Canongate Books strana 16 z 33

See/Saw is an illuminating history of how photographs frame and change our perspectives. Starting from single images by the world's most important photographers - from Eugene Atget to Alex Webb - Geoff Dyer shows us how to read a photograph, as he takes us through a series of close readings that are by turns moving, funny, prescient and surprising. Following Dyer's previous books on photography, The Ongoing Moment and The Street Philosophy of Garry Winogrand, See/Saw brilliantly combines visual scrutiny and stylistic flair. It shows us how a photograph can simultaneously record and invent the world, and reveals a master seer at work. In the spirit of the intellectual curiosity of Berger, Sontag and Didion, Geoff Dyer helps us to see the world around us, and within us, afresh.

The debut novel - a time-travelling story of love and adventure - from the number one bestselling author of How Not To Be a Boy and star of Peep Show 'Part adventure, part love story, part comedy' Sunday Times 'Fabulously Nineties and enjoyable' Daily Mail First Love. Second Time Lucky. All hell has broken loose in Kate Marsden's life. Her husband has died, she's lost her job and now she's pushed the last of her friends away. Then one day, she wakes up in the wrong body - and the wrong year. She's eighteen again and it's her first day of university. Which means today's the day she'll meet Luke, her future husband, for the first time. If they can fall in love again, Kate might just be able to save him second time around.

When Tash, daughter of a Russian oligarch, is sent to an English boarding school, she is new to the strange rituals of the girls there. Theirs is a world of strict pecking orders, eating disorders and Instagram angst. While she spends her time at the lake and the stables, a few hand-picked girls are invited to join the Headmaster at his house for extra lessons. Then her friend Bianca mysteriously vanishes, and the routines of her dormmates seem darker and more alien than ever before.

Luis Machi has had enemies for a long time thanks to his corrupt business dealings and cooperation with the military junta's coup, not to mention the numerous infidelities of his love life. What is new, however, is the corpse chained to the boot of Machi's car with furry pink handcuffs . . . Someone is trying to set him up and the number of suspects is incalculable. Machi is stuck dredging his guilty past for clues and trying to dispose of the mystery corpse. But time is just another enemy and it's running out fast.

'Had me giggling all the way through . . . I loved it!' Jasbinder Bilan 'Action-packed and bursting with fun' Sinead O'Hart Welcome to Little Snoddington, where nothing is normal and every day is magic . . . Nine-year-old Alfie Blackstack's parents have met a very unfortunate end. Now he's living in the SUPER CREEPY Switherbroom Hall with his mad-haired Aunt Gertie and warty Aunt Zita. The thing is, Alfie's aunts aren't just weird - they're WITCHES! When the circus arrives in town Alfie makes his first ever friend, the FEARLESS Calypso Fagan. But when Calypso's little sister Nova disappears, they must face the TERRIFYING Head Witch in a race to find Nova and stop the next Witch War.

Nothing in life works without facts. A society that isn't sure what's true can't function. Without facts there can be no government or law. Science is ignored. Trust evaporates. People everywhere feel ever more alienated from - and mistrustful of - news and those who make it. We no longer seem to know who or what to believe. We are living through a crisis of 'information chaos'. News and How to Use It is a glossary for this bewildering age. From AI to Bots, from Climate Crisis to Fake News, from Clickbait to Trolls (and more), here is the definitive user's guide for how to stay informed, tell truth from fiction and hold those in power accountable in the modern age.

Negotiating is something that we all do, whether at work or at home. But what if we come across someone who just won't give in? How can we defend ourselves against manipulation? And how do we say 'no' without compromising a deal? Legend has it that the Kremlin school of negotiation was born in Russia in the 1920s, under the rule of Joseph Stalin, and it still has its followers and advocates to this day. Using the official Kremlin method and years of business experience, Igor Ryzov guides us through the most effective techniques in negotiating terms that satisfy both parties. From knowing how to get the most information about a potential deal, to how to read your counterpart, and advice on defusing tension, this comprehensive handbook ensures a mutually acceptable resolution that leaves you walking away successful. With practical examples, and exercises to hone your negotiating skills, The Kremlin School of Negotiation will offer the tools you need to master any deal.

