Apollo

The fascinating history of poetry anthologies and their influence on British society and culture over the last four centuries. For hundreds of years, anthologies have shaped the way we encounter literature. Eighteenth-century children and young women were introduced to the 'safe' bits of Shakespeare or Milton through censored collections; Victorian working-class men and women enrolled at adult learning institutions to be taught from The Golden Treasury; First World War soldiers nursed copies of The Oxford Book of English Verse in the trenches; pop-loving teenagers growing up in the 1960s got their first taste of the counterculture from the bestselling The Mersey Sound. But anthologies aren't just part of literary history. Over the centuries, they have influenced the course of British social change, redrawing the map of 'high' and 'low' culture, generating conversations around politics, morality, class, gender and belief. The Treasuries, by the literary scholar and journalist Clare Bucknell, reveals the extraordinary amount we can learn about our history from the anthologies that brought readers together and changed the way they thought.

A comprehensive and beautifully illustrated natural history of insects. Insects are the most successful group of animals ever to have lived. They comprise a million species and perhaps 10 quintillion individuals: one in every four animals on the planet is a beetle; one in every ten is a butterfly or moth. Much of life on earth depends on the activities of these busy, teeming arthropods, from pollination to the breaking down of waste matter. In Alien Worlds, Steve Nicholls draws on a lifetime of writing about, photographing and filming the natural world to create an ambitious account of insect evolution and biology. Each chapter of Alien Worlds centres on one or more of the traits of insect life that have allowed them to hold dominion over the earth's terrestrial and freshwater environments for so long, from their staggering reproductive ability to their complex partnership with flowering plants, and from their remarkable level of care for their young to their sophisticated social lives. Alien Worlds explores what insects are, and why there are so many of them; the impact on insects (the only flying invertebrates) of the possession of wings; and the extraordinary sensory world of insects. It offers a winning fusion of glorious imagery and fine biological writing by an entomological specialist who writes both entertainingly and with authentic scientific rigour - and who also happens to be a very gifted nature photographer.

A passionate and imaginative exploration of wood – the material that shaped human history. Wood – humankind's long-term partner in our evolution from woodland foragers to engineers of our own destiny – has no equal in strength, resilience, adaptability and availability. The Museum of the Wood Age investigates the influence of basic devices – wedge, inclined plane, screw, lever, wheel, axle and pulley – to reveal the myriad ways in which wood has been worked throughout human history. From the simple bivouacs of hunter-gatherers to sophisticated wooden buildings such as stave churches; from the decorative arts to the humble woodworking of rustic furniture; Max Adams fashions a lattice of interconnected stories and objects that trace a path of human ingenuity across half a million years of history.

The Dutch bestseller Nominated for Le Prix Nicolas Bouvier WHO ARE WE? WHY ARE WE DIFFERENT FROM ANIMALS? WHAT MAKES US HUMAN? In this charming, thought-provoking book, one of Holland's greatest non-fiction writers hunts down answers to humanity's most fundamental questions: Who are we? What makes us different from animals? With an ancient skull as his starting point, he travels the globe, tracing the search for the first human being: the missing link between humans and apes. Westerman introduces us to the world of skull hunters – leading experts in our fossil ancestry – whose lives are just as fascinating as those of their primeval discoveries. He astutely reconsiders the work of illustrious paleoanthropologists in the light of new DNA technology, postcolonialism, and the rise of women in this male-dominated field. Westerman discovers a plethora of origin hypotheses and shows how any theory of who we are and where we come from is coloured by the zeitgeist. We, Hominids is a compelling mixture of reportage, travelogue and essay – reminiscent of Bruce Chatwin or Ryszard Kapuscinski – written by a brilliant storyteller and thinker.

Against a rising tide of fundamentalism in India, a mother and daughter lose the most important man in their lives. Shashi, fifty-something and suddenly widowed, tries to contact her only daughter, Tara, to break the news, but cannot reach her. As Shashi confronts her loss, she finds, amidst grief, unexpected new freedoms. Meanwhile, Tara, a spoiled but brilliant university student, has retreated to Dharamsala to deal with the fall out from an ill-advised relationship. Her self-imposed solitude makes contact near impossible, so by the time she learns of her loss, the funeral is already over. Without the man that bound them, Shashi and Tara struggle to reconcile. But his absence also makes them a target for an emerging religious group determined to put women in their place, and Shashi and Tara individually prepare to defend their independence. If mother and daughter are to come together, they must find a way to understand both their new world, and each other. But can you ever emerge from an eclipse unscathed?