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Waterloo in 100 Objects
Explore the legacy of one of the greatest battles in military history – the Battle of Waterloo – through this finely crafted collection of objects, each telling their own story of the day.Bullet-pierced armour and dramatic battledress bring you closer to the heart of the action, and the tragedy of the death toll is made ever more poignant by the personal mementoes left behind.From the grim reality of the teeth of the dead turned into dentures to the romance of Napoleon’s steeds, swash-buckling swords and ballgowns, each object offers new insight into the incredible events that unfolded on 18 June 1815.This is a fascinating journey through 100 objects, from the rare to the memorable, in a unique testimony to the importance of the Battle of Waterloo, 200 years on.
Sinai 1916–17
A fascinating dive into the overlooked fight between the British Empire''s Egyptian Expeditionary Force and the Ottoman Empire for control of the Suez Canal.The Battle of Romani was fought between Britain''s Egyptian Expeditionary Force (EEF) and the Ottoman Empire''s Sinai Expeditionary Force in the Sinai Desert in early August 1916. The Ottoman objective was to disrupt and cut off the Suez Canal, while the EEF''s main objective was to protect the Canal and the flow of materials that were struggling to keep the war economies of Britain, France and Italy working. The two sides came to a head on 4–5 August, resulting in the defeat of the Ottomans. The EEF then continued to advance to the edge of the desert by the end of the year. With this, not only did Britain secure its supply lines, but it was also the first major land victory against the Ottoman Empire. The tide was finally turning in the war between the empires.Historian Stuart Hadaway provides an in-depth look at the much overlooked Sinai Campaign, which was a victory of immense strategic importance in World War I. However, it was a hard-won battle with critical mistakes made on both sides. Illustrated with period photographs, detailed maps and stunning artwork, this book examines the fight for the Canal, the lessons the EEF failed to learn, and how the courage and bravery of the troops, especially the Australians and New Zealanders, saved the situation on many occasions.
The Story of Tudor Art
A unique, illustrated history of Tudor England told through its art and artefacts.The Tudor dynasty (1485–1603) gave England five monarchs and an age of relentless power plays, scandal, and transformation. Thanks to artists like Hans Holbein the Younger, we feel we have a definite idea of the characters of these famous kings and queens: the miserly Henry VII, the six-times married tyrant Henry VIII, the boy king Edward VI, the devout matriarch Mary I and the virgin queen Elizabeth I. Yet, iconic as they are, when it comes to Tudor art, portraits – and rulers – are far from the whole story.In the sixteenth century, images and objects took on powerful new roles, as more people than ever before used them to shape their worlds. Monarchs, archbishops and courtiers continued to commission artworks in a variety of media, to convey messages and create a record of themselves as office-holders and individuals. But in this period, the ‘middling sort’, professional men and women, were also gaining status, wealth and influence. They wanted to promote themselves too, and used art and a dazzling array of objects to do so.In this unique and beautiful book, Christina Faraday uses art – paintings, sculpture, prints, tapestries, embroideries, clothes, jewels and household objects – to investigate every facet of the period. Beside dissecting familiar portraits of Tudor kings, queens and nobles, Faraday casts a forensic eye across a dynamic array of artefacts, giving the reader a vivid and detailed feel for the political, social, economic and cultural texture of sixteenth-century England.
The Glass Mountain
The author of The Ruin of All Witches returns with a gripping, vividly told journey of rediscovery, uncovering his uncle’s past as a soldier, prisoner, fugitive and partisan in World War Two Italy Malcolm Gaskill knew two things about his great-uncle Ralph’s wartime adventures: he’d been a prisoner in Italy, and he’d cut his way out of a train with a knife and fork. Apart from that, he’d faded into family folklore, lost to view. Until, one hot afternoon in an English country garden, a chance conversation set Gaskill on his uncle’s trail…What Ralph really did in the war was, he discovers, even more extraordinary than the exaggerations of family myth. From last-ditch fighting in the Libyan desert and incarceration in a Puglian prisoner-of-war camp, to desperate, dramatic escapes and the assuming of an entirely new identity among the peasants and partisans of the Italian alps, Gaskill traces a life transformed by conflict, while lifting the curtain on a long-forgotten episode of the Second World War.Yet The Glass Mountain is about more than war: it’s a haunting exploration of what it means to encounter the past, and how we remember, forget and recover it. As he follows his uncle’s path through dusty archives and the landscapes, towns and villages of present-day Italy, Gaskill finds himself confronted by questions that go to the heart of how we think about the people who came before us: Why do stories matter? How much of the past can ever be true?
