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**THE NO. 1 BESTSELLER (The Times), SHORTLISTED FOR THE WOMEN''S PRIZE FOR FICTION 2023**''Like Sally Rooney mixed with a political thriller’ RUSSELL KANE''Intense, unflinchingly honest, it broke my heart a million times'' MARIAN KEYES''Absolutely loved it'' MAX PORTER ''A beautiful, devastating novel'' NICK HORNBY-------------------------One by one, she undid each event, each decision, each choice. If Davy had remembered to put on a coat.If Seamie McGeown had not found himself alone on a dark street.If Michael Agnew had not walked through the door of the pub on a quiet night in February in his white shirt.There is nothing special about the day Cushla meets Michael, a married man from Belfast, in the pub owned by her family. But here, love is never far from violence, and this encounter will change both of their lives forever.As people get up each morning and go to work, school, church or the pub, the daily news rolls in of another car bomb exploded, another man beaten, killed or left for dead. In the class Cushla teaches, the vocabulary of seven-year-old children now includes phrases like ‘petrol bomb’ and ‘rubber bullets’. And as she is forced to tread lines she never thought she would cross, tensions in the town are escalating, threatening to destroy all she is working to hold together.Tender and shocking, Trespasses is an unforgettable debut of people trying to live ordinary lives in extraordinary times.______________* WINNER OF THE BRITISH BOOK AWARDS BOOK OF THE YEAR: DEBUT FICTION ** WINNER OF THE AN POST IRISH BOOK AWARDS NOVEL OF THE YEAR 2022 ** WINNER OF THE MCKITTERICK PRIZE 2023 ** SHORTLISTED FOR THE WATERSTONES DEBUT FICTION PRIZE 2022 ** AN OBSERVER BEST DEBUT NOVELIST OF 2022 ** A BBC RADIO 4 BOOK AT BEDTIME ** THE CRITICS'' MOST-PICKED BOOK OF THE YEAR*

From the bestselling author of Lost in Time and Quantum Radio comes a new mind-bending thriller: a group of strangers with tinnitus begins seeing numbers — numbers they soon realize are a code that will change the world. Alan Norris has lost everything. Except for his daughter. And he’s willing to do anything to protect her. The day of his wife's funeral, as he’s walking to give the eulogy, the ringing in his ears starts. His tinnitus began when he was in the Marines, the day a roadside bomb went off. Usually, it's a low whine — a tea kettle that never quite boils. But as his prosthetic and his good leg sink into the soggy grass, the ringing changes. That afternoon, the ringing only he can hear sounds like three jagged rocks dropped in a tin can and shaken. When the rattling hits a crescendo, he sees a series of numbers: 12122518914208. He assumes it’s a stress reaction. A hallucination. He’s wrong about that. And several other things. The ringing and the numbers are a mystery, but the worst part is that when that unseen hand shakes the can, Alan begins to lose time. A few minutes at first. Then longer. Until one night, he wakes up next to a dead body. He could call the police. Or run. He doesn’t do either. Because he doesn't know what happened to his daughter during the time he lost, leaving him no choice but to dig deeper. Alan soon discovers he's not the only one seeing the numbers. And that the sequence is key to a conspiracy with far-reaching consequences. For him and the entire world.

Robert Altman’s Nashville (1975) is simultaneously an intimate film about interpersonal connection and disconnection, and a sprawling, meandering portrait of American societal exhaustion in the wake of Vietnam, Watergate and a spate of political assassinations. Despite its pessimistic, satirical viewpoint, the film suggests a carefully guarded optimism: ‘life may be a one-way street’, but one has no choice but to ‘keep a’ goin’.Heather Hendershot places Nashville in the context of the New Hollywood of the 1970s, which offered a post-censorship anti-hero, the perennial loser. Embracing the new pessimism, Altman’s work fits with those of contemporaries such as Martin Scorsese and Peter Bogdanovich, but it also stands apart for its innovative sound design, improvisatory drive, and loose genre commitments.Through a close reading of the five days over which the film takes place, Hendershot unpacks both its political dynamics and the characters’ interrelationships and motivations. She highlights Nashville’s criticism of the suffering of its female characters, an engagement that springs from Joan Tewkesbury’s screenplay, Altman’s sensitivity to gendered exploitation (here, if not in all of his pictures), and the role the performers themselves played by improvising and scripting some of their own material.

