Najnovšie - Beletria - ostatné strana 34 z 65

Modern advanced hydroponics grow systems combine one or more hydroponics systems into a highly efficient grow system unit to ensure higher yields and high quality of the produce. This fusion of different hydroponics technologies into a single advanced hydroponics grow system has made it possible to produce hydroponics crops on a commercial scale.

About the Book: Laxmi, a College student, faces a life of degradation through the misspent youth of three young village boys who attend her College too and enticed by thoughts of marriage thought to infringe on her status as the daughter of a Business tycoon. Although she faces much in life and feels humiliation at being forced to marry, she has either to bear the pain or turn her life around. About the Author: Charlotte Gardner lives in  Darjeeling,  a small town with beautiful forests and a toy train which winds down the hills. She has a history of writing, was published in Woman's Era during her married years. She became a novelist, wrote A Handul of Dust and The Curse of Garibagh, her two debut novels. She is a tea taster, does organics and is Himalayan Tea and Organics. This novel COLORED LIGHTS is just a fleeting memory of traffick signals and the toy train which derailed and the snows of the beautiful Himalayas which bring her home every time.

This four-book collection features innocent young prey shifters falling prey to Alpha Werewolves. Here, you will find: Obedient Kitten When Theodore's friend dies unexpectedly, he bequests him a house and everything in it. Everything includes a young cat shifter, the lawyer says, eyes gleaming with greed and envy. Cat shifters are a rare species in a world ruled by humans and werewolves. They are considered precious and protected, and a half-shift like her? Well, she is worth tens of millions in the black market. Training Hucow The last thing Erik expects to see when he arrives in the mandatory Shifter class that the University had just set up that week is a bound hucow being rolled into the class like a human sacrifice. Their professor thinks hucows are made to be used and is offering her just for that purpose.  Except he's wrong. She's not a toy to be used. She's precious and most importantly, she's his and he intends to make it clear right there in front of all his classmates.  Abandoned Kitten When Anna losses her Master, she panics and shifts into her cat form, hiding in her animal mind because she doesn't have to deal with grief if she's a cat. Except nobody tells the werewolf who had been tasked with taking care of her that she's not actually a cat. It’s not too bad, living with the Werewolf, except she’s human too and have other needs that can’t be ignored.  Lost Little Rabbit Ally is pretty sure she's going to die. She should never have wandered away from her friend. Now, werewolves have taken interest in her and are hunting her down in broad daylight. She's a weak - and probably delicious - rabbit, so it's only a matter of time before they catch her. There are only so many places she can hide in the city. ~~~~~ Excerpt ~~~~~ "Hello there.” The man looms in front of her, huge and terrifying. "What's a little thing like you doing out here all alone? Don't you know it's not safe for shifters like you out here?" "I um- I'm just here for the event," she stutters. "If you could point me in the direction of my hotel, that would be very helpful," she says, hoping her ears are properly tucked under her hair and they can't see them. Apparently city folks are weird about Shifters like her, which was why Darnell had been so wary about letting her out of the hotel. "Aren't you sweet?" The man sneers, looming in front of her, closing in and grabbing her wrist hard enough to hurt. "Please let go," she says, her heartbeat going too fast. "I- Please," she whimpers, eyes filling with tears. She can hold onto her shift easier now that she's older, but she's fast forgetting how to keep in control because she's really scared right now. "Why would I do that? Sweet little thing like you," he drawls, leaning in and licking a wet strip up her cheek. It's really gross and she pulls away, cheeks going bright red with humiliation. The other werewolves are closing in now too, trapping her between them to give her the feeling of prey being surrounded. It's terrifying. Her breath hitches and her eyes burn with tears. She wipes away the saliva on her cheek with the back of her hand. She doesn't like the way he smells like cigarette smoke. He yanks her close, pulling their bodies closer together and then he shifts partially so that his fingers turn into sharp claws right in front of her eyes. She thinks of hitting him and running away but she's outnumbered. She closes her eyes and grimaces when she feels him comb through her hair, tips of his claws cutting through her hair band like it's made of paper. Her hair tumbles out from the ponytail and her rabbit ears drop down. A whine escapes her throat. Her ears fold back, and she trembles quietly, panicking. "Jesus-" "Oh my god." "What the-" She closes her eyes, heart beating so hard she's afraid it would break through her rib cage and abandon her. "Aren't you just lovely," he grins and she can feel his breath on her cheek, burning hot and smelling like cigarette smoke and danger. Her ear

