Peter Stothard

14 CE: The first Roman emperor is dead. A second is about to succeed. The Forum of Rome, once fought over so fiercely, has become hardly more than a museum. The house of all power is up above on the Palatine Hill, about to become the birthplace of Western bureaucracy, a warren of banqueting and bedrooms, a treacherous household where it takes special talents to survive. This is a Roman history with a cast of new men and newly dominant women, those reviled too often in the past as flatterers and gluttons, uppity slaves and former slaves, lawyers-for-hire, chancer arrivistes and unhinged party animals. Palatine uncovers the lives of the Vitellii, perhaps Rome's least admired imperial clan, of Publius, an old-fashioned soldier snared in the politics of the new age, of Lucius, an exceptionally skilled and sycophantic courtier, and of Aulus a genial sluggard whose prowess at the table carries him all the way to the throne before collapsing his family's reputation for ever. Few now remember them. Yet in their creeping ascent to the very summit of the imperial hierarchy lie neglected truths about a lasting legacy of Rome.

The story of Rome’s richest man, who died a humiliating desert death in search of military glory “A perfectly paced biography.”?Tom Holland, Times Literary Supplement Marcus Licinius Crassus (115–53 BCE) was a modern man in an ancient world, a pioneer disrupter of finance and politics, and the richest man of the last years of the Roman republic. Without his catastrophic ambition, this trailblazing tycoon might have quietly entered history as Rome’s first modern political financier. Instead, Crassus and his son led an army on an unprovoked campaign against Parthia into what are now the borderlands of Turkey, Syria, and Iraq, losing a battle at Carrhae which scarred Roman minds for generations. After Crassus was killed, historians told many stories of his demise. Some said that his open mouth, shriveled by desert air, had been filled with molten gold as testament to his lifetime of greed. His story, skillfully told by Peter Stothard, poses both immediate and lasting questions about the intertwining of money, ambition, and power.