A Short History of the World in 50 Lies
<p><b>Taking readers on a global journey through human history, Natasha Tidd examines how lies can change the world around us, from Julius Caesar’s deceptive PR machine to the cover-ups that caused Chernobyl.</b><br><br><i>A Short History of the World in 50 Lies</i> journeys through <b>forgeries</b> that created centuries worth of conflict and domination, such as The Donation of Constantine, that all started with a forged papal document that went on to spark the start of the European Reformation. Also uncovered are mass <b>political</b> and <b>press cover-ups</b> including the infamous Dreyfus Affair in France that explores wrongful accusations, anti-semitism and Devil’s Island. <br><br>Alongside these are examinations of how our <b>retellings</b> of history can <b>turn</b> <b>fiction into fact</b>, including The Spanish Inquisition’s deceitful legacy. Plus, there is an in-depth look at how historic lies can still impact our lives today, such as the <b>deadly legacy</b> of America’s Tuskegee Experiment.<br><br>Meet incredible people, including Jeanne de Clisson who became the fourteenth century's most feared pirate – all because of a lie.<br><br><i>A Short History of the World in 50 Lies</i> details the profound impact of this secretive side of history and shows that the truth really is stranger – and far more dangerous – than any fiction.<br><br><b>Also available:</b><br><i>A Short History of the World in 50 Places</i> (9781789291971)<br><i>A Short History of the World in 50 Animals</i> (9781789292954)<br><i>A Short History of the World in 50 Books</i> (9781789294088)<br><i>A Short History of the World in 50 Failures</i> (9781789296938)</p>
A History of Roman Britain
''One could not ask for a more meticulous or scholarly assessment of what Britain meant to the Romans, or Rome to Britons, than Peter Salway''s Monumental Study''Frederick Raphael, Sunday Times From the invasions of Julius Caesar to the unexpected end of Roman rule in the early fifth century AD and the subsequent collapse of society in Britain, this book is the most authoritative and comprehensive account of Roman Britain ever published for the general reader. Peter Salway''s narrative takes into account the latest research including exciting discoveries of recent years, and will be welcomed by anyone interested in Roman Britain.
The Menace of Prosperity
Upends entrenched thinking about cities, demonstrating how urban economies are defined—or constrained—by the fiscal imagination of policymakers, activists, and residents. Many local policymakers make decisions based on a deep-seated belief: what’s good for the rich is good for cities. Convinced that local finances depend on attracting wealthy firms and residents, municipal governments lavish public subsidies on their behalf. Whatever form this strategy takes—tax-exempt apartments, corporate incentives, debt-financed mega projects—its rationale remains consistent and assumed to be true. But this wasn’t always the case. Between the 1870s and the 1970s, a wide range of activists, citizens, and intellectuals in New York City connected local fiscal crises to the greed and waste of the rich. These figures saw other routes to development, possibilities rooted in alternate ideas about what was fiscally viable. In The Menace of Prosperity, Daniel Wortel-London argues that urban economics and politics are shaped by what he terms the “fiscal imagination” of policymakers, activists, advocates, and other figures. His survey of New York City during a period of explosive growth shows how residents went beyond the limits of redistributive liberalism to imagine how their communities could become economically viable without the largesse of the wealthy. Their strategies—which included cooperatives, public housing, land-value taxation, public utilities, and more—centered the needs and capabilities of ordinary residents as the basis for local economies that were both prosperous and just. Overturning stale axioms about economic policy, The Menace of Prosperity shows that not all growth is productive for cities. Wortel-London’s ambitious history demonstrates the range of options we’ve abandoned and hints at the economic frameworks we could still realize—and the more democratic cities that might result.
