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Explore the Stories Behind the LegendsThe 1990s and early 2000s were a time of intense change and experimentation for Marvel Comics. Out of this emerged The Ultimates—a comic that would have an explosive impact on Marvel and the broader pop culture landscape. Writer Mark Millar, with artists Bryan Hitch, Andrew Currie, and Paul Neary, reimagined the classic characters that made up Marvel’s premiere super hero team, the Avengers. Looking at them through a modern, post-9/11 lens, the creators treated the characters as super soldiers who reported to the US government. Illustrated with full-color art, Ted Adam’s entry in The Marvel Age of Comics takes readers through Marvel of the ‘90s: the Marvel Knights imprint, the creation of the Ultimate universe with Spider-Man and the X-Men, and finally the Ultimates themselves. With its unique blend of grounded realism and over-the-top action, The Ultimates ensured that comic books and pop culture would never be the same.

An in-depth biography that closely examines the superstar’s multi-faceted career, personal life, advocacy, and legacy. Olivia Newton-John was one of the biggest and most iconic global pop stars in history with estimated record sales of over 100 million and starring roles in several films, including Grease and Xanadu. Her hit “Physical” was ranked by Billboard as the most popular single of the 1980s. Behind all of this glitz and glamor was an extremely strong, kind, and resilient person with an unfailing, positive attitude in the face of personal tragedies and setbacks. For decades, she bravely and publicly battled breast cancer while continuing her career and advocated for environmental issues, animal rights, and LGBTQ+ rights. This biography, based on extensive archival research and original interviews with many of her friends and associates, reveals the real person who was Olivia Newton-John. Matthew Hild provides many never-before-shared insights into the star’s life, including her humanitarianism and personal struggles, and dives deeply into her many famous records and lesser-known work, from her early start in Australia all the way to her last recording – a moving duet of “Jolene” with Dolly Parton.

The Old English epic poem Beowulf has an established reputation as a canonical text. And yet the original poem has remained inaccessible to all but experienced scholars of Old English. This book aims to present the poem to readers who want to know what makes it such a remarkable work of art, and why it is of such cultural significance. Most readers will only have encountered Beowulf through one of its many translations or adaptations; others have had to take on this unique survivor from a past era as a challenging translation exercise, part of their academic study of the poem. This book sidesteps scholarly debates about the poem’s unknowns – its date, provenance or author – and focusses instead on its poetic artistry, its interleaving of heroic pasts and Christian present, and its poet’s extraordinary breadth of reference, from biblical history to Old Norse myth. But the strange intricacies of Old English metre and poetic language are explained, and the poet’s evocation of the ethics and material world of an imagined pre-Viking Scandinavia is explored. Beowulf: Poem, Poet and Hero follows the story of the poem through its many interwoven voices from different times and places, and the poem emerges as a work of reflective beauty, its human characters full of touching pathos and wisdom, its notorious monsters still speaking to our own societies’ abiding insecurities. The final section, on post-medieval responses to Beowulf, shows how the poem has been taken up as a European cultural icon. This book restores its status as a literary masterpiece.

What if we took 'slow' as an ethical strategy and practice for fashion, rather than considering ‘slow fashion’ as another passing fashion movement? Part of the Fashion in Action series of short books on global issues in fashion, calling on readers to become active participants in its future, Hazel Clark explores fashion's cultural role as a potential force for, not against, sustainability. Against a backdrop of massive waste, intensive energy use, human exploitation and over-consumption of fast fashion, Slow offers a thoughtful, practical, sustainable approach to fashion for businesses, educators and ordinary wearers of clothes, speaking to more mindful, caring and humanitarian attitudes and practices. Divided into 3 sections, the argument is framed by neoliberalism, and the increased attention to fashion around the globe, set alongside growing interest in eco design, the slow food movement, second hand clothes and the emergence of ethical brands. The book begins with ‘where we are now,’ focussing on the emergence and huge impact of fast fashion. The next section looks at the way a slow discourse developed for fashion – in practice, in academia and in public. More mindful and slow approaches are set against greater global connectivity, digital communications, climate change and activism. This leads to a third and final section which seeks for a redefinition of fashion through the lens of slow approaches, ending with an urgent call to action. With references to good fashion practices and ideas from around the globe throughout, this book offers real guidance, and, crucially, advocates that real engagement with a 'slow' approach to fashion offers a more sustainable future for all.

