Deyan Sudjic

The in-depth story of one of the world’s most innovative and influential design companies In the recent history of contemporary design and architecture, no company has had more influence than Vitra. From the 1950s to the present day, Vitra has worked with succeeding generations of designers – from Ray and Charles Eames to Frank Gehry and Zaha Hadid, to Ron Arad, Jasper Morrison, and Virgil Abloh. With its forward-thinking approach, Vitra has defined and shaped the way that we live and work. Written by Deyan Sudjic, Vitra: The Anatomy of a Design Company, tells the story of the three generations behind Vitra. Driven by a sense of cultural and social mission, Vitra has had a major influence on every aspect of contemporary design, from architecture to graphics, photography, product design, and the landscape. It has shaped our understanding of such major figures as Jean Prouvé and Verner Panton. It has encouraged designers at the start of their careers including Jasper Morrison and Ronan and Erwan Bouroullec. It has safeguarded the archives of such key figures as Luis Barragan and Alexander Girard, and built one of the world’s most important design museums. The book also features inserts written by design consultant and writer Karen Stein, as well as a photographic essay by acclaimed architectural photographer Iwan Baan. Spanning more than 450 pages and over 400 illustrations, this substantial volume covers Vitra’s working relationship with designers, the rich architectural heritage of the Vitra Campus, with buildings by Tadao Ando, Herzog & de Meuron, and Alvaro Siza. It provides an essential account of contemporary design history, offers a unique insight into the role of design in business, and documents the nature of a design process that results in successful products.

A new edition of the definitive monograph on Japanese designer Shiro Kuramata, featuring a new introduction from author Deyan Sudjic This highly acclaimed, first ever monograph on the highly influential Japanese designer Shiro Kuramata (1934-1991) is a two-volume title presenting all his compelling and idiosyncratic work in a stunning, specially designed acrylic slipcase. Designers and design enthusiasts who love Kuramata will be astonished by the breadth and depth of Kuramata's remarkable body of work, from the iconic Miss Blanche chair, made from artificial flowers and resin, to his idiocyncratic umbrella stand that incorporates a walking stick into its design, and the armchair How High the Moon, which is made from metal mesh, many of which are still in production today.

The only comprehensive book on the fascinating life and work of the celebrated architectural designer, John Pawson This visual biography brings together John Pawson's architecture, life, clients, travel, photography, design, books, and ideas. Written by Deyan Sudjic, an architectural historian and long-time friend, it explores the full scope of Pawson's life, from his Yorkshire upbringing and time spent in Japan to the fashion years and the influence of art, and provides a thoughtful and intimate insight into his life, inspirations, and work. It features wonderfully engaging stories and anecdotes about Pawson's work with such clients as Bruce Chatwin, Calvin Klein, Karl Lagerfeld, Shiro Kuramata, Martha Stewart, and many more. The book features documents, photography and ephemera, including never-seen-before images from Pawson's personal and professional archives - richly illustrated, this is the ultimate book on John Pawson.

The first biography to trace the remarkable life and career of Ukrainian-born Boris Iofan, beautifully illustrated with many of Iofan's previously unseen sketchbooks and photographs from private collections. This is a history of architecture, politics and power. Boris Iofan (1891-1976) made his mark as Stalin's architect, both in the grand projects he achieved, such as the House on the Embankment, a megastructure of 505 homes for the Soviet elite, and through his unbuilt designs, in particular the Palace of the Soviets, a baroque Stalinist dream whose iconic image was reproduced throughout the Soviet Union. Iofan's life and designs offer a unique perspective into the politics of twentieth-century architecture and the history of the Soviet Union.

The director of the Design Museum defines the greatest artefact of all time: the cityWe live in a world that is now predominantly urban. So how do we define the city as it evolves in the twenty-first century? Drawing examples from across the globe, Deyan Sudjic decodes the underlying forces that shape our cities, such as resources and land, to the ideas that shape conscious elements of design, whether of buildings or of space. Erudite and entertaining, he considers the differences between capital cities and the rest to understand why it is that we often feel more comfortable in our identities as Londoners, Muscovites, or Mumbaikars than in our national identities.

