Bloomsbury Publishing strana 11 z 113

April is lonely. Since she started working from home, she's lost herself a little. So, to break out of her funk, she leaves an anonymous note inside a book for the hot guy at her neighbourhood bookstore. Laura is a busy single mum. By chance, she's the one who finds April's note, thinking it's from the attractive man who served her at the bookstore. A little flirtation might be just what she needs. Meanwhile Westley, handsome but not so perceptive, is too distracted by a movie filming at the shop to notice either woman's furtive glances as they leave notes for each other amid the books. Can these three characters create a storybook ending of their own? An intricate web of miscommunication and serendipitous encounters, Storybook Ending is a playful tribute to romance, friendship and bookstores; and to the objects - from a forgotten slip of paper to someone's heart - left between the pages of books.

Rules for a True Love Story: There are none. It's all a lie. Jane Jackson knows that true love is a lie. Laughter is the only truth: and having spent her adolescence as the barbecue-sauce-in-her-braces punchline on America's fifth-favourite sitcom, she's still trying to shake off that role. At least now she's a Creative Executive at Clearwater Studios and living by a new mantra: fake it till you make it. Except, she might have faked it too far. Desperate to get her first project greenlit and riled up by pompous cinematographer and one-time crush Dan Finnegan, she opened her mouth and a big fat fib fell out. She claimed that Jack Quinlan, hottest popstar of the moment, has promised to write an original song for the script. Jack may have been her first kiss - and greatest source of shame - but Jane hasn't spoken to him in twenty years. Now, Jane must turn to the last man she'd ever want to owe: Dan Finnegan. Because Jack is playing a festival in Dan's beach hometown on Long Island, and Dan has an in. A week in close quarters with Dan while facing down her past is Jane's idea of hell, but Dan just might surprise her. While covering up her lie, can they find something true?

A food story to binge. A ghost story to devour. A love story to savour. When dead-end dishwasher Kostya discovers the ability to summon spirits through the food he cooks, he embarks on a journey to open a New York City restaurant that serves closure - something he's craved for as long as he can remember. There are just three problems: 1. Kostya has some ghosts of his own. 2. His advancing menu of spirit cuisine is threatening the stability of the Afterlife itself. 3. He's falling in love with Maura, a party psychic with her own secret connection to the Afterlife - who also happens to be the one person who knows he must be stopped. A bittersweet cocktail of humour and heart, Aftertaste is an imaginative odyssey through food and love, life and death: the things that sustain us, connect us, transport us, and remind us who we are.

SEQUEL TO THE PHENOMENAL KOREAN BESTSELLER TRANSLATED BY INTERNATIONAL BOOKER SHORTLISTEE ANTON HUR Baek Sehee could never have predicted how many people I Want to Die but I Want to Eat Tteokbokki would reach across the world. A runaway bestseller in South Korea, Japan, China, Indonesia and the UK, this record of conversations with her therapist demonstrated the realities of anxiety and depression in a uniquely intimate way. But Baek's battle with dysthymia did not end there. Grappling with mental health is an everyday struggle. In I Want to Die but I Still Want to Eat Tteokbokki, Baek's experiences become more complex, as she demonstrates that striving contentment is an ongoing journey.

From the day that Bobby Zimmerman first turned on the radio in his parents' home in Hibbing, he'd had a pretty good idea that big things were happening. When Bob Dylan arrived in New York one winter morning in 1961 he was a complete unknown. His music and spirit would go on to capture the hearts and minds of a generation, but what no one knew then was that, like so many before him, Dylan was concealing his Jewish origins. Covering the same turbulent years as the hit film starring Timothée Chalamet, this entertaining biography offers new insights into Bob Dylan's early career. For Harry Freedman, Dylan's roots are the key to grasping how this young musician burst onto the scene and reinvented not only himself, but popular music. The instinct for escape and reinvention has defined Dylan's long career. Freedman traces the heady atmosphere of the 1960s and the folk-rock revolution spearheaded by Dylan. Right up until the moment in 1966 when Dylan stepped out onto the stage and went electric - exploring how his musical decisions, genius for reinvention and his Jewishness go inescapably hand in hand.