Fashion thrives on fame and success, capitalism and culture. But beneath the luster and hype, fashion is also inevitably about failure – an essential part of its history and evolution. In his contribution to the Fashion in Action series of short books rallying readers to tackle pressing issues in fashion, Nick Rees-Roberts unravels the relationship between forms of creative and commercial failure to consider how we might begin to address the systemic failings of the fashion industry today. Positing failure as a speculative way to rethink fashion and focussing on the checkered histories of a number of designers and brands, Rees-Roberts explores how forms of commercial failure within a capitalist framework might actually be productive, enabling designers to retain independence and balance by potentially opting out of the fashion establishment, if not of the system altogether. He then goes on to look at the broader systemic failures of the 21st-century fashion industry, arguing that rather than keep focussing on doing and making, we should be undoing and remaking the idea of fashion itself in order to rethink design outside of the framework of a hyper-globalized industry. By applying failure as a critical mode of inquiry, this book invites readers to consider a new direction for the future of fashion – one that values resilience and reinvention over the relentless pursuit of the next big success.

Easy Rider (1969) broke the mould of Hollywood studio production, making stars of Peter Fonda, Dennis Hopper and Jack Nicholson, and launching a new wave of radical and experimental American cinema. One of the key films of the late 60s, Easy Rider enshrined the ideals of the counterculture, but also foresaw their demise in the division and paranoia of a nation rocked by Watergate and the Vietnam War. Few films since have captured its particular blend of innocence and cynicism, hope and despair. In his illuminating study of the film, Lee Hill explores both the circumstances surrounding its making and the social and cultural forces that found expression in it. Hill argues that the role of the film’s primary screenwriter, Terry Southern, has been neglected as the exact circumstances of production, filming and editing have become lost in myth-making. Drawing on archival research and first-person interviews with Southern, Hill questions some of the legends that surround Easy Rider. In his afterword to this new edition, Hill revisits the film from the perspective of a contemporary era of political strife, and traces the subsequent fortunes of its director, producer and stars Hopper, Fonda and Nicholson in a changing Hollywood.

'An exemplary biography' -- Sunday Times‘Commanding’ – Observer‘Diligent and insightful’ – The TimesThis revelatory biography of Robert Graves re-examines his position as a major First World War poet, as well as a master prose writer. The writer and poet Robert Graves suppressed virtually all of the poems he had published during and just after the First World War. Until his son, William Graves, reprinted almost all the Poems About War in 1988, Graves’s status as a ‘war poet’ depended mainly on his prose memoir, Good-bye to All That. In this exemplary biography, Jean Moorcroft Wilson relates Graves’s fascinating early life, his experiences in the war, his being left for dead at the Battle of the Somme, his leap from a third-storey window after his lover Laura Riding’s even more dramatic jump from the fourth storey, his move to Spain and his final ‘goodbye’ to ‘all that’. Containing startling new archival material about the breakdown of the friendship between Robert Graves and the war poet Siegfried Sassoon, including photographs, Dr Moorcroft Wilson traces not only Graves’s compelling life, but also the development of his poetry during the First World War, his thinking about the conflict and his shifting attitude towards it.

'A brilliant new perspective' – talkSPORT'Fascinating’ – Barry DaviesWITH NEW AND UPDATED CONTENT FOR THE MEN'S FIFA WORLD CUP 2026THIS INSIGHTFUL INVESTIGATION REVEALS THE MINDSETS AND UNBELIEVABLE APPROACHES OF THE COACHES SEEKING FOOTBALL'S ULTIMATE PRIZEOnly 21 managers have guided their team to World Cup glory, so what are their secrets? They may silently plot on the bench or manically gesticulate from the sidelines, but what can coaches really do to influence their team’s performance? In this book, find out the tactical innovations, strategies as well as the bizarre superstitions that managers have employed in the quest for that iconic trophy. With new and updated content for this edition, the book also features insights from Alexi Lalas, Carlos Alberto Parreira, Pierre Littbarski, Roberto Martínez and Mick McCarthy.