First came the time-storm, which erased half the population. Then came the Dinosaur Apocalypse …   How did it all begin? Well, that depends on where you were and who you ask. In some places it started with the weather—which quickly became unstable and began behaving in impossible ways. In still others it started with the lights in the sky, which shifted and pulsed and could not be explained. Elsewhere it started with the disappearances: one here, a few there, but increasing in occurrence until fully three quarters of the population had vanished. Either way, there is one thing on which everyone agrees—it didn’t take long for the prehistoric flora and fauna to start showing up (often appearing right where someone was standing, in which case the two were fused, spliced, amalgamated). It didn’t take long for the great Time-displacement called the Flashback—which was brief but had aftershocks, like an earthquake—to change the face of the earth. Nor for the stories, some long and others short, some from before the maelstrom (and resulting societal collapse) and others after, to be recorded.   Collected herein are the stories in which Love mattered.   From Love in the Age of Reptiles:   There were six of them, as I said—all of whom rushed us the instant our feet touched the ground. All of whom snarled and charged us like wolverines as we raised our weapons and fired—the flare gun cracking and hissing, blanching the scarlet haze (for the sun had painted everything red and gold), its projectile punching through one of the raptors’ chests and lighting it up so that its ribs were backlit briefly and I could see, if only for an instant, its burning, beating heart.   Yet still they came, another one leaping at me even as I dropped the gun—which clattered against the planks—as I dropped it and grabbed the thing by its neck—then brought the knife down with my other hand and stabbed it between the eyes.   “Run!” I shouted, even as Amanda shot another—her second—and then bolted toward the shore, drawing the others so that I was able to snatch up the flare gun and quickly reload it; so that I was able to pursue them and to shoot one in the back—while Amanda turned and took out the last of them (shooting it in the head so that the back of its skull exploded like a spaghetti dinner thrown against the wall; so that it collapsed, writhing, about 10 feet in front of her—whereupon she quickly approached it and shot it again, just to be sure).   And then she looked at me (as the dead and dying animals lay all around us) and I looked back: our chests heaving; our faces covered in sweat, our worn clothes bloody and disheveled, and I knew that she knew—which was that today we were the predators, the thing needing to be feared—the killers. And that neither of us needed to worry; not about food or other predators or mysterious lights in the sky or anything. Because we were the masters of our fate, we and no one else, not even God. And we were the master of the world’s fate, too.   At which she ran to me and we collided and I held her fast, there on the long jetty in the Atlantic Ocean (in the Bermuda Triangle), there beneath a day moon and the blood-red sky, in an instant in which it was good, so very good, not to be afraid, not to be alone. And as to what may or may not have happened in those breaths, those pulse points between that moment and the next—the next day, the next search, the next milestone; as to that, I offer only a quote from Gandhi: “Speak only if it improves upon the silence.”

Victim or Victor?Murder or Self-defense?It's a thin line determined by one's deepest thirst.

Ce livre est mon premier manuel sur le journal intime et contemporain. Le calme du bien-etre, des inventions. Les aspects tridimensionnels des objets concrets et humains, pour la recherche sur la pensée individuelle. Une ouvre qui vous libere des engagements stylistiques, les erreurs appartiennent a tout le monde, le présent doit etre représenté mais, sans craindre d'avoir commis une erreur plus grande que le silence précédemment accepté. En choisissant un discours, il promet une solution quotidienne définitive a l'art rhétorico-historique. Il décrit mes expériences, imaginativement les souvenirs d'un bien au pays du mal. Ce livre est le premier manuel sur l'etre contemporain et le journal intime écrit par moi. Le calme du bien-etre, des inventions. Les aspects tridimensionnels des objets concrets et humains, pour la recherche sur la pensée individuelle. Une ouvre qui vous libere des engagements stylistiques, les erreurs appartiennent a tout le monde, le présent doit etre représenté mais, sans craindre d'avoir commis une erreur plus grande que le silence précédemment accepté. En choisissant un discours, il promet une solution quotidienne définitive a l'art rhétorico-historique. Il décrit mes expériences, imaginativement les souvenirs d'un bien au pays du mal. Journal rédigé de maniere simple, une forme textuelle pour combler également un manque d'informations completes sur le droit au bien, qui caractérise une insensibilité dans les publications publiques et journalistiques. Un phénotype comprenant des objectivités matérielles modernes, chrétiennes et arabes. Il veut représenter une porte vers l'avenir, un nouveau parti. La période des dix-huit lettres contenues va d'aout 2005 a mars 2007.