Over the last decade, an extraordinary scientific breakthrough has taken place. A new kind of drug has arrived on the market, working in an unprecedented way to revolutionise weight loss and dieting. In 2023, Johann Hari began injecting himself with one of the weight loss drugs transforming how we look, feel and live. What began as a personal journey soon took him on an international investigation, tackling some of the most world-changing issues as he asked: Who should be taking these medications? How are they set to change not only the way we think about weight loss, but our economies? What are the benefits - and what are the risks? This is the book to read on the weight loss drugs taking over the world.

Democracy is dying because we are clinging to a dangerous and outdated myth: talking about politics can change people's minds. It doesn't. This provocative debut from a bold new voice combines a fascinating range of research to show us the psychological and sociological factors that really shape our politics. Drawing from ancient philosophy to modern neuroscience and social science, Dr Sarah Stein Lubrano reveals the surprising truth about how people think and behave politically. From friendship to community organizing and social infrastructure, she explores the actions that actually do change minds. In a world where politics keeps getting more irrational, dishonest, violent and chaotic, it's getting much harder to reach people with words alone. So people who really care about democracy must ask: how can we stop arguing and do the deep work to build stronger foundations for political life, and a better world for us all?

On the Island of Ayrie, everybody knows everyone. They know each other's stories as they know every road, every hill and the coming of the tide. In the summer, there are bonfires to celebrate the migration of the puffins. Everything is familiar, nothing much changes, and for Tilda, nothing ever should - it is beautiful, it is perfect and it is home. When newcomer Albie arrives at the island, Tilda wants to show Ayrie off - Albie wants her to leave him alone. She learns quickly that it'll take more than a tour and some seal viewings to win him around. Then, she remembers stories of the old island just an hour's boat ride away from the shore. The old island is a death trap. The journey there is treacherous. Trips across to it are strictly forbidden. And there's a rumour it's haunted by the ghosts of those left there to die. But with all else having failed, the old island is the only way for Tilda to make Albie see what she sees in Ayrie. Besides, it's a different kind of ghost that worries Tilda. The ghost that's been following her, now, since her brother left the island …

Everything comes at a price. But not everything can be paid for. Millie is a college student, determined to graduate, get a job and buy a house. Agatha is a visiting professor, researching attitudes towards weddings and money for her new book. The thing is, in Millie's world, the best material is unfolding behind closed doors. When Agatha offers Millie an unusual opportunity to make some extra money, the two women find themselves embroiled in a world of vengeful pranks, illicit intrigue and bad behaviour. But how much of themselves are they willing to trade to get what they want?

Jules has been divorced from her ex-husband Leon for ­five years, but she still works alongside him at Gunk, the grotty student nightclub he owns in central Brighton. She spends her nights serving shots and watching, from behind the bar, as Leon flirts with students on the dancefloor. But then Leon hires nineteen-year-old Nim to work the bar - and her arrival jolts Jules awake for the ­ first time in years. When Nim discovers she's pregnant, Jules agrees to help. As the months pass, and the relationship between the two women grows increasingly intimate and perplexing, it emerges that Nim has her own unexpected gifts to give. Now, alone in her small flat, Jules is holding a baby, just twenty-four hours old, who still smells of Nim. But no one knows where Nim is, or if she's coming back. What could the future - for Jules, Nim, and this unnamed baby - possibly look like? Raw, exhilarating, tender and wise, Gunk is an electrifying debut novel exploring love and desire, safety and destruction, chaos and control - and family in all its forms.

Think of a place where you can stand at the intersection of Christian and Arab cultures, at the crossroads of the British, Ottoman, Byzantine, Roman and Egyptian empires; a place marked by the struggle between fascism and communism and where the capital city is divided in half as a result of bloody conflict; where the ancient olive trees of Homer's time exist alongside the undersea cables which link up the world's internet. In Cypria, named after a lost Cypriot epic which was the prequel to The Odyssey, British Cypriot writer Alex Christofi writes a deeply personal, lyrical history of the island of Cyprus, from the era of goddesses and mythical beasts to the present day. This sprawling, evocative and poetic book begins with the legend of the cyclops and the storytelling at the heart of the Mediterranean culture. Christofi travels to salt lakes, crusader castles, mosques and the eerie town deserted at the start of the 1974 war. He retells the particularly bloody history of Cyprus during the twentieth century and considers his own identity as traveler and returner, as Odysseus was. Written in sensitive, witty and beautifully rendered prose, with a novelist's flair and eye for detail, Cypria combines the political, cultural and geographical history of Cyprus with reflections on time, place and belonging.

