Victoria Woodcock

In the first decade of the twenty-first century, as the perils of globalized consumerism became an omnipresent reality and a topic of which all were aware, a small critical mass began to eschew mass-produced domestic design in favor of producing handmade and recycled objects themselves. The craft revolution of the early 2000s gained early visibility with the renewed popularity of knitting, which in turn revived the dying arts of crochet, embroidery, bricolage and macrame, seeping from the fringes of the culture into its