Fool
The first biography of Henry VIII’s court fool William Somer, a legendary entertainer and one of the most intriguing figures of the Tudor ageIn some portraits of Henry VIII there appears another, striking figure—a gaunt and morose-looking man with a shaved head and, in one case, a monkey on his shoulder. This is William or "Will" Somer, the king’s fool, a celebrated wit who reportedly could raise Henry’s spirits and spent many hours with him, often alone. Was Somer an “artificial fool,” a cunning comic who could speak freely in front of the king, or a “natural fool,” someone with intellectual disabilities, like many other members of the profession? And what role did he play in the tumultuous and violent Tudor era? Fool is the first biography of Somer—and perhaps the first of a Renaissance fool. After his death, Somer disappeared behind his legend, and historians struggled to separate myth from reality. Unearthing as many facts as possible, Peter K. Andersson pieces together the fullest picture yet of an enigmatic and unusual man with a very strange job. Somer’s story provides new insights into how fools lived and what exactly they did for a living, how monarchs and courtiers related to commoners and people with disabilities, and whether aspects of the Renaissance fool live on in the modern comedian. But most of all, we learn how a commoner without property or education managed to become the court’s chief mascot and a continuous presence at the center of Tudor power from the 1530s to the reign of Elizabeth I. Looking beyond stereotypes of the man in motley, Fool reveals a little-known world, surprising and disturbing, when comedy was something crueler and more unpleasant than we like to think.
The Word Made Flesh: Lutheran Bodies, 1600 –1720
From children’s visions of angels to the cancerous belly of a king, this book shows how the body was at the centre of religious experience in seventeenth-century Lutheran culture. It explores what it was like to live in a body that was situated between the heavenly and earthly realms in the century following the Reformations, how faith shaped the experience of the body, and how the body shaped religious experience. Lutherans fasted and fortified their bodies through asceticism or exposure to harsh conditions. People of all types could feel the Holy Spirit entering their bodies and follow its movement within. Early modern Lutherans used their bodies to understand the complexities of their world, and by knowing about their physiology we come closer to grasping it. Based on a varied set of sources from the expansive Swedish empire, with connections from Lapland to the North American colonies, this book shows how spiritual experience played out in relation to gender and age, revealing the powerful resemblances that connected bodies spiritually, politically, socially and emotionally. This book challenges received notions that Lutheranism implied a removed corporeality, mediated by an abstracted faith, and offers new insights into studying early modern corporeality. The Word Made Flesh will be of interest to scholars and students in history, religion, history of medicine, gender and body studies.
Plunder?
In this thought-provoking work, historian Justin M. Jacobs challenges the widely accepted belief that many of Western museums’ treasures were acquired by imperialist plunder and theft. His account re-examines the allegedly immoral provenance of Western collections, advocating for a nuanced understanding of how artefacts reached Western shores. Jacobs examines the perspectives of Chinese, Egyptian and other participants in the global antiquities trade over the past two and a half centuries, revealing that Western collectors were often willingly embraced by locals. This collaborative dynamic, largely ignored by contemporary museum critics, unfolds a narrative that may lead to hope and promise for a brighter, more equitable future.