It's 1994 in County Donegal, Ireland, and everyone is talking about Colette Crowley: the writer, the bohemian, the woman who left her family to be with a married man in Dublin. Returning to pick up the pieces of her old life, Colette finds that nothing - and everything - has changed. When the man to whom she is still married denies her access to their children, Colette enlists the help of Izzy, a housewife and mother of two, and the women forge a friendship that will send them on a spiralling journey - one towards a path of self-discovery, and the other towards tragedy. A WOMAN & HOME and NB. MAGAZINE BOOK OF THE YEAR 2024

Kill the pretender. Do not let it be known that there was a pretender to kill. The year is 1483 and England is in peril. The much-despised Richard III is not long for the throne, and the man who will become Henry VII stands poised to snatch the crown for himself. But for twelve-year-old John Collan, living in a remote village with his widowed father, these matters seem far away. But history has other plans for John. Stolen from his family, exiled - first to Oxford, then to Burgundy, and then Ireland - and apprenticed to a series of unscrupulous political operators, he finds himself groomed for power; not as John Collan, but as Edward Plantagenet, 17th Earl of Warwick - and rightful heir to the throne. Far from home at the Irish court, preparing for a war that will see him become king or die trying, John has just his wits - and the slippery counsel of his host's daughter, the unconventional Joan - to navigate the choppy waters ahead. Seething with revenge and machination, sparkling with wit and humanity, and roaring with adventure and bravado, The Pretender is the captivating true story of a young man tossed into the chaos of history as it happens.

He broke her best friend's heart, so now Saachi plans to break his. May the best heartbreaker win . . . Saachi would do anything for her best friend. So when school bad boy Fahim breaks Mona's heart, Saachi is hellbent on getting revenge. It's time to put him in his place once and for all. And so begins Operation Heartbreaker: Saachi will make Fahim fall in love with her and then pull the plug on him - just like he does to every girl he's ever dated. Simple. Except as she spends more time with Fahim, against her better judgement, she finds herself falling for him. Unable to talk to Mona about her mixed emotions, and with the mission veering dangerously off course, Saachi will have to embrace her role as a heartbreaker or potentially end up with her own heart broken . . . A fiery and fun enemies to lovers romcom, for readers of Jenny Han, Joya Goffney and Adiba Jaigirdar.

Dive back into the UNIverse with Neon for another unicorn-tastic adventure from Sibéal Pounder, the bestselling author of the Witch Wars and Bad Mermaids series. Neon Gallup is a unicorn. No, not a horse thing with a horn. That's just something REAL unicorns made up to distract the humans. Until now, Neon thought she was the only person from our world who knew unicorns existed, but when she discovers her mum has been hiding a secret from her the whole time, she's got to get to the bottom of it – with a little help from her friends Moya and Geldie, some outrageous fashion choices and a whole lot of goo magic.

The world is on fire. And what will you do? In a city rocked by global catastrophe, home-grown terrorism, shortages and wildfires, Cass is quietly raising three small children by herself. Her husband, Nathaniel, has left to serve as a medic in a war overseas. As life in the city becomes increasingly impossible, Cass knows she can no longer wait for Nathaniel's return. Packing up their lives, she and the children set off in search of a place of greater safety. But Cass will learn that not all promises and not all sanctuaries are what they seem - and as the fires around them begin to close in, she'll discover just how far she'll go for her children in a world teetering on apocalypse. Sensual, claustrophobic and vivid, Briefly Very Beautiful announces the arrival of a major new talent, painting an unforgettable portrait of a mother trying to hold her family together.