Bonnier Books Ltd strana 4 z 5

In this fast-paced world, I Wish I Knew is a collection of poems to guide us through the wilderness of life, navigating body image, emotions, mental health and personal growth. With honest lessons learned from rock bottom, Donna Ashworth's writing helps us to find courage in chaos and rise to every challenge. Sparking joy, surprise and gratitude on each page, this collection will soothe your soul, strengthen your spirit and help you find your own unique voice.

When Eden Munro agrees to spend the summer with her estranged dad in Santa Monica, she has no idea she's also going to meet her new stepbrother, Tyler Bruce. The more she struggles to understand him, the more she finds him irresistibly intriguing. This summer is going to be complicated... Can Eden resist falling for the one person she shouldn't? From California to New York and Portland, will Tyler and Eden fight for their love, or instead battle against each other...

TYLER'S STORY FROM THE SENSATIONAL DIMILY SERIES "And all that's left is me. The Tyler who doesn't know who he really is." At seventeen, Tyler Bruce is hot - a hot mess. His girlfriend is a knockout, his reputation untouchable, parties are nothing without him. Even his car is unreal. But inside Tyler is in ruins - and he'll stop at nothing to keep that a secret. Then one summer Eden comes to stay. She's upfront, sharp and far more enticing than a stepsister should be. She also sees straight through Tyler's bad boy façade... to the vulnerable kid within. The quiet kid who took all the punches. As Eden draws Tyler in, his defences start to crumble around him. As irresistible and dazzling as its Californian backdrop, Just Don't Mention It is Tyler's story - his heart-stopping tale of past hurt, finding hope and figuring out who the hell he wants to be.

A dazzling 'tell-most' memoir: poignant and laugh-out-loud funny scenes from the life of actor Minnie Driver. Managing Expectations is a collection of delicately crafted, hilarious and heartfelt essays, described as a 'tell-most', in which Minnie Driver uses her formidable storytelling skills to examine and understand her less-than-ordinary life. Suffused with warmth and humour, Minnie shares poignant, candid and honest stories of her unconventional childhood, the shock of fame, motherhood, love, success, failure, the power of sisterly love, and the loss of her beloved mother.In her own words, it's about how things not working out actually worked out in the end, and how reaching for the dream is easily more interesting, expansive, sad and funny than the dream itself coming true.

A smart, eloquent ode to Jane Eyre with an irresistible queer hero at its heart. Orphaned young and raised with chilly indifference at an all-boys boarding school, Bronte Ellis has grown up stifled by rigid rules and social "norms", forbidden from expressing his genuine gender identity. His beloved novels lend an escape, until a position as a live-in tutor provides him with a chance to leave St.Mary's behind. Greenwood Manor is the kind of elegant country house Bron has only read about, and amid lavish parties and cricket matches the Edwards family welcomes him into the household with true warmth. Mr Edwards and the young Ada, his pupil, accept without question that Bron's gender presentation is not traditionally masculine. Only Darcy, the eldest son, seems uncomfortable with Bron - the two of them couldn't be more opposite. When a tragic fire blazes through the estate's idyllic peace, Bron begins to sense dark secrets smouldering beneath Greenwood Manor's surface. Channelling the heroines of Charlotte Bronte, Jane Austen and other period classics, he begins to sift through the wreckage .Soon, he's not sure what to believe, especially with his increasing attraction to Darcy clouding his vision. Deeply in conversation with the British classics, but with a warmth and wit uniquely its own, The Manor House Governess is a contemporary, queer homage to classic literature and the period drama; a joyous, uplifting contemporary story about finding yourself and a reminder that queer love can thrive in the present whilst embracing our literary past.

Jay Gardiner has given himself a fool’s errand—to find the remains of his deceased father in the Pacific Ocean off the coast of Monastery Beach. He knows it’s a long shot, but Jay feels it’s the only way for him to lift the weight of guilt he has carried since his dad’s death by suicide the previous year. The dive begins well enough, but the sudden appearance of a giant squid puts Jay in very real jeopardy, made infinitely worse by the arrival of a sperm whale looking to feed. Suddenly, Jay is caught in the squid’s tenacles and drawn into the whale’s mouth where he is pulled into the first of its four stomachs. He quickly realizes he has only one hour before his oxygen tanks run out—one hour to defeat his demons and escape the belly of a whale. Suspenseful and cinematic, is an “astoundingly great” (Gillian Flynn, bestselling author) thriller about a young man who has given up on life…only to find a reason to live in the most dangerous and unlikely of places.

Thirteen-year-old Ava Bonney is unlike other children. Exceptionally bright, she has an obsessive interest in the rate at which dead animals decompose. The motorway she lives by regularly offers up roadkill, and in the dead of night Ava likes nothing better than to pull her latest discovery into her roadside den so she can study it. But one day when she arrives she stumbles across the body of fellow pupil, Mickey Grant. DI Seth Delahaye is given the case, one of the most challenging of his career. But Ava is not the sort of person who will step back and let someone else take charge when children like her are dying. She uses all her unusual skills and deep local knowledge to try to track down the serial killer in her community.