Faber & Faber strana 9 z 67

AN IRISH TIMES TOP 100 IRISH BOOKS OF THE 21ST CENTURY‘Exquisite … so intricately wrought, so strange and beguiling as to entirely bewitch.’ GUARDIAN‘Pure magic.’ COLM TÓIBÍN‘Lyrical, thoughtful, but with a thick, dark strain of melancholy running through.’ INDEPENDENT ON SUNDAYA long-haired woman moves into the priest''s house and sets fire to his furniture. That Christmas, the electricity goes out. A forester mortgages his land and goes off to a seaside town looking for a wife. He finds a woman eating alone in the hotel. A farmer wakes half-naked and realises the money is almost gone. And in the title story, a priest waits on the altar for a bride and battles, all that wedding day, with his memories of a love affair. In her long-awaited second collection, Claire Keegan observes an Ireland wrestling with its past.

He was smiling, and covered in blood - face, hands, pyjamas - everything and in his hands - thrust towards her like a birthday gift - was Julie’s teddy-bear, soaked and dripping with blood.This collection of spine-chilling Gothic miniatures from Celia Fremlin (‘Britain’s Patricia Highsmith’ - Sunday Times) is a showcase of macabre domesticity: controlling husbands rub shoulders with manipulative wives, parasitic visitors meet fatal accidents, there are nervous breakdowns, toxic relationships, sinister villagers and mob justice.With an unerring nail, Fremlin picks the scabs concealing domestic fault lines.

At the abolition of the slave trade two centuries ago, the British government paid huge amounts of compensation to slave-owners. Only in 2015 did British taxpayers stop paying off this debt.How is it that slave-owners were paid compensation from our taxes, yet the enslaved and their families were not? Why should the descendants of former slaveowners still benefit from inherited wealth while the successors of the victims of slavery receive nothing, and may have even paid towards the debt of compensation through their taxes?Beginning with these simple but startling questions, Lenny Henry and Marcus Ryder explore the burning issue of how best can we resolve the inequality resulting from 400 years of the enslavement of African people and the ongoing racism still suffered by millions across the world.Talking to reparation experts, economists, politicians, and anti-racism campaigners, including Bell Rebeiro-Addy, Robert Beckford, Kenneth Mohammed and Kehinde Andrews, they investigate how reparations can work, and how we can help to make them happen.

‘More than any other poet since Wordsworth he can make us understand that the outside world is not outside, but what we are made of.’ John CareyThis is the long-awaited, definitive edition of Seamus Heaney’s poetry. It encompasses all the poems Heaney published in his lifetime as well as the small number that appeared after his death: twelve single volumes, from Death of a Naturalist (1966) to Human Chain (2010), and those poems published in pamphlets, journals and magazines or with limited circulation. In addition, the book includes a selection of unpublished material chosen by the poet''s family.It is a body of work that, in its entirety, resounds with the ‘lyrical beauty and ethical depth’ cited by the Nobel committee: poems ‘which exalt everyday miracles and the living past.’Critical introductions to each collection and notes that illuminate the history and development of the poems make this the essential volume for admirers of Heaney''s work.‘Heaney’s voice, by turns mythological and journalistic, rural and sophisticated, reminiscent and impatient, stern and yielding, curt and expansive, is one of a suppleness almost equal to consciousness itself.’ Helen Vendler‘His is “closeup” poetry – close up to thought, to the world, to the emotions. Few writers at work today, in verse or fiction, can give the sense of rich, fecund, lived life that Heaney does.’ John Banville‘These poems find – in the dowser’s gift and the child’s perception of the world – images of the marvellous that are also wonderfully grounded. . . Heaney is a poet who deserves to be read in entirety.’ Jamie McKendrick‘For Heaney, there were marvels enough in this world, and never mind the next. Ordinary objects and places – a sofa, a wireless, a satchel, a gust of wind, the sound of rain – were sanctified.’ Blake Morrison

The American South. A turbulent world, fraught with the Civil Rights struggle and toxic religious tensions. Against the backdrop of mountainous sunsets and backwater shacks, deserted highways and small-town gas stations, people forge their own lives. We encounter murderers, escaped convicts, dysfunctional families, conmen, fanatics, farmhands, Bible salesmen, troubled children, gangsters, hypocrites, misfits and outcasts. These are characters marked by grotesque flaws, darkly humorous and oddly beautiful. Their complex humanity is revealed in apocalyptic moments of Gothic horror, absurdity and violence that transform all who witness them - and us, too, as we realise that nothing in our moral universe is black and white. Flannery O’Connor is the supreme tragicomic chronicler of these bodies and souls, her classic stories infused with the dazzling force of prophecy as one of the century’s most visionary writers.

