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A unique look at the history, adventures, myths and realities of this most legendary and powerful of bands, it is a labour of love based on hours of first-hand and original interviews. What emerges is a compelling portrait of the four musicians themselves, as well as a fresh insight into the close-knit entourage that protected them, from Peter Grant to Richard Cole to Ahmet Ertegun, giant figures from the long-vanished world of 1970s rock. Featuring many rare and never before seen photographs, it is also the first book on Led Zeppelin to cover such recent events as their triumphant 2007 - O2 Arena gig and Robert Plant's Grammy-winning resurgence of recent years.

For fifty years, pop music was created and consumed like this: you heard a record on the radio, or read about it in a music paper; you bought it on Saturday; you lent it to, or taped it for, a friend; and they reciprocated with another record. It was a secret network. It was how you made friends, how you met girls, and how you soundtracked your world. Bob Stanley's Yeah Yeah Yeah tells the chronological story of the modern pop era, from its beginnings in the fifties with the dawn of the charts, vinyl, and the music press, to pop's digital switchover in the year 2000, from Rock Around the Clock to Crazy In Love. There was constant change, constant development, a constant craving for newness. It was more than just music - it could be your whole life. Yeah Yeah Yeah covers the birth of rock, soul, punk, disco, hip hop, indie, house and techno. It also includes the rise and fall of the home stereo, Top Of The Pops, Smash Hits, and "this week's highest new entry". Yeah Yeah Yeah is the first book to look back at the entire era: what we gained, what we lost, and the foundations we laid for future generations. There have been many books on pop but none have attempted to bring the whole story to life, from Billy Fury and Roxy Music to TLC and Britney via Led Zeppelin and Donna Summer. Audacious and addictive, Yeah Yeah Yeah is essential reading for all music lovers. It will remind you why you fell in love with pop music in the first place.

These were the crimes that were meant to change the world, and sometimes did. The book connects the killing of the Kennedys or the murder that sparked the First World War with less well-known stories, such as the Berlin shooting of an instigator of the Armenian genocide or the attack on an American 'robber baron'. Taking in Malcolm X and Queen Victoria, Adolf Hitler and Andy Warhol, Charles Manson and Emma Goldman, Tsars, Presidents, and pop stars, Age of Assassins traces the process that turned thought into action and murder into an icon. In tackling the history of political violence, the book is unique in its range and attention to detail, summoning up an age of assassination that is far from over.

Metallica have sold in excess of 100 million albums and won seven Grammys. Their journey from scuzzy Los Angeles garages to the stages of the world's biggest stadia has been an epic and often traumatic one, and one of the few truly great rock 'n' roll sagas. No music writers have been afforded greater access to Metallica over the years than Paul Brannigan and Ian Winwood, two former editors of Kerrang. Having conducted hundreds of hours of interviews with the band, they have between them gained an unparalleled knowledge of the group's history and an insiders' view of how their story has developed: they have ridden in the band's limos, flown on their private jet, joined them in the studio, been invited to the quartet's 'HQ' outside San Francisco and shared beers and stories with them in venues across the globe. There are countless memorable stories about the band never before seen in print, tales of bed-hopping and drug-taking and car-crashes and fist-fights and back-stabbing that occur when you mix testosterone and adrenaline, alcohol and egomania, talent and raw ambition. Perceptive, emotionally attached, and intellectually rigorous, Birth, School, Metallica, Death will be the essential and definitive story of this extraordinary band. Volume I takes us from the band's inception through to the recording and eve of release of their seminal, self-titled, 1991 album.

When Rob Hale wakes up in hospital after a motorcycle crash he is told that Lena, the woman he claims was travelling with him, doesn't exist. The woman he describes bears a striking resemblance to his recently deceased sister, Laura, but has he really only imagined her? Rob sets out to find the answers to who Lena is and where she has gone. He is aided by Rebecca Lewis, a London-based PI, who has come to the Isle of Man at the behest of his parents to investigate his sister's suicide. But who is Rebecca really and how did she know his sister? Together Rob and Rebecca follow the clues to discover who took Lena. In doing so they discover that even on an island where most people know each other, everyone hides a secret, and that sometimes your best option isn't to hide but to stay and fight.