Radical Antiquity
'Unearthing the ancient world’s anarchist cultures, Zeichmann presents a compelling argument that authority may itself have always been the real aberration. Highly recommended' - Alan Moore, writer, activist, performerWhen you think of Ancient Greece and Rome, what do you see? The Acropolis and the Colosseum? Perhaps the philosophy of Plato and Aristotle, and the rule of the Caesars? Or the birth of democracy and the vast reach of an empire? This well-trodden history of great thinkers, military leaders, and early state formation in the classical world enthralls us still, but it tells only half the story… How democratic was Athenian democracy? How much power did states actually wield beyond their city walls? And who looked upon the systems of domination that prevailed and sought to create something differen? adical Antiquity takes you on a unique journey in search of anarchy, statelessness, and social experimentation in the Graeco-Roman world. Sweeping across the Mediterranean from the time of the first Olympic Games in 776 BCE until the emergence of Islam in 610 CE, Christopher B. Zeichmann introduces the reader to communities of escaped slaves, pirates, and religious sects—all of whom sought a more egalitarian way of life that avoided the coercion, hierarchy, and exploitation of the state. This history from below brings the experiences of common and marginal people out of obscurity, and radically expands our understanding of social and political life in the classical world.
Who Owns Beauty?
Beauty belongs to no one. But what about the objects that museums celebrate as great works of art: to whom do they belong? Do they belong to the places where they originated? To the cultures whose genius they embody? To the enlightened collectors who saw their value and appropriated them? Or to the whole of humanity which has access to them through institutions dedicated to their preservation? And if the latter, how can we justify the fact that some people are able to enjoy what is supposed to be a universally shared heritage while others cannot? We can begin to answer these questions, argues Bénédicte Savoy, by examining how these objects actually came to be with us and what their journeys reveal about our history and its violence and asymmetries, both symbolic and real. These objects have no doubt left their mark on the places where they arrived; they have also left wounds that are still raw in the places from which they came. The bust of Nefertiti, the Great Pergamon Altar, The Adoration of the Mystic Lamb, the ‘Sistine Madonna’, the Old Summer Palace bronze heads, Watteau’s L'Enseigne de Gersaint, the ‘Bangwa Queen’, Klimt’s Portrait of Adele Bloch-Bauer, the Benin bronzes: through the journeys of these iconic works, Savoy reflects on desire and domination, on rupture and restitution, and on the profound emotions evoked by beauty when it is laced with the pain of historical loss. This timely and highly original reflection on beauty, provenance, power, and loss will be essential reading for all those concerned with the preservation and restitution of cultural objects and it will appeal to anyone interested in art, culture, and politics today.
The Diver of Paestum
Since its discovery in 1968, the painting of a diver on a tomb in Paestum, originally the Greek colony of Poseidonia in southern Italy, has left viewers spellbound. It depicts a beautiful and enigmatic scene: a young man dives headfirst into the water from a cliff or tower. The image is joined by others from the same tomb depicting a banquet of young people drinking wine, playing games and enjoying music. Understanding this painting is often seen as a key to unlocking some of the mysteries of ancient Greek culture – and therein lies the puzzle. What is the meaning of the diver? Is it, as many have argued, a metaphorical representation of the passage from life to a world beyond? The eminent art historian Tonio Hölscher rejects this view, arguing that there is nothing symbolic or metaphorical about the painting: the scenes celebrate the real lives of the Greek colonists of the early 5th century BC. The painting captures a young man’s spirited personality and pursuits during a life which may have been short, but was lived to the full. In a groundbreaking reversal of how the painting is typically interpreted, this book opens a window onto the world of Ancient Greece and its culture of athleticism, eroticism, love for nature and enjoyment of the sea. A joyful ode to youth, it is above all a unique portrait of the zest for life in Antiquity.