‘The absorbing story of an uncompromising genius of the dance.’ Salman Rushdie‘Candid, compelling. . . I loved every word of insight into the mind of a master.’ Sunday TimesMark Morris was nineteen when he moved to New York to become a professional dancer. Flat broke, he found a group of like-minded artists that danced together, travelled together, slept together – a collective which became the Mark Morris Group.Suddenly, Morris was on a fast ascent, and with success also came controversy: from the circus of his tenure at La Monnaie in Belgium to his work on the biggest flop on Broadway history. But through the Reagan-Bush era and the worst of the AIDS epidemic, Morris emerged as one of the great visionaries of modern dance, an artist as joyful as he is provocative.

A stunning new hardback edition of Claire Keegan''s debut story collection.‘A beautiful, tender work of great clarity.’ SEBASTIAN BARRY''Simply put, Claire Keegan is one of the greatest fiction writers in the world.'' GEORGE SAUNDERS‘Among the finest contemporary stories written recently in English.’ OBSERVERA secret one-night tryst in the city. A sister’s revenge. A love-struck doctor. A missing girl. In Antarctica, an astonishing sequence of stories, one of our most gifted writers illuminates human longing and fallibility in all its variety.-------Readers love Antarctica:⭐⭐⭐⭐⭐ ''This is the best short story collection I have ever read. Trust me she is a real find!''''⭐⭐⭐⭐⭐ ''A skilled writer who immerses us seamlessly in the lives of her characters.''⭐⭐⭐⭐⭐ ''I have now read every word Claire Keegan has written. That''s how much I love her writing.''⭐⭐⭐⭐⭐ ''With her keen eye and lucid prose, Keegan beguiles, jolts and haunts us beyond the pages.''⭐⭐⭐⭐⭐ ''The writing is both tender, poetic and authentic ... the stories stay with you long after you have finished reading.''

It’s the most wonderful time of the year: there’s frozen white dust on the ground, the Human Lady has decorated her nest with shiny things, and the scent of scrumptious goodness is wafting from the kitchen . . .But then Tinkles the Canary comes with unprecedented news. That delicious smell is not just deliciousness with a sprinkling of yumminess . . . it’s the smell of TURKEY. Being cooked! Horrors! Can Dave and Skipper save a bird that’s delivered in a plastic wrapper? Probably not. But what if they can work out a way to put nut roast on the menu instead?Brought to life with funny black and white illustrations throughout. Perfect for enticing those who are new to reading!

THE SUNDAY TIMES BESTSELLER''It will do your soul good to read this.'' NIGELLA LAWSONA balm for our times from the internationally bestselling author of Wintering.Our sense of enchantment is not only sparked by grand things. The awe-inspiring, the numinous, is all around us, all the time. It is transformed by our deliberate attention. The magic is of our own conjuring.''A total joy . . . Thoughtful, patient and beautifully written, like walking with a friend as dusk settles, this is the book your soul needs right now.''CARIAD LLOYD''Beautifully written.''PHILIPPA PERRYFeeling bone-tired, anxious and overwhelmed by the rolling news cycle and the pandemic age, Katherine May seeks to unravel the threads of a life wound too tightly. Could there be another way to live - one that feels more meaningful, more grounded in the places beneath our feet? One that would allow us to feel more connected, more rested and at ease, even as seismic changes unfold on the planet?Craving a different path, May explores the restorative properties of the natural world and begins to rekindle her sense of wonder. It is a journey that takes her from sacred wells to wild moors, from cradling seas to starfalls. Through deliberate attention and ritual, she finds nourishment and a more hopeful relationship to the world around her.Enchantment is an invitation to each of us to experience life in all its sensual complexity and to find the beauty waiting for us there.Katherine May''s book Enchantment was a Sunday Times bestseller w/c 10-03-2023

If we are lucky in our lives, our friendships will be rich and varied. They will be shared with those with two legs, with four legs, with whiskers or clean faces; they will come dressed in the simplicity of childhood or the professional attire of adult life; some will span decades, and some will be only fleeting. But the thing they will all have in common is that life is not only unimaginable - but unimagined - without them. In these gorgeous personal reflections, Andrew O'Hagan explores friendship through music and poetry, memory and history, illuminating the many ways and reasons that people come together, and how our lives are all the better because we do.