'An unflinching examination of contemporary culture's quest for the quick fix to emotional pain' LAURA DELANOWhy do so many of us need drugs to make it through the day? What is wrong with u? n August 2017 a car ploughed into a crowd of peaceful marchers. For P.E. Moskowitz, this was a shattering near-death experience, followed by a nervous breakdown. As they willed themselves back to life using a variety of drugs, both prescription and illegal, they started to wonder: why do we need drugs to quell the pain of modern lif? n Breaking Awake, Moskowitz takes us on a kaleidoscopic voyage through the twenty-first century’s mental health crisis and the drugs we take – from fentanyl to SSRIs, from ketamine to LSD and beyond – to cope with the gnawing bleakness of our present moment. We meet a team handing out free heroin on the streets of Vancouver and a young mother in Chicago who has been on SSRIs since childhood, ravers in Brooklyn taking drugs to push the limits of human consciousness and ordinary people leading ordinary lives on a constant cocktail of medication. Searching for answers to find a path to healing, Moskowitz asks: do drugs spark liberation or simply numb our modern malaise?

A Times History Book of the YearHow did America end up trapped in a nightmare of conspiracy theories, in which millions see the government as an evil ‘deep state’?In 1967, at the height of the Vietnam War, a group of New York writers concocted what appeared to be a top-secret government report into what would happen to the USA if permanent global peace broke out. Report from Iron Mountain claimed that winding down America’s vast war-making machinery would wreck the economy and tear society apart, necessitating draconian controls over the population. It was published as non-fiction – and was frighteningly convincing. Journalists tried to find out who had written it. Worried memos reached right up to the president. It became a bestselling cause celebre. Even when the hoax was revealed, many refused to believe it wasn’t real. The Report was seized on by eager figures on the far right and in the militia movement, who insisted that it revealed terrifying government conspiracies to pollute the environment, enslave Americans and even instigate eugenics. And its legacy lives on today. Ghosts of Iron Mountain traces this story through a gallery of vivid characters, from the radical academic C. Wright Mills and the writers E.L. Doctorow, Victor Navasky and Leonard Lewin in 1960s New York, to the far-right impresario Willis Carto, Oklahoma City bomber Timothy McVeigh, conspiracy theorist Milton William Cooper,L. Fletcher Prouty (the inspiration for ‘Mr X’ in the film JFK), and ranting broadcaster Alex Jones. This is one of the great stories of our time and reveals how nightmares about its own government drove America crazy.

A masterful history of how war and insecurity, both real and perceived, have driven Russia’s destiny for centuries, including the disastrous invasion of Ukraine. Putin retains his stranglehold on his position in Russia despite an almost ruinous invasion of Ukraine. The answer as to how and why can be found in Russian history. With no naturally defensible borders, and environmental factors constraining its economy, Russia has been pitched against the pre-eminent military powers of the age across the centuries, and often at a technological disadvantage. To respond to these challenges, it has had to sit heavily on the backs of its people, and so war – and the need to be able to fight it – has shaped its evolution, from tsars to commissars and presidents. The national identity has been forged in the furnace of war. From the medieval kingdom of Rus battling against a Scandinavian princes and Mongol emperors, to its own empire-building conflicts in 19th-century Asia, to the formative wars of the 20th century which saw Russia pitch from Tsarist empire to communist state and defender against Nazism, all these conflicts stained the lands of Russia red with blood. A weak post-Cold War Russia then turned to Putin, who created a new mood for martial triumphalism which led directly to the Ukrainian war. Packed with contemporary accounts, Forged in War strips away the myth to give an insider’s view on Russia’s past and present.

Twenty bears unpacking cases. Look at those excited faces! Ready to enjoy the sun… Holidays are so much fun! Get ready for a shot of pure counting fun, as twenty very excited bears set off for a holiday on the beach. Summer is here and it’s time to RELAX – but are these silly bears up to the task?