We live in a world that is now predominantly urban. So how do we define the city as it evolves in the twenty-first century? Drawing examples from across the globe, Deyan Sudjic decodes the underlying forces that shape our cities, such as resources and land, to the ideas that shape conscious elements of design, whether of buildings or of space. Erudite and entertaining, he considers the differences between capital cities and the rest to understand why it is that we often feel more comfortable in our identities as Londoners, Muscovites, or Mumbaikars than in our national identities.

In this new series, the Design Museum looks at the fifty design icons of major cities around the world - icons that, when viewed together, inherently sum up the spirit of their city. Covering anything from buildings and monuments to a graffiti mural or an item of clothing, we are able to build up an intricate portrait of a city, layer by layer. From its long-serving Routemaster buses and world-famous tube map to the miniskirts of the swinging sixties and the imposing silhouette of Battersea Power Station, London is a tapestry of design masterpieces. Join Deyan Sudjic, Director of the Design Museum, as he unravels the visual history of one of our most complex and intriguing cities. Contents include: The Times masthead Abbey Road Battersea Power Station Tate Modern Turbine Hall Banksy graffiti mural Mary Quant miniskirt Tube map Christopher Kane flourescent dress Lloyd's of London London Aquatics Centre ...and many more.

This an essential tool kit for understanding the world around us. It's about our obsession with collecting, the quest for authenticity and the creation of national identities. It's about Hitchcock's film sets and why we value imperfection. It's about fashion and technology, about politics and art. 'A memoir and a master class in musing on modern design . . . It's a collection of thoughtful, absorbing essays about many aspects of modern design, a subject nobody writes better about than Sudjic' - Evening Standard

This book is not a dictionary, though it tells you all you need know about everything from Authenticity to Zips. It's not an autobiography, though it does offer a revealing and highly personal inside view of contemporary culture. It's an essential tool kit for understanding the world around us. It's about what makes a Warhol a genuine fake; the creation of national identities; the mania to collect. It's also about the city as seen from the rear view mirror of Grand Theft Auto V; digital ornament and why we value imperfection. It's about drinking a bruisingly dry martini in Adolf Loo's American bar in Vienna, and about Hitchcock's film sets. It's about the modern world of fashion, technology, design and art. Born in London, Deyan Sudjic studied architecture in Edinburgh, edited Domus in Milan, was the director of the Venice architecture biennale, and a curator in Glasgow, Istanbul and Copenhagen. The author of The Language of Things and The Edifice Complex, Deyan Sudjic is now Director of the Design Museum, London.

In The Language of Things Deyan Sudjic, Director of the Design Museum, decodes the things around us: their hidden meanings, our relationship with them, how they shape our lives and why we desire them. Design is everywhere. It seduces, pleases and inspires us. It makes us part with our money. It defines who we think we are. An iPhone, an anglepoise lamp, a Picasso, a banknote, an Armani suit, a William Morris textile, a Lucky Strike packet, a spacecraft - every object tells a story. And understanding their stories offers us a whole new way of seeing the world. 'Articulate and wonderfully knowledgeable ... for anyone who takes an interest in the world around us' Time Out 'A nightmare vision of a world drowning in objects ... witty, well observed and wide-ranging' Guardian 'An elegant, witty and free-ranging survey, from Thomas Chippendale's ponderous 18th-century manor-house furnishings to Jonathan Ive's sprightly Macintosh iBooks' Daily Telegraph 'Lively ... engaging' Evening Standard 'Readable, sharp and worthwhile' Financial Times Director of the Design Museum, Deyan Sudjic was born in London of Yugoslav parents. He is a former architecture critic for the Observer, and a visiting professor at the Royal College of Art. Sudjic was Director of the Venice Architecture Biennale in 2002 and is author of The Edifice Complex, the much-praised 100-Miles City, the best-selling Architecture Pack, The Language of Things and monographs on John Pawson, Ron Arad and Richard Rogers.

A selection of ground-breaking work by this pioneering architectural and design practice. ul li Future Systems is one of Britain&aposs most inventive architectural practices their designs are both inventive and beautiful li This is the definitive book on the work of Future Systems, featuring the landmark Selfridges store in Birmingham, as well as more recent unrealized projects such as the Maserati Museum in Modena li Projects are presented by theme, which allows for an in-depth study of each scheme li Includes an assessment of the work by well-known architectural critic and curator Deyan Sudjic li Extensively illustrated with colour photography, models, drawings and 3D renderings li 300 colour photographs, 100 black and white photographs