Városban lakik? Zajban, koszban, bűzben? Eljátszott már a gondolattal, hogy szívesen maga mögött hagyná az egészet, és falura költözne? Vagy már meg is tette, csak még nem tudja, mit hogyan kell csinálni? Örömmel művelne konyhakertet, gondozna gyümölcsfákat vagy tartana állatokat, de még tanácstalan, hogyan fogjon bele? Ferencz Gergő gyermekkora óta kertes házban, gazdálkodók közt él, erdészeti és faipari szakközépiskolába járt. Munka mellett mindig kertészkedett, és most mindannyiunk szerencséjére lejegyezte tapasztalatait. Praktikus tanácsokkal teli kézikönyve segít, hogy a környezettudatos házkörüli gazdálkodás minél több örömet okozzon.

Cowboy John Curry had sworn to protect Mary Newton from her shiftless, drunken husband. And when he learned that Wilbur Newton was involved in treacherous activities that would doom the desert Indians, his determination hardened to steel.

The second of the Parade's End novels, set behind the front lines in France in 1915. Christopher Tietjens is now a Captain in charge of some major logistics operations. These operations include moving a group of railway workers, volunteers from Canada! Captain Tietjens is more of an idealist at the novel's start than at its end.

Sidewinder Crowfoot and his men are up to some shady business out west with mines and prospecting, and it's up to George Beam—best known to his friends as Sagebrush Beam—to untangle the mess before the shooting starts for real. An action-packed Western tale as only the "King of the Pulps" could tell it! Includes a new introduction by John Betancourt.

Being caught, bloody gun in hand, leaning over the body of the man he had threatened to kill forces bronc-buster Glenn Crawford to turn up at the Big O ranch, a weary, footsore fugitive with more than one score to settle.Even the murder of the ranch owner in San Antonio had not prepared Crawford for the state of affairs he finds at the ranch. His sudden presence there seems to scare some of the crew half to death and lead others to try to kill him every chance they get. For the moment, however, Crawford is more interested in the state of affairs in his own body than in those of the Big O and the murderer he is sure the ranch harbors. A veteran of the saddle, Crawford discovers that since an accident which he suspects was planned, he goes into a frenzy of pain and trembling panic whenever he gets near a horse. But in spite of the torture it costs him, Crawford stays on at the ranch. He knows he cannot be a free man until he finds the murderer of Otis Rockland. Nor can he be a whole man until he conquers the black devil of a killer horse, Africano. After he meets Merida Lopez, an exotic beauty whose presence at the Big O is surrounded by mystery, he has a third motive for staying around, although he stands to lose his reason if not his life. Trapped by forces which he cannot understand, and half-crazed by the torturing pain and panic which he tries desperately both to overcome and to hide, Crawford gets himself more and more hopelessly entangled in what, as old Delcazar points out, looks like the most dangerous thing that ever hit the wild brush country. Crawford is offered a strange proposition by sinister Dr. Huerta; he listens to Merida's spellbinding tale of Santa Anna's chests—and as he listens, the jagged third of a map he possesses, plus a dying man's painfully gasped out words, take on a new and important meaning; he waits, trapped, weaponless, for a killer to come nearer, nearer—And he delivers to his other pursuers the body of one sent out to kill him—only to become more deeply enmeshed in new and still more terrifying trouble. Crawford's irritation at being stirred by Merida, whom he alternately respects and suspects of playing him for a fool, doesn't prevent him from riding secretly with her in the night in search of a place so malicious few men have ever stepped foot in it. Nor does it later prevent him from risking an agonizing death to follow her into it. Before the true murderer reveals himself, and before Crawford can again call himself a whole man, much violent action takes place. Set against the exciting background of the untamed Texas border country, this is a thrilling brew of suspense, quick death, adventure, and love.

“First it felt horrifying, as if I was floating, not going somewhere, not moving in some direction, but simply at rest without any support. I looked around, but couldn’t see, I couldn’t even sense my body. I am no body; I realized that I didn’t have a body. I have no sight, no sounds and no senses at all. I am just a point. Neither I am standing nor lying, simply a point existence.” “When you think, see the way of the thoughts and when you look, look at the looking. Jumping from a height, watch your legs and hanging from an edge go to your hands.” Fixing his pupils at the top most edge of his eyes and raising his head towards the clouds the bhikhshu uttered distinctly. *To relive the thrill read "Mani" About the Author: Rajiv K Rout is basically a writer com entrepreneur. He started his career as an engineer. Later to explore the other unknown dimensions he quit the job and started following spiritual path. For masters like OSHO, Jiddu Krishnamurti and Swami Vivekananda he plunged into the innermost depths of existence including humanity. Through unshakeable meditational practices for years, he realised the root cause of every misery is attachment and illusion and their solution as awareness or awakeness. His books are his only effort to narrate these solutions through simplified techniques. He can be reached at [email protected] his first book the “Truth or Nothing” this is his second attempt to narratethe techniques rather in a fictional way. Hope readers will appreciate this effort same as the previous one.

