Hannah Strong

Wes Anderson’s use of colour is one of his most distinguished cinematic devices and makes his work instantly recognisable. This book takes you on a visual journey through Anderson’s filmography, exploring unparalleled use of colour and unravelling the symbolism woven into each carefully chosen hue. From the whimsical charm of The Grand Budapest Hotel to the poignant aesthetics of Moonrise Kingdom, each chapter reveals the genius use of colour in specific scenes, costumes, sets and details. Rich with stills from the movies and vibrant infographic colour palettes, and supported by special features on themes in Anderson''s work, Colours of Wes Anderson provides a visual feast that will encourage you to watch Anderson''s films in a whole new light. This is the perfect follow-up to Colours of Film (Frances Lincoln, 2023) for fans of Wes Anderson and his aesthetic.

An illustrated critical survey of Academy Award-winning writer and director Sofia Coppola's career, covering everything from her groundbreaking music videos through her latest films In the two decades since her first feature film was released, Sofia Coppola has created a tonally diverse, meticulously crafted, and unapologetically hyperfeminine aesthetic across a wide range of multimedia work. Her films explore untenable relationships and the euphoria and heartbreak these entail, and Coppola develops these themes deftly and with discernment across her movies and music videos. From The Virgin Suicides and Marie Antoinette to Lost in Translation and The Beguiled, Coppola's award-nominated filmography is also unique in how its consistent visual aesthetic is informed by and in conversation with contemporary fine art and photography. Sofia Coppola offers a rich and intimate look at the overarching stylistic and thematic components of Coppola's work. In addition to critical essays about Coppola's filmography, the book will include interviews with some of her closest collaborators, including musician Jean-Benoît Dunckel and costume designer Nancy Steiner, along with a foreword by Italian filmmaker Alice Rohrwacher. It engages with her creative output while celebrating her talent as an imagemaker and storyteller. Along the way, readers meet again a cast of characters mired in the ennui of missed connections: loneliness, frustrated creativity, rebellious adolescence, and the double-edged knife of celebrity, all captured by the emotional, intimate power of the female gaze.