POETRY BOOK SOCIETY RECOMMENDATIONThe Poet Laureate makes peace with the dead in this highly imaginative and wide-ranging new collection.The conversion of a local natural-beauty spot into a municipal graveyard is the starting point for New Cemetery. From regular walks around the boundary near his moorland home in West Yorkshire, Simon Armitage chronicles the extraordinary transformation of landscape both outer and inner. These luminous and wry poems – composed in short-lined tercets – reflect the changing world: one of unstable weather patterns and unpredictable news events, all observed across a few acres of Pennine upland.As seasons come and go and the cemetery fills up with new ''residents’, Armitage charts personal losses of his own, often retreating to his garden shed to navigate blank paper with pen and ink. Encompassing lyrical revelations and everyday vignettes alongside apocalyptic visions and imagined conversations with the deceased, these pages draw us into a parallel neighbourhood of remembrance and celebration.

The judges of the 2025 Forward Prizes for Poetry read hundreds of recent books and individual poems before arriving at this anthology. Celebrating the boldness and variety of today's poets, this collection opens windows into society, culture, and individual lives. The Forward Prizes are the most influential awards for new poetry published in the UK and Ireland. This selection combines fresh voices with familiar names, making the book essential reading for seasoned poetry enthusiasts and new readers alike. 'Central to the literary landscape of modern Britain.' Andrew Marr

Zombies want brains. Vampires want blood. Cannibals want human flesh. All monsters need feeding. Horror has been embraced by mainstream pop culture more than ever before, with horror characters and aesthetics infecting TV, music videos and even TikTok trends. Yet even with the commercial and critical success of The Babadook, Hereditary, Get Out, The Haunting of Hill House, Yellowjackets and countless other horror films and TV series over the last few years, loving the genre still prompts the question: what's wrong with you? Implying, of course, that there is something not quite right about the people who make and consume it. In Feeding the Monster, Anna Bogutskaya dispels this notion once and for all by examining how horror responds to and fuels our feelings of fear, anxiety, pain, hunger and power.

‘A true Christmas cracker!’ Andrew Taylor‘What fun!’ Lynne TrussChristmas Eve, 1943. Anthony and Elva Pratt arrive in a snowy English village to run a murder mystery game – and instead discover a real murder.‘An ingenious plot’ ⭐⭐⭐⭐⭐‘A great read for Christmas . . . nostalgic and thoroughly entertaining.’ ⭐⭐⭐⭐⭐‘Unexpectedly emotive, engaging and sweet.’ ⭐⭐⭐⭐ The Pratts had planned for festive cheer, despite the wartime shortages: with Elva’s map of the hotel and Anthony’s prop weapons to use as clues, the guests in their parlour game would move through the rooms to figure out whodunnit. But when Anthony discovers the cook’s sister Miss Silver beaten to death, they instead find themselves investigating a shockingly real crime. The hotel manager Mr Browning is trying to keep the peace but the guests are agitated, Colonel Colman is about to take over the hotel for the war effort – and the mysterious Mrs Threadgold hasn’t been seen at all. In games, there’s only one victim – but this is real life. Can the Pratts puzzle out this Christmas mystery before it’s too late? Praise for Nicola Upson: ‘Always a delight.’ Sunday Times‘Upson [. . .] gives new life to a classic murder setting.’ Spectator‘Wonderful writing.’ Ian Moore‘A talented author of historical crime.’ Scotsman

A history of the club that set the ‘80s alight, by the much-loved presenter, writer and Blitz attendee Robert Elms.The short-lived Blitz club in London’s Covent Garden was more than somewhere to hang out or be seen: it was a catalyst for cultural explosion, a counter-culture blast against everything Thatcher''s leadership had ushered in by the dawn of the 80s. Tuesday nights boasted a ferocious, fearless cast – from Boy George and Spandau Ballet to Grayson Perry and Peter Doig, to Michele Clapton, Sade and Alexander McQueen. This was the vanguard of a different England; socially liberal, loud, proud and diverse, fiercely individualistic and determined to succeed. Britain was black and white; the Blitz Kids switched on the colour.In Blitz, Elms reflects on a club night founded by working-class kids, one whose impact reverberated beyond its doors, through the worlds of Art, Literature, Fashion and Music, and into the present day.

In Girl in a Band Kim Gordon, a founding member of Sonic Youth and role model for a generation of women, tells her story. She writes frankly about her route from girl to woman to pioneering icon within the music and art scene of New York City in the 1980s and 90s, as well as marriage, motherhood, and independence.Filled with the sights and sounds of a changing world and a remarkable life, and updated with a new chapter by the author, Girl in a Band is a moving, evocative chronicle of an extraordinary artist.This tenth anniversary edition also includes a new foreword by Rachel Kushner.‘A fascinating and honest memoir, full of raw emotion and insight.’ Sofia Coppola‘So much more than a rock biog, Girl in a Band is a unique record of the past fifty years of alternative culture.’ NME‘This memoir is a kind of setting ablaze of a life’s work that, for Gordon, is now inextricable from heartbreak.’ Guardian