Upon its release, John McTiernan’s Die Hard (1988) was met with immense commercial and critical success; breaking the $100 million mark at the box office in its first run, and resulting in four Academy Award nominations.Jon Lewis’s study of the action classicclosely examines the film''s novel and script adaptation, highlighting the influential role of producer Joel Silver. He delves into Silver''s ground-breaking ‘whammy theory’, which redefined script structure by organizing scripts around timed ‘beats’ rather than traditional acts or scenes, tracing its impact not only in Die Hard, but also in other iconic franchises like Lethal Weapon, Predator, and The Matrix.Lewis goes on to consider the film''s evocation of post-Vietnam male panic and its connection to the Iron John movement. He highlights Die Hard as a prime example of the ‘male rampage film’ genre, where white male protagonists express frustration with cultural antagonists like feminism, economic regulation, government bureaucracy, and political corruption. Finally, he reflects on how Die Hard resonated with its 1988 audience, looking for new antagonists in a changing world. The film''s anticipation of European radical political groups and later terrorism rooted in North Africa and the Middle East foreshadows the era-defining ‘war on terror’ that would follow.

A NEW SCIENTIST NON-FICTION BOOK OF THE YEAR‘Shows us that, ultimately, the history of rats is a history of ourselves.’ THE SUNDAY TIMES‘Fascinating and prejudice-busting reading.’ NEW SCIENTIST‘An intelligent and enlightening book’ MICHAEL MORPURGOA cultural and social history of the rat, examining how one creature achieved total world domination and has inspired such love and loathing.Rats are creatures which inspire fear and fascination in equal measure. Their lives are more closely entwined with humans than any other animal, but they remain the most misunderstood of all species.In Stowaway, Joe Shute explores our complex and contradictory relationship with the rat. He travels the world from sub-Saharan Africa to the Rocky Mountains and visits some of the most rodent-infested cities on earth to unpick the myths we tell ourselves about rats and investigate the unexplored secrets of their own extraordinary lives.Joe delves into the hidden world they inhabit beneath our feet, learns about their role in natural ecosystems and how they have shaped human history. He also discovers their incredible intelligence and the bonds they form with humans when given the chance.Stowaway questions what the lives of rats reveal about our own, and whether there might be a better way to live alongside this most misunderstood species.

A photo-packed celebration of British raptors, following their fortunes as British breeding birds from historical times to the present day.RSPB British Birds of Prey is the ideal introduction to the raptors – hawks, eagles, harriers, buzzards and falcons – plus the owls that breed in or regularly visit the British Isles. Despite centuries of persecution, changing attitudes, improved legal protections and the astounding efforts of conservationists mean that many species are faring better in the UK than they have for decades.With incredible colour photography throughout, this book provides fascinating insights into the lives of these birds. Each chapter showcases an individual species, providing an engaging and informative account of their hunting habits, breeding behaviour, the migrations they undertake, and above all the challenges they continue to face as they forge their lives alongside humanity in Britain.

Joan Micklin Silver’s groundbreaking debut feature film, Hester Street (1975), vividly portrays the immigrant experience through the eyes of Gitl (Carol Kane), a young, Orthodox Jewish woman who arrives in New York City from Eastern Europe at the end of the nineteenth century. Reunited with her already-assimilated husband, Gitl finds they now have little in common and she is forced to adjust to a new way of life. Hester Street achieved international critical and commercial success, and Kane received a Best Actress nomination at the 1976 Academy Awards.Marking the film’s 50th anniversary, Julia Wagner’s landmark book is the first to focus exclusively on Micklin Silver’s film. Wagner examines how, despite the sexism and prejudice that Micklin Silver faced, a low-budget, black-and-white, female-led, independent production with Yiddish dialogue became an unexpected box-office hit. Through close analysis, Wagner highlights the importance of Hester Street as a milestone in cinema and affirms Micklin Silver’s status as a unique voice in the history of American film-making.

SHORTLISTED FOR THE HUGO AWARD FOR BEST SERIES 2025City-by-city, kingdom-by-kingdom, the Palleseen have sworn to bring ‘Perfection’ and ‘Correctness’ to an imperfect world. But before these ruthless Tyrant Philosophers send in their legions, they despatch Outreach – the rain before the storm. Outreach is that part of the Pal machine responsible for diplomacy — converting enemies into friends, achieving through words what an army of five thousand could not, urging the oppressed to overthrow the bloody-handed priests, evil necromancers and greedy despots that subjugate them.Angilly, twelve-years-old, a child of Pal soldiers stationed in occupied Jarokir, does not know it yet, but a sequence of accidents and questionable life choices will lead her to Outreach. As she travels from Jarrokir to Bracinta, Cazarkand, Lemas, The Holy Regalate of Stouk and finally, Usmai, she’ll learn that the price of her nation’s success is paid in compromise and lost chances, and that the falling rain will always be bitter.LIVES OF BITTER RAIN is a novella in Adrian Tchaikovsky''s award-winning Tyrant Philosopher series. It is a prequel to the third novel in the sequence, DAYS OF SHATTERED FAITH.