The Finest Hotel in Kabul
The Sunday Times BestsellerShortlisted for the Women’s Prize for Non-FictionShortlisted for the Nero Book AwardLonglisted for the Baillie Gifford Prize for Non-FictionThe Times, Financial Times, Guardian, Observer and Economist Book of the Year 2025A sweeping and immersive history of modern Afghanistan – the first book from one of the world’s leading war correspondents. 'Simply unforgettable' ELIF SHAFAK'Terrific' THE TIMES'Incredible' PETER FRANKOPAN'Powerful and charming' FINANCIAL TIMES'Utterly compelling' PHILIPPE SANDS'Masterly' TELEGRAPH'Ingenious' KAMILA SHAMSIE'A must-read' SUNDAY TIMES'Beautiful' RORY STEWARTIn 1969, the luxury Hotel Inter-Continental Kabul opened its doors: a glistening white box, high on a hill, that reflected Afghanistan’s hopes of becoming a modern country, connected to the world. Lyse Doucet first checked into the Inter-Continental on Christmas Eve 1988. In the decades since, she has witnessed a Soviet evacuation, a devastating civil war, the US invasion, and the rise, fall and rise of the Taliban, all from within its increasingly battered walls. The Inter-Con has never closed its doors. Now, she weaves together the experiences of the Afghans who have kept the hotel running to craft a richly immersive history of their country. It is the story of Hazrat, the septuagenarian housekeeper who still holds fast to his Inter-Continental training from the hotel’s 1970s glory days – an era of haute cuisine and high fashion, when Afghanistan was a kingdom and Kabul was the ‘Paris of Central Asia’. Of Abida, who became the first female chef after the fall of the Taliban in 2001. And of Malalai and Sadeq, the twenty-somethings who seized every opportunity offered by two decades of fragile democracy – only to see the Taliban come roaring back in 2021. Through these intimate portraits of Afghan life, the story of a hotel becomes the story of a people. 'Fabulous . . . A cross between the novel A Gentleman in Moscow and Wes Anderson’s The Grand Budapest Hotel.' THE TIMES'The Finest Hotel in Kabul plays to all Lyse Doucet’s strengths. Clarity, empathy, depth of knowledge and innate grasp of fine detail . . . a most readable account of joy, despair and resilience in one of the world’s most fascinating countries.' MICHAEL PALIN'A deeply humane story of Afghanistan revealing the impact of decades of upheaval on everyday lives.' JUDGES OF THE BAILLIE GIFFORD PRIZE FOR NON-FICTION'Full of warmth, wit, and a lovely eye for the human stories that make the hotel not just a monument to tragedy, but also love and resilience . . . This is the book about an Afghanistan I never knew that I always wanted to read.' FINANCIAL TIMES
The Last Disco
AN POST IRISH BOOK AWARDS WINNER 2024'A riveting and important read, forensically documenting the state's failings while also relating the traumatic human fallout for a whole community for whom life would never be the same again' - Mick Clifford'Meticulously compiled and unflinching yet sensitive, [this is] an exceptional record of a story that should never have happened' - Irish Independent'A gripping page-turner, deftly balancing information, analysis and human story[and] offers a single location where we can go to get our heads around one of the worst disasters in recent Irish history' - The Irish TimesIn 1981, the Stardust nightclub in Dublin was a beacon for the city's nightlife - until it became a nightmare. On that fateful Valentine's Day the dance floor became a scene of horror, as flames engulfed the venue, claiming the lives of 48 young people and leaving the survivors scarred forever. In this gripping account the harrowing true story is revealed, citing new evidence brought forward during recent inquests in the relentless pursuit of justice. Through the eyes of the survivors, the families and investigators, compiled with meticulous research and compassionate portrayals of their voices, this poignant book honours the memories of those who were lost, while shedding light on the tragedy that still shocks the nation to this day.
The Making of Revolutionary Feminism in El Salvador
The Making of Revolutionary Feminism in El Salvador tells the stories of rural and working-class women who fought to overthrow capitalism, patriarchy, and US imperialism. Covering five decades of struggle from 1965 to 2015, Diana Carolina Sierra Becerra weaves oral histories with understudied archival sources to illustrate how women developed a revolutionary theory and practice to win liberation. A multigenerational movement of women broke with patriarchal tradition. In the 1960s and 1970s, teachers and peasant women led militant class struggle against the landed oligarchy and military dictatorships. Women took up arms in the 1980s to survive US-backed state terror and built a revolution that bridged socialism and women's liberation. In the guerrilla territories, combatants and civilians politicized reproductive labor and created democratic institutions to meet the needs of the poor. Highlighting women's agency, Sierra Becerra challenges dominant narratives of revolutionary movements as monolithic, static, and dominated by urban men.