THE NUMBER ONE SUNDAY TIMES BESTSELLER AN INSTANT NEW YORK TIMES BESTSELLER WINNER OF THE GOODREADS CHOICE AWARD FOR FICTION A BETWEEN THE COVERS AND GOOD MORNING AMERICA BOOK CLUB PICK 'BEAUTIFUL' Jodi Picoult, 'UPLIFTING' i, 'BRILLIANT' Daily Mail, 'AMAZING' Joanna Cannon, 'ABSORBING' New York Times, 'THOUGHT-PROVOKING' Independent Nora's life has been going from bad to worse. Then at the stroke of midnight on her last day on earth she finds herself transported to a library. There she is given the chance to undo her regrets and try out each of the other lives she might have lived. Which raises the ultimate question: with infinite choices, what is the best way to live?

Humans are the most inquisitive, emotional, imaginative, aggressive and baffling animals on the planet. But how well do we really know ourselves? How to Be Animal writes a remarkable story of what it means to be human and argues that at the heart of our psychology is a profound struggle with being animal. As well as piecing together the mystery of how this psychology evolved, this book examines its wide-reaching effects on our lives, from our politics to the ways we distance ourselves from other species. We travel from the origins of Homo sapiens through the agrarian and industrial revolutions, the age of the internet, and on to futures of AI and human-machine interface. We examine how technology influences our sense of our own animal nature and our relationship with the other species with whom we share this fragile planet. Drawing on new evidence from a wide range of disciplines, Challenger proposes that being an animal is a process, beautiful and unpredictable, and that we have a chance to tell ourselves a new story, to realise that if we matter, so does everything else.

Kerri ni Dochartaigh was born in Derry, on the border of the North and South of Ireland, at the very height of the Troubles. She was brought up on a council estate on the wrong side of town. But for her family, and many others, there was no right side. One parent was Catholic, the other was Protestant. In the space of one year they were forced out of two homes and when she was eleven a homemade petrol bomb was thrown through her bedroom window. Terror was in the very fabric of the city, and for families like Kerri's, the ones who fell between the cracks of identity, it seemed there was no escape. In Thin Places, a mixture of memoir, history and nature writing, Kerri explores how nature kept her sane and helped her heal, how violence and poverty are never more than a stone's throw from beauty and hope, and how we are, once again, allowing our borders to become hard, and terror to creep back in. Kerri asks us to reclaim our landscape through language and study, and remember that the land we fight over is much more than lines on a map. It will always be ours but, at the same time, it never really was.

Throughout history we have told ourselves stories to try and make sense of what it all means: our place in a small corner of one of billions of galaxies, at the end of billions of years of existence. In this new book Richard Holloway takes us on a personal, scientific and philosophical journey to explore what he believes the answers to the biggest of questions are. He examines what we know about the universe into which - without any choice in the matter - we are propelled at birth and from which we are expelled at death, the stories we have told about where we come from, and the stories we tell to get through this muddling experience of life. Thought-provoking, revelatory, compassionate and playful, Stories We Tell Ourselves is a personal reckoning with life's mysteries by one of the most important and beloved thinkers of our time.

Much of value has been written about sleep, but rest is different; it is how we unwind, calm our minds and recharge our bodies. The Art of Rest draws on ground-breaking research Claudia Hammond collaborated on: 'The Rest Test', the largest global survey into rest ever undertaken, completed by 18,000 people across 135 different countries. The survey revealed how people get rest and how it is directly linked to your sense of wellbeing. Counting down through the top ten activities which people find most restful, Hammond explains why rest matters, examines the science behind the results to establish what really works and offers a roadmap for a new, more restful and balanced life.