Is all that we see or seemBut a dream within a dream?— Edgar Allan PoeAt 14, Julia Z became infamous as the "orphan hacker," a teenage prodigy who broke the law and captivated a nation. Now, years later, she’s trying to leave that life behind, hiding in the quiet suburbs of Boston. But her fragile anonymity is shattered when a desperate lawyer bursts into her life, begging for her help to find his wife—a celebrated artist who uses AI to craft shared dreams for thousands of followers and who has been kidnapped by a criminal syndicate.Against her better judgment, Julia embarks on a harrowing journey across the country, drawn ever-deeper into the shadows of the American dream. As she tracks the criminals, she confronts not only their perilous schemes but also the ghosts of her own past. Resourceful, relentless, and deeply contemptuous of authority, Julia must dig deep into her unique skillset and fractured psyche to uncover the truth — and to hold onto hope when everything around her descends into darkness.This is the first book in an electrifying new series that masterfully intertwines the urgent thriller with thought-provoking speculation on the future of art in an age dominated by artificial intelligence. Julia Z is a bold, unforgettable heroine destined to captivate readers — a literary creation as rich and compelling as the Dandelion Dynasty itself.

The honest guide to the messy job of being a headteacher, including real stories of mistakes made and lessons learned, case studies and practical advice.These are the bits about being a headteacher they don’t teach you. Headteachering is part instruction manual, part call to arms and part confession of errors from experienced headteacher, Simon Botten.From being told to ‘f*** off’ at assembly on his first day and being handed a walkie-talkie for calls to break up fights to managing crisis and the pain of failure after success, Simon tells you the stories you don’t usually hear. Packed with brilliant advice for how to lead a school and multiple case studies from experienced headteachers who have been there and seen it all, this book is an essential guide to what it''s really like to be a headteacher, whether you''re an aspiring school leader or you''re currently in post. Humorous, wise and insightful, this book aims to inspire you to be the best headteacher you can be - practically, technically and emotionally.

''Relentless and gritty, Wendroff expertly weaves a narrative that begs, "just one more page".'' J.D. Barker, New York Times bestselling authorEVIL HAS MANY FACESChilling murders terrorize a town and bring together two detectives to face the hardest tasks of their lives. Jack Ludlum, who relies on his brawn to get things done, is now paired with his archenemy, Jill Jarred, a brilliant investigator with keen intuition. As they delve into the secret world of incels and white supremacists, and conflict between local authorities and the FBI rages, a media frenzy further complicates the mission.Is there a serial killer on the loose? Or something entirely different? Will the detectives'' clashing personalities be their undoing, or can they unite to stop the killer before they kill each other?What Goes Around is a dynamic thriller that examines the intricacies of love, loss, and the unbreakable bonds that transcend time. With its pulse-pounding pace, captivating characters, and a revelatory twist that challenges the boundaries of life and death, this novel will keep you hooked from the first page to the last, and thinking long afterwards.''Starts off at a breakneck pace and doesn''t let up until it reaches its unexpected conclusion.'' Lisa Black, New York Times bestselling author of the Locard Institute thrillers''An adrenaline-fueled novel, the action breathlessly driven by two detectives relentlessly pursuing the bloody trails left by a serial killer with a dark sense of justice, deadly groups of white supremacists, and one lonely, alienated boy caught up in the violence.'' Kathleen Kent, New York Times bestselling author''Fast-paced propulsive thriller that doesn''t let up - highly recommended!'' Lori Brand, author