The Dark Little History of Somerset
The name ‘Somerset’ usually conjures up visions of green hills, picturesque harbours and sleepy villages with thatched cottages and quaint pubs – but this is only part of the story. What about the slaughter on Sedgemoor in July 1685, or its terrible aftermath, the infamous Bloody Assizes? What dark deeds took place on the coast during the heyday of the smugglers? Who was the curate who ended up in a cauldron, or the abbot who was hanged, drawn and quartered? Why were there riots at Radstock in 1830? The answers to these and many other morbid questions can be found in this book, as we take a look into the darker corners of Somerset’s history, and meet the unusual people who shaped the history of this popular county in unexpected (and sometimes horrifying) ways.
Beyond the Veil
The visual history of how we deal with death – the grief and mourning, the funerals, symbols and ceremonies – is fascinatingly rich. Focusing on the nineteenth and early twentieth centuries, and travelling from Victorian England across to the US, Beyond the Veil is a visual tour through this curious world, charting the often peculiar and at times macabre ways of how the living memorialise the dead.Humans have always had ways of marking death, but in Victorian England death became a morbid obsession that went global – death was as much ‘celebrated’ as it was a source of fear and sadness. Queen Victoria herself became a figurehead of grief after the death of her beloved Prince Albert in 1861. Her ensuing fascination with death took many visual forms – from her ritualised embrace of black clothing to the building of ostentatious monuments – and massively influenced cultural norms in both the UK and further afield.The Victorians built complex cemeteries, collected precious memento mori, commissioned bizarre death portraits and obsessed over the correct mourning attire and funerary protocol, while turn-of-the century America saw reflections of many of these cultural phenomena. The bestsellers of the period were often about life and death (think Frankenstein and Dracula), while the art, architecture and style – with its often dark and heavy gothic overtones – revelled in the glamorisation of death. Beyond the Veil brings this extraordinarily elaborate and stylised visual culture together while expertly explaining and elaborating on its most peculiar and fascinating aspects.
Queens at War
Triumph and tragedy, love and loss, murder and malice in the lives of five fifteenth-century queens, from 'the queen of history writing' (Sunday Express)The fifteenth century was a turbulent age: the Hundred Years War between England and France, and the Wars of the Roses dominated the lives of people both inside and out of the royal courts. Joan of Navarre, Katherine of Valois, Margaret of Anjou, Elizabeth Wydeville and Anne Neville were the queens who stood by England's sovereigns, caught up in wars that changed the course of their lives, and the course of history. They were also formidable women who defied the limitations of their times, often living out the brutal consequences of their determination. Alison Weir uncovers their stories in this final volume of her ground-breaking series on the queens of medieval England. Queens at War is a stunning culmination of research by a historian at the full extent of her powers and gripping account of five women on the throne. * PRAISE FOR ALISON WEIR:‘A meticulous scholar’ New York Times‘She is an excellent storyteller: descriptions are vivid and her knowledge of the sources is extensive’ Spectator‘Weir’s hugely popular history books are as gripping as novels’ The Times‘[Weir] writes in a pacy, vivid style, engaging the heart as well as the mind’ Independent‘Alison Weir has the rare gift of being able to bring history vividly to life’ Choice
V kategórii populárno - náučné encyklopédie nájdete široký výber kníh, ktoré vám poskytnú poznatky z rôznych oblastí zaujímavým a zrozumiteľným spôsobom. Encyklopédie vám pomôžu získať komplexný prehľad o rôznych témach, ako ľudské telo a človek, príroda, vesmír, veda a technika a história.
Naša ponuka encyklopédií populárno-náučného charakteru vám umožní objaviť fascinujúci svet poznania a rozšíriť svoje vedomosti o rôznych témach.