In the beginning, everything was alive. The smallest objects were endowed with beating hearts . . . Having recalled his life through the story of his physical self in Winter Journal, internationally acclaimed novelist Paul Auster now remembers the experience of his development from within, through the encounters of his interior self with the outer world. From his baby's-eye view of the man in the moon to his childhood worship of the movie cowboy Buster Crabbe to the composition of his first poem at the age of nine to his dawning awareness of the injustices of American life, Report from the Interior charts Auster's moral, political and intellectual journey as he inches his way toward adulthood through the post-war fifties and into the turbulent 1960s. Auster evokes the sounds, smells, and tactile sensations that marked his early life-and the many images that came at him, including moving images (he adored cartoons, he was in love with films), until, at its unique climax, the book breaks away from prose into pure imagery: The final section of Report from the Interior recapitulates the first three parts, told in an album of pictures. At once a story of the times and the story of the emerging consciousness of a renowned literary artist, this four-part work answers the challenge of autobiography in ways rarely, if ever, seen before.

In 1956 Sylvia Plath wrote to her mother, Aurelia Plath: 'I feel I'm developing a kind of primitive style of my own which I am very fond of. Wait til you see. The Cambridge sketch was nothing compared to these.' Sylvia Plath cited art as her deepest source of inspiration but, while her poetry is celebrated around the world, her drawings are little known. This volume brings together drawings from 1955 to 1957, the period she spent on a Fulbright scholarship from the US at Newnham College, Cambridge. During this time she married Ted Hughes and travelled with him to Paris and Spain. First published as a catalogue for an exhibition at the Mayor Gallery, the tiny drawings in pen and ink are exquisitely observed. They include Parisian rooftops, trees and churches.

The celebrated author of "The New York Trilogy", "Moon Palace" and "The Book of Illusions" presents here a highly personal collection of essays, prefaces and occasional pieces written for magazines and newspapers. Ranging in subject from Walter Raleigh to Kafka; Hawthorne to the high-wire artist Philippe Petit; conceptual artist Sophie Calle to Auster's own typewriter; The World Trade Center catastrophe to his beloved New York City itself, Auster displays all his customary flair, wit and insight.

These are the complete journals of Sylvia Plath. "Everything that passes before her eyes travels down from brain to pen with shattering clarity - 1950s New England, pre-co-ed Cambridge, pre-mass tourism Benidorm, where she and Hughes honeymooned, the birth of her son Nicholas in Devon in 1962. These and other passages are so graphic that you look up from the page surprised to find yourself back in the here and now...The struggle of self with self makes the Journals compelling and unique". (John Carey, "Sunday Times"). "So what does this new edition of the Journals offer, other than Karen Kukil's exemplary editing? Most importantly, it gives us Plath unmediated, as no biography or memoir can...The poems tell the story as the poets [Hughes and Plath] wanted, with the composure of great art. But in their raw intimacy, these Journals are no less enthralling". (Blake Morrison, "Independent on Sunday").

This is the new novel from Hanif Kureishi: an outrageous, clever and very funny story of sex, lies, art and what defines a life. Mamoon is an eminent Indian-born writer who has made a career in England - but now, in his early 70s, his reputation is fading, sales have dried up, and his new wife has expensive taste. Harry, a young writer, is commissioned to write a biography to revitalise both Mamoon's career and his bank balance. Harry greatly admires Mamoon's work and wants to uncover the truth of the artist's life. Harry's publisher seeks a more naked truth, a salacious tale of sex and scandal that will generate headlines. Meanwhile Mamoon himself is mining a different vein of truth altogether. Harry and Mamoon find themselves in a battle of wills, but which of them will have the last word? The ensuing struggle for dominance raises issues of love and desire, loyalty and betrayal, and the frailties of age versus the recklessness of youth. Hanif Kureishi has created a tale brimming with youthful exuberance, as hilarious as it is touching, where words have the power to forge a world.