PREORDER DAVID GILMAN'S THRILLING NEW HISTORICAL NOVEL THE KNIFE MAKER OF VENICE NOW!In this gripping historical adventure, Master of War Sir Thomas Blackstone must travel into enemy lands with a price on his head as he seeks gold and alliances for King Edward's war with France. THE MASTER OF WAR RIDES AGAIN. 1368, Northern Italy. As the Hundred Years’ War smoulders, the Duke of Clarence, second son of Edward III, sets out from Paris to wed the Lord of Milan's daughter. The union could forge an alliance as vital as any victory on the battlefield. But the road to Milan is a road to betrayal. Riding ahead is Sir Thomas Blackstone, the legendary Master of War. Blackstone is tasked with securing the gold that, together with the marriage alliance, will fuel the House of Plantagenets’ fight against France. But with a bounty on his head, Blackstone will have to outthink and outfight foes deadlier than any he has faced before. Yet the gravest threat may lie closer to home. Blackstone's son, Henry, has inherited his father's unerring fate to walk where peril waits... Reviews for David Gilman'Page-turning and gritty' Daily Mail'Heart-pounding action' The Times'Gripping' Wilbur Smith'Vivid and inventive' Sunday Times'A master author' Army Rumour Service'The Hundred Years War brought alive' For Winter Nights

Hilarious illustrated story in the series about unlikely friends Squirrel and Duck. Join them on a mind-blowing adventure to discover why they're the only two talking animals in the world. Perfect for 7+ fans of Grimwood, Dog Man and Murray and Bun. 'Hilarious… addictive' Guardian'Zanily entertaining' LoveReading4KidsSquirrel and Duck can't remember where they first met, but Duck is having some strange flashbacks to a secret underground science lab. Trying to find it again, they meet a friendly ferret, a distinctly UNfriendly scientist and uncover some shocking secrets behind their own existence! Packed full of pictures and laugh-out-loud scenes, this is a zanily entertaining story from a bestselling author/illustrator. Don't miss the rest of the series: Squirrel and Duck: Mission Improbable and Squirrel and Duck: Invasion of the Doggy-Snatchers. From the bestselling author of the Big Bright Feelings picture book series.

Russian expert Mark Galeotti provides an in-depth look at the siege that pitted Ivan the Terrible and Russia's first standing army against the Khanate of Kazan, leading to Muscovy's rise. The Khanate of Kazan, one of the greatest Turkic successor states to the Mongol Golden Horde, had for generations been a thorn in Muscovy's side, raiding its lands for slaves and plunder. The newly crowned Ivan IV, who would become known as Ivan the Terrible, was determined to end the threat once and for all, leading a massive army against Kazan in 1552, comprising the Streltsy (musketeers), Russia's first standing army, and a massive artillery and engineer train, including an English expert in siegecraft. Kazan was finally taken and brought directly into Muscovy's control, making it a truly multi-ethnic empire. The next four years would see a bitter guerrilla war against the Russians, but they were committed to the march south – going on to conquer the Astrakhan Khanate and the move east into Siberia, setting the scene for the rapid expansion of the Russian Empire under Ivan's Romanov successors. In this gripping tale of Russian history, expert historian Mark Galeotti explores the major land and river offensive that saw Kazan fall to Ivan the Terrible's Army. With colourful battlescenes, detailed 2D maps and 3D diagrams, this book showcases how this siege marked the rise of Muscovy and ultimately helped lead to the Russian state today.

This engrossing history explores the creation, development and actions of the Special Duties squadrons, which carried spies, political figures and documents in and out of Occupied Europe. In 1940, Winston Churchill famously set in motion the Special Operations Executive. However, the creation of secret agent networks required a clandestine transport infrastructure to support nascent resistance movements in Occupied Europe. With only the moon to guide their way, the daring pilots of 161 Squadron constantly faced danger: their locations could be discovered, German night-fighters and flak had to be contended with and, of course, they dealt with the worst of European weather. Despite these extra risks, these Special Duties pilots were remarkably successful. Packed with first-hand accounts and expert research, this book dives into the history of the men who flew these dangerous missions and the main aircraft they used – unarmed Lysanders. Author Paul Smiddy, an RAF-trained pilot, explores the origins of the Lysander, the dangers it posed to its pilots and how operational techniques were developed. Facing political interference and limited resources from the RAF, these brave and under-recognised pilots provided a critical role in the war – bringing back agents with important information to help Britain and the Allies defeat the Germans.