From the author of the blockbuster Horrible Histories series, which is now a TV show and movie, and has sold more than 30 million copies worldwide.''Deary''s storytelling is simple, historically accurate and compelling.'' (The i newspaper on The Silver Hand) Horrible Histories author Terry Deary presents an exciting collection of tales from the First World War based on thrilling true stories – four books in one! Perfect for history fans (and those who don''t know they''re history fans yet) aged 7+. The War Game: Flanders, 1914. The German and British soldiers in the trenches make an unofficial Christmas truce, with carols and a football match. But the officers aren''t happy...The Bomber Balloon: November 1916 – the war on the Home Front. A German Zeppelin crashes during a raid on Essex. Can a constable and a schoolgirl round up the armed air crew?The Last Flight: France 1917 – the war in the air. An air observer is shot down behind enemy lines and meets the German flying ace, the famous Red Baron.The Pigeon Spy: Flanders, 1918. The extraordinary true story of a pigeon, a black bird called Cher Ami, who saved nearly 200 lives.Terry Deary’s Terrible True Tales: First World War explores the First World War through the eyes of children and real people who could have lived at the time. Packed with thoughtful illustrations by James de la Rue, these stories feature real people and take place in some of the most recognisable First World War settings. Featuring notes for the reader to help extend learning and exploration of the historical period.

''God, he''s good.'' STEPHEN KINGIF YOU SEE THEM - RUN...A clergyman is murdered in his bed in the dead of night, triggering a chilling chain of events, each more bizarre and unnerving than the last – brutal killings, corpses vanishing, decomposed bodies digging their way out of graves.These shocking events seem unconnected but, at each scene, people report witnessing swarms of flies – hundreds, thousands, even millions of them.As DI Patel and DS Pardoe hunt for the mastermind behind these atrocious crimes, they are forced to ask: is this person human – or is all of this linked to the mysterious figure caught on CCTV, running at speed without moving its legs?And can they stop the swarm before they themselves are consumed?For fans of Joe Hill, Peter James and Stephen King, Graham Masterton is a master of the horror genre whose books have sold millions of copies across the globe.ALSO IN THE PATEL & PARDOE SERIES#1 GHOST VIRUS#2 THE CHILDREN OF GOD FORGOT#3 THE SHADOW PEOPLE#4 WHAT HIDES IN THE CELLAR#5 HOUSE OF FLIESPraise for Graham Masterton:''One of the most original and frightening storytellers of our time'' Peter James''Suspenseful and tension-filled... all the finesse of a master storyteller'' Guardian''One of Britain''s finest horror writers'' Daily Mail

The dynamic new thriller in the Jason Bourne series from the world of Robert Ludlum. A lover from Bourne''s past seeks his help when assassins threaten her husband, but only treachery burns hotter than true love.Two years ago, and with assassins after his head, Bourne knew he had to let Abbey Laurent walk away from his dangerous world. Now Abbey is back — and she’s married to a top government official. But she’s convinced someone is trying to kill her husband, and she wants Bourne’s help.Bourne follows the plot into a deadly web of conspiracy that puts them all at risk. But the deeper he descends into the violence and duplicity, the more he believes that Abbey may not know who her husband really is...''This guy can tell a story.'' Michael Connelly

Drawing on vivid contemporary accounts, this is a fascinating exploration of how and why the Revolutionary War descended into a brutal existential struggle.This engrossing history of the Revolutionary War conclusively shows that those caught up in it believed they had nothing to lose by fighting without regard for the rules of so-called “civilized warfare.” The clarion call to arms “Liberty or Death” was far more than just rhetoric. At its grimmest level, it was a conflict in which military restraint was more the exception than the rule, a struggle in which combatants believed their very existence was in question. This led to an acceptance of violence against persons and property as preferable to a defeat equated with political, cultural, and even physical extinction. It was war with an expectation and acceptance of ferocity and brutality – anything to avoid defeat.A number of historians have previously concluded that United States’ founding struggle reached a level of ferocity few Americans now associate with the movement for independence. However, these studies have described what happened, without looking in detail at why the conflict took such a violent a turn. Written by two esteemed Revolutionary War historians, War Without Mercy does exactly that. Based on years of research and enlivened by little known primary sources, this is an intriguing and fresh look at a period of history we thought we knew.

A new and definitive account of one of the most famous and mysterious manuscripts in the world.The Book of Kells is a mystery. It is distinct from all copies of the gospels from the early Middle Ages, not only in the quality and amount of its decoration but also in the peculiarities of the ordering of its contents, the oddness of its apparatus, the appearance of the script, the interplay of text and ornament, and the erratic forms of its Latin. Scholars cannot agree on the number of scribes and artists involved; or establish the purpose of the Book; or decide whether its oddities are the result of incompetence or carelessness, and how those oddities relate to the minutely careful and deeply meaningful art.The Book of Kells is probably the most famous manuscript in the world – and Victoria Whitworth''s masterly treatment offers something new.