Anna has never dealt with change well. When Anna losses her Master, she panics and shifts into her cat form, hiding in her animal mind because she doesn't have to deal with grief if she's a cat. Except nobody tells the werewolf who had been tasked with taking care of her that she's not actually a cat.  It's not bad, being treated like an animal, though. He feeds her and pets her. Maybe she could just stay like this forever. Except she's human too and she has needs that has nothing to do with food and shelter. When she takes her human form, she surprises the Werewolf Alpha with her pale skin and cat ears and long, perfect tail.  He thought there was something wrong with him for being so drawn to the small kitten he has inherited from his father. When he sees her shift to her human form, he finally understands why the Wolf in him desires her so viscerally. ~~~~~ Excerpt ~~~~~ She is mostly asleep when she hears a familiar voice at the door that follows a confused Shadow. The old woman marches in with all the wrath of an avenging god. Or in this case, a pissed off caretaker. Master Monty's primary caregiver is a terrifying woman and keeps order around the house with an iron fist. She must have been so sad when she came back from her son's graduation and found out that Master Monty had died in her absence.  "Melissa? What're you doing here?" Shadow sounds uncertain for the first time since she's been here. "How did you get in?" he continues, completely flummoxed. "The staff tell me that you took Anna with you," Melissa says and her ears perk up at the sound of her name. "Where is she?" Louder, she calls out, "Anna? Anna, darling. Where are you?" Melissa has a sweet spot for her. The older woman practically raised her. She's neither wolf nor cat. Her animal is a bear and she sorts of looks like one, though Anna was never brave enough to say it to her face. Melissa is as big as one, tall and broad with fat and muscle in equal parts and talks with an undertone of 'I can break your bones with my bare hands' that makes the animal side of her tremble and want to hide far, far away. But Melissa has always been kind to her. "It was in the will. She's important to the old man, I gather?" Shadow is attempting to make himself sound less surprised by the unexpected visit and get a hold of himself, but Anna can hear his heartbeat and he is a little scared. She wonders if Melissa raised him too. "Where is she?" Melissa doesn't wait for an answer, sniffing the air and following her nose until she is looking down at Anna, curled up inside of her little cage. "Mreowl," she whines up at the older woman, who lets out an outraged roar that echoes through the room and makes the walls vibrate. She wonders if the walls would crumble from the sheer power in her roar, but they only shake a little, holding firm. Anna has never seen Melissa shift before. She bends over and grabs her cage by the sides and breaks it apart like it's made of paper. It shatters, the fragments falling into her eyes. She closes her eyes and curls her tail around herself. "What're you doing, Melissa?!" Shadow is behind her. Melissa ignores him and shrinks back into her form. "Darling, how long have you been in there?" she asks, her voice softer than Anna has ever heard her before. "Come here, darling. You poor thing. Come here." She mewls and stumbles into Melissa's open arms, shifting as she unfurls from her little corner and she hears Shadow's sharp intake of breath. He backs away, eyes wide with shock. "I didn't know- I didn't know she's-" he starts but Melissa's rumbling purr drowns away whatever else he has to say. Anna hides her face in the larger woman's chest, finding comfort in her warmth. She feels safe here. Her arms and legs ache from being shifted for so long and it is nice to have fingers and toes again.

After defeating the Grand Devil Belphegor, the Demon Lord returns from Hellion Territory to his home-away-from-home, the Village of Rabbi. There he summons yet another advisor, this time to handle the maintenance and management of the village. He had hoped to finally make space for some quality time with the friends he’s made in this world, but his well-deserved R&R is cut short when one of the four major political factions in Holylight sparks civil unrest.

