in a music paper; you bought it on Saturday; you lent it to, or taped it for, a friend; and they reciprocated with another record. It was a secret network. It was how you made friends, how you met girls, and how you soundtracked your world. Bob Stanley's Yeah Yeah Yeah tells the chronological story of the modern pop era, from its beginnings in the fifties with the dawn of the charts, vinyl, and the music press, to pop's digital switchover in the year 2000, from Rock Around the Clock to Crazy In Love. There was constant change, constant development, a constant craving for newness. It was more than just music - it could be your whole life. Yeah Yeah Yeah covers the birth of rock, soul, punk, disco, hip hop, indie, house and techno. It also includes the rise and fall of the home stereo, Top Of The Pops, Smash Hits, and "this week's highest new entry". Yeah Yeah Yeah is the first book to look back at the entire era: what we gained, what we lost, and the foundations we laid for future generations. There have been many books on pop but none have attempted to bring the whole story to life, from Billy Fury and Roxy Music to TLC and Britney via Led Zeppelin and Donna Summer. Audacious and addictive, Yeah Yeah Yeah is essential reading for all music lovers. It will remind you why you fell in love with pop music in the first place.
Vypredané
21,38 €
22,50 €
Bee Gees
5/5 - CLASSIC POP
5/5 - RECORD COLLECTOR
4/5 - THE TELEGRAPH
4/5 - MOJO
Everyone has their favourite era of the Bee Gees' career, but so much is still unclear about this celebrated but often misunderstood band. This book will provide the perfect route in, pulling together every fascinating strand to tell the story of these pioneering, melancholic masters of pop.
Uniquely, the Bee Gees' tale spans the entire modern pop era - they are the only group to have scored British top-ten singles in the '60s, '70s, '80s and '90s - and includes world-conquering disco successes like 'Stayin' Alive' and 'More Than a Woman', both from the soundtrack of hit film Saturday Night Fever.
But the Bee Gees' extraordinary career was one of highs and lows. From a vicious but temporary split in 1969 to several unreleased albums, disastrous TV and film appearances, and a demoralising cabaret season, the group weren't always revelling in the glow of million-selling albums, private jets and UNICEF concerts. Yet, even in the Gibbs' darkest times, their music was rarely out of the charts, as sung by the likes of Al Green, Kenny Rogers & Dolly Parton and Diana Ross.
Award winning author Bob Stanley captures the human story at the heart of the Bee Gees in this lyrical and stylish read.