SHORTLISTED FOR THE BOOKER PRIZE 2020 'DEVASTATING' Marlon James, 'A MODERN CLASSIC' Andrew Sean Greer, 'BRILLIANT' Salman Rushdie, 'MAGNIFICENT' Aminatta Forna, 'EPIC' Mary Morris, 'WONDERFUL' Laila Lalami, 'UNFORGETTABLE' The Times, 'REMARKABLE' New York Times, 'A MASTERPIECE' Washington Post ETHIOPIA. 1935. With the threat of Mussolini's army looming, recently orphaned Hirut struggles to adapt to her new life as a maid. Her new employer, Kidane, an officer in Emperor Haile Selassie's army, rushes to mobilise his strongest men before the Italians invade. Hirut and the other women long to do more than care for the wounded and bury the dead. When Emperor Haile Selassie goes into exile and Ethiopia quickly loses hope, it is Hirut who offers a plan to maintain morale. She helps disguise a gentle peasant as the emperor and soon becomes his guard, inspiring other women to take up arms. But how could she have predicted her own personal war, still to come, as a prisoner of one of Italy's most vicious officers? The Shadow King is a gorgeously crafted and unputdownable exploration of female power, and what it means to be a woman at war.

THE SUNDAY TIMES TOP TEN BESTSELLER SHORTLISTED FOR THE PENDERYN MUSIC BOOK PRIZE 'Tender, wise and funny' Sunday Express 'Beautifully observed, deadly funny' Max Porter Before becoming an acclaimed musician and writer, Tracey Thorn was a typical teenager: bored and cynical, despairing of her aspirational parents. Her only comfort came from house parties and the female pop icons who hinted at a new kind of living. Returning to the scene of her childhood, Thorn takes us beyond the bus shelters, the pub car parks and the weekly discos, to the parents who wanted so much for their children and the children who wanted none of it. With great wit and insight, Thorn reconsiders the Green Belt post-war dream so many artists have mocked, and yet so many artists have come from.

For most of human history, we have led not just an earthly existence but a cosmic one. Celestial cycles drove every aspect of our daily lives. Our innate relationship with the stars shaped who we are - our religious beliefs, power structures, scientific advances and even our biology. But over the last few centuries we have separated ourselves from the universe that surrounds us. And that disconnect comes at a cost. In The Human Cosmos Jo Marchant takes us on a tour through the history of humanity's relationship with the heavens. We travel to the Hall of the Bulls in Lascaux and witness the winter solstice at a 5,000-year-old tomb at Newgrange. We visit Medieval monks grappling with the nature of time and Tahitian sailors navigating by the stars. We discover how light reveals the chemical composition of the sun, and we are with Einstein as he works out that space and time are one and the same. A four-billion-year-old meteor inspires a search for extraterrestrial life. And we discover why stargazing can be really, really good for us. It is time for us to rediscover the full potential of the universe we inhabit, its wonder, its effect on our health, and its potential for inspiration and revelation.

What does drug withdrawal have in common with a broken heart? Why is the enemy of memory not time, but other memories? How can a blind person learn to see with her tongue or a deaf person learn to hear with his skin? Why did many people in the 1980s mistakenly perceive book pages to be slightly red in colour? Why is the world's best archer armless? Might we someday control a robot with our thoughts, just as we do our fingers and toes? Why do we dream at night, and what does that have to do with the rotation of the planet? The answer to these questions is right behind our eyes. The greatest technology we have ever discovered on this planet is the three-pound organ carried around in the vault of the skull. This book is not simply about what the brain is, but what it does. The magic of the brain is not found in the parts it's made of, but in the way those parts unceasingly re-weave themselves in an electric, living fabric. Surf the leading edge of neuroscience atop the anecdotes and metaphors that have made Eagleman one of the best scientific translators of our generation. Covering decades of research to the present day, Livewired also presents new discoveries from Eagleman's own laboratory, from synaesthesia to dreaming to wearable neurotech devices that revolutionize how we think about the senses.