After overcoming their disbandment woes, the Meikun High School Social Game Club heads toward summer break. On Akane’s recommendation, the four of them are slated to participate in a development competition that gathers the best clubs in the country! On top of that, a voice actress who hears of their accomplishments comes along as they pump themselves up for the contest—Yozakura Aina joins the mix. With the five of them, they set out to create a game... or not?! With Kai stuck in a slump and an extraordinary feud between Eru and Aina, development is the last thing on their minds! Will they be able to bring it together and finish a social game?!

Heather the builder who everyone loves has a past she’s kept hidden. Her ex however has other ideas. Will he spill the beans?Heather has a dream to create her own business. She even has a partner and their first big gig which should set them on the DIY map of Argyll.But Argyll is a small place where everyone knows everyone including her ex, a builder who spreads gossip quicker than a muck spreader.However, when her first ‘big’ job slaps her back into the past, Heather is forced to face the un-face-able. A woman scorned, cheated on, and tossed aside like an empty crisp packet. Not an easy thing to do with the ex lurking about…claiming Heather doesn’t know a hammer from a screwdriver.Will Heather let her past rule her head or will she lift herself up by her took kit and become the builder she always dreamed of?The real Story Of “O” is the fifth book in the Bellydancing and Beyond series. If you like real-life sagas that make you laugh, then you will love Kerrie Noor's wonderfully funny Bellydancing and Beyond series.

Teagan is used to uncovering secrets, but when she uncovers a plot that threatens to not only bring her harm but harm her family and her team as well. Making matters worse, the threat is painfully close to her. She's in a race against time to prevent the swearing in of the next Prime Minister of Spain and biggest threat in the history of the country. As the seasoned spy struggles to regain more of her memory and put the pieces of the high-stakes election day together, she's put to the ultimate test, one that she might not survive. Can she unravel the convoluted mess before innocents are slaughtered in a land far away? Readinf Order of Series Agent Red:Fatal Memory-Teagan Stone Book 1 Agent Red:Fatal Target-Teagan Stone Book 2  Agent Red:Fatal Crime-Teagan Stone Book 3  Agent Red:Fatal Justice Teagan Stone Book 4  

Mi születik abból, ha harmincnégy kezdő író egy közös cél érdekében írásra adja a fejét? Mi az, ami megmozgatott és cselekvésre késztetett ennyi elmét?A világon számos olyan ember él, aki magán viseli a társadalom előítéleteit, sztereotípiáit.Az írók a történeteken keresztül bepillantást engednek ezen sorsokba, élettörténetekbe és tragédiák fondorlatos szövevényébe.A kötetben szereplő témák: Mentális betegségek és személyiségzavarok, introvertáltság, LMBTQ, tudatos gyermektelenség és hajléktalanság. A novellák főhősei szemén keresztül megismerhetjük, milyen az életük úgy, hogy egy kicsit mások, mint a többiek.

A Német Szövetségi Köztársaság nem létezik. Angela Merkel Hitler lánya. A világot egymással küzdő titkos szövetségek irányítják. A Föld lapos, a mélyén pedig gyíkemberek ülnek, akik mérgező chemtrailekkel akarják rabszolgasorba taszítani az emberiséget – már ha sikerül megelőzniük az illuminátusokat… Két német újságíró elindul, hogy felfedezze az összeesküvés-elméletek világát. A kezdetben könnyednek és szórakoztatónak gondolt kirándulásból azonban „egy paranoiából, féligazságokból, lappangó haragból és irracionalitásból felépülő félvilágban” tett, hátborzongató utazás lesz. Christian Alt és Christian Schiffer könyve végigvezet az összeesküvés-elméletek kialakulásának történetén, bemutatja az emberi pszichére leselkedő csapdákat, összeesküvés-elméletek terjesztőivel és áldozataival ismertet meg, elemzi a média szerepét, tanácsokat ad összeesküvés-elméletek csapdájába esettek hozzátartozóinak, s megkísérli felvázolni a „nyúlüregből” kivezető utat is. A Londonban élő Frank Tallis ismert klinikai pszichológus, egyetemi oktató, számos szakkönyv és tanulmány elismert szerzője, aki tudományos munkássága mellett kikapcsolódásként kezdett történelmi krimiket írni. Bűnügyi regényeiben a kor kiváló ismerete mellett a modern pszichiátria és kriminológia megszületésének történetébe is beavatja olvasóit. Könyvei közül magyar nyelven elsőként a Liebermann-sorozat jelenik meg, amelynek harmadik kötetét tartja kezében az olvasó. A sorozat első két kötete „Gyilkos illúziók" és „Bécsi vér" címmel jelent meg a Magistra Kiadónál.