Sylvia Plath was one of the defining voices of twentieth-century poetry, and one of the most appealing: few other poets have introduced as many new readers to poetry. Though she published just one collection in her lifetime, The Colossus, and a novel, "The Bell Jar", it was following her death in 1963 that her work began to garner the wider audience that it deserved. The manuscript that she left behind, Ariel, was published in 1965 under the editorship of her former husband, Ted Hughes, as were two later volumes, "Crossing the Water" and "Winter Trees" in 1971, which helped to make Sylvia Plath a household name. Hughes' careful curation of Plath's work extended to a Collected Poems and a Selected Poems in the 1980s, which remain in print today and stand testimony to the 'profound respect' that Frieda Hughes said her father had for her mother's work. It was not until the publication of a 'restored' Ariel in 2004 that readers were able to appraise Plath's own selection and arrangement of her work. This edition of the poems, chosen by the Poet Laureate Carol Ann Duffy, offers a fresh selection of Sylvia Plath's poetry to stand in parallel to the existing editions. Introduced with an inviting preface, the book is essential reading for those new to and already familiar with the work of this most extraordinary poet.

With an introduction by Andrew Martin Fame, success, fortune, a drink problem slipping over the edge into alcoholism, a dead marriage, the incurable itches of middle-aged lust. For Wilfred Barclay, novelist, the final unbearable irritation is Professor Rick L. Tucker, implacable in his determination to become The Barclay Man. Locked in a lethal relationship they stumble across Europe, shedding wives, self-respect and illusions. The climax of their odyssey, when it comes, is as inevitable as it is unexpected.

This title comes with an introduction by Philippa Gregory. Drowning in the freezing North Atlantic, Christopher Hadley Martin, temporary lieutenant, happens upon a grotesque rock, an island that appears only on weather charts. To drink there is a pool of rain water; to eat there are weeds and sea anemones. Through the long hours with only himself to talk to, Martin must try to assemble the truth of his fate, piece by terrible piece. From the author of Lord of the Flies, Pincher Martin is a terrifying and unforgettable journey into one man's mind.

Junot Diaz's new collection, This Is How You Lose Her, is a collection of linked narratives about love - passionate love, illicit love, dying love, maternal love - told through the lives of New Jersey Dominicans, as they struggle to find a point where their two worlds meet. In prose that is endlessly energetic and inventive, tender and funny, it lays bare the infinite longing and inevitable weaknesses of the human heart. Most of all, these stories remind us that the habit of passion always triumphs over experience and that 'love, when it hits us for real, has a half-life of forever'.

This title comes with an introduction by Philip Hensher. It is the winner of the James Tait Black Memorial Prize. Darkness Visible opens at the height of the London Blitz, when a naked child steps out of an all-consuming fire. Miraculously saved but hideously scarred, soon tormented at school and at work, Matty becomes a wanderer, a seeker after some unknown redemption. Two more lost children await him, twins as exquisite as they are loveless. Toni dabbles in political violence; Sophy, in sexual tyranny. As Golding weaves their destinies together, his book reveals both the inner and outer darkness of our time.

This title comes with an introduction by John Mullan. Dean Jocelin has a vision: that God has chosen him to erect a great spire on his cathedral. His mason anxiously advises against it, for the old cathedral was built without foundations. Nevertheless, the spire rises octagon upon octagon, pinnacle by pinnacle, until the stone pillars shriek and the ground beneath it swims. Its shadow falls ever darker on the world below, and on Dean Jocelin in particular. From the author of Lord of the Flies, The Spire is a dark and powerful portrait of one man's will, and the folly that he creates.