Enchanted Lion Books strana 2 z 2

Where is the center of the sea? Why do the waves never break there? A book containing unanswerable, fantastical questions, inviting us to be curious, while simultaneously embracing what we cannot know. This bilingual Spanish-English edition is the first illustrated selection of questions, 70 in all, from Pablo Neruda's original poem (320 questions) The Book of Questions. Holding the wonder and mystery of childhood and the experience and knowing that come with growing up, these questions are by turns lyrical, strange, surreal, spiritual, historical and political. They foreground the natural world, and their curiosity transcends all logic; and because they are paradoxes and riddles that embrace the limits of our ability to know, they engage with human freedom in the deepest way, removing the burden and constraint that somehow, we are meant to have answers to every question. Gorgeously, cosmically illustrated by Paloma Valdivia, here Neruda's questions, already visual in themselves, gain a double visuality that makes them even more palpable and resonant. So clearly rooted in Chilean landscapes as they are, the questions are revealed as a communion with nature and its mysteries.

"In this gloriously unruly feminist fable, The True Story of a Mouse Who Never Asked for It explores the power of art-making, the tedium of the domestic, and the dangers of heteronormativity, all within beautiful pictures and tender words. I was enchanted by the pairing of graphic illustration and tight prose on every page. It is luminous and evocative from start to finish." -Alisson Woods, author of Being Lolita Folklorist Ana Cristina Herreros and visionary illustrator Violeta Lopiz spin a deeply feminist retelling of an old Spanish folktale in The True Story of a Mouse Who Never Asked for It. Through rhythmic text, highly conceptual illustrations, and a final visual narrative that is silent but revelatory, this YA picture book builds from deceptive simplicity to an explosive end. The story begins with a mouse, very neat and hard-working, who makes herself a home. In disbelief that she has a house but isn't a wife, suitors show up uninvited, each asking for her hand. She turns everyone down... until a pack of tiny kittens arrive, and she agrees to marry the smallest and most defenseless of the bunch. But it does every mouse well to remember that a kitten always grows up to be a cat. Today, the most commonly told version of this popular folktale serves as a warning, scaring girls to choose good men to marry by reminding them that the cat will always devour the mouse. But this story is rooted in the non-normative, non-performative original version, before it became a cautionary tale. Here, by contrast, the story tells of the pain and harm that come from falling prey to situations beyond one's control. It is also a powerful story of reclaiming one's selfhood.

A Washington Post Best Children's Book of 2021 A Marginalian (formerly Brain Pickings) Loveliest Children's Book of 2021 "What is a river?" an inquisitive young girl asks her grandmother as the pair sits together on the river's banks. Like many questions posed by curious children, this one is deceptively simple in its asking. Yet, its answer spans the very world itself: geography and history, science and religion, industry and environmentalism. Through author-illustrator Monika Vaicenaviciene's eyes, the river becomes a vessel for enormous complexity, a lens through which the interconnectedness of our shared earth can be understood.

A gentle story about sadness showing that sometimes all you need to feel better is the openness of someone who accepts you as you are. This is a subtle story about an elephant who is feeling sorrowful, and nothing seems to interest him or lift his spirits. Illustrated with a striking contrast between shadow and light, the moody blue elephant appears to live in a different world from his colorful savanna friends. Empathy is a tricky emotion for children and adults alike to grasp, but The Shadow Elephant manages to walk the line between sadness, understanding, and emotional connection. Here we witness, in a story that unfolds at a natural, gentle pace, that it's okay to be sad and to show it, and that this sorrow is not necessarily a problem to be fixed, but is a feeling to acknowledge without judgement. This simple act of acceptance and validating another creature's feelings is subtle, yet, it is an essential step to true empathy.

Every night, at nine o'clock, wherever he is, Mr. Bianchi, an accountant who often has to travel for work, calls his daughter and tells her a bedtime story. But since it's still the 20th century world of pay phones, each story has to be told in the time that a single coin will buy. Reminiscent of Scheherazade and One Thousand and One Nights, Gianni Rodari's Telephone Tales is composed of many stories--in fact, seventy short stories, with one for each phone call. Each story is set in a different place and a different time, with unconventional characters and a wonderful mix of reality and fantasy. One night, it's a carousel so beloved by children that an old man finally sneaks on to understand why, and as he sails above the world, he does. Or, it's a land filled with butter men, roads paved with chocolate, or a young shrimp who has the courage to do things in a different way from what he's supposed to do. Awarded the Hans Christian Anderson Award in 1970, Gianni Rodari is widely considered to be Italy's most important children's author of the 20th century. Newly re-illustrated by Italian artist Valerio Vidali (The Forest), Telephone Tales entertains, while questioning and imagining other worlds.

Visually stunning, tactile, and mesmerizing, this graphic novel is a debut at the summit from a self-taught Argentinian visionary. Lorenzo isn't happy about moving. But in his new room, he finds an old desk with what seems likes hundreds of drawers. Each even has its own smell! Deep inside the desk, he finds a book and begins to read. When he looks up, he sees all kinds of curious things. Has the book come to life? Or is it something else? This is a graphic novel about observation, imagination, and the many incredible lenses through which everyday experience might be perceived if you read.

A lyrical book about the adventure of life, The Forest is also a magnificent visual work, both painterly and a technical feat of paper engineering. Here, sensory experience and the textures of the material world are rendered through die-cuts, embossing, cutouts, and a single gatefold. A beautifully considered work. Riccardo Bozzi was born in Milan in 1966. He is a journalist for the Italian newspaper Corriere della Sera. He lives in Milan. Violeta Lopiz is an illustrator from the Spanish island of Ibiza. Her beautifully textured work is filled with personality and playfulness. Valerio Vidali is an Italian illustrator based in Berlin. Vidali enjoys botanical gardens and spends his spare time building kites that rarely fly.

A big town in winter. A snowflake is about to fall from the sky. A big town in winter. An ink drop flies out of its bottle into the sky when a big gust of wind blows its bottle over. The wind carries Snowflake and Inkdrop through the sky. Where will each land? Two worlds, two intersecting stories told in vivid color illustrations, as well as through ingenious laser cuts and foldouts that are full of surprise. A snowflake and an ink drop -- can you imagine a more unlikely couple of friends? And yet, might it be that they are destined for each other---- more kindred in spirit than their differences would suggest?