Fig Tree strana 2 z 3

An electrifying, thought-provoking exploration of how the digital era is reshaping our world, by bestselling, Women's Prize-winning writer Naomi Alderman 'Alderman is one of our most surprising and delightful public intellectuals, and this book grapples wonderfully with our current schisms and their historical precedents' JON RONSON 'Alderman helps us see the digital information crisis with fresh eyes, sharing profound wisdom and showing us how to avoid sacrificing our humanity for the sake of being right on the internet' OLIVER BURKEMAN What's the most useful thing you could know about your own life? In this era-defining book, developed from her groundbreaking Radio 4 essay series, Naomi Alderman turns her boundless curiosity and incisive thinking to a question that affects us all: how do we understand, and navigate, the epoch we're living through? She calls this epoch the Information Crisis. The internet has flooded us with more knowledge, opinions, ideas, opportunities, as well as verbal attacks and misinformation, than ever before. It lets us learn more quickly and also spread falsehood more quickly, it brings us together and also divides us in new ways, it is now the lens through which we perceive and understand the world. There is no going back. But we have been here before. In fact, this is humanity's third information crisis. The first, the invention of writing 5,000 years ago, and the second, the invention of the printing press 600 years ago, drastically reshaped our perceptions, interactions and mental landscapes in ways that feel acutely familiar. Overwhelmed by information, people become afraid and angry, unsettled and distressed, as well as more knowledgeable, educated and curious. By looking at those previous information crises, both the turmoil and the advances, Alderman asks what we can learn from the past to better understand our present, and prepare for our future. Drawing on the work of philosophers and historians, Don't Burn Anyone at the Stake Today explores how new technology opens up new ways of being and helps us chart a way forward (once again), through the turbulent seas of information overload.

They knew they were changing history. They didn't know they would change each other. Oxford, 1920. For the first time in its 1000-year history, the world's most famous university has admitted female students. Giddy with dreams of equality, education and emancipation, four young women move into neighbouring rooms on Corridor Eight. They have come here from all walks of life, and they are thrown into an unlikely, life-affirming friendship. Dora was never meant to go to university, but, after losing both her brother and her fiancé on the battlefield, has arrived in their place. Beatrice, politically-minded daughter of a famous suffragette, sees Oxford as a chance to make her own way - and her own friends - for the first time. Socialite Otto fills her room with extravagant luxuries but fears they won't be enough to distract her from her memories of the war years. And quiet, clever, Marianne, the daughter of a village vicar, arrives bearing a secret she must hide from everyone - even The Eights - if she is to succeed. But Oxford's dreaming spires cast a dark shadow: in 1920, misogyny is still rife, influenza is still a threat, and the ghosts of the Great War are still very real indeed. And as the group navigate this tumultuous moment in time, their friendship will become more important than ever. The Eights is a captivating debut novel about sisterhood, self-determination, courage, and what it means to come of age in a world that is forever changed.

Renting is a nightmare... Áine should be feeling happy with her life. She’s just moved in with Elliot. Their new flat is in an affluent neighbourhood, surrounded by bakeries, yoga studios and organic vegetable shops. They even have a garden. And yet, from the moment they move in, Áine can't shake the sense that there's something not quite right about the place... It's not just the humourless estate agent and nameless landlord: it's the chill that seeps through the draughty windows; the damp spreading from the cellar door; the way the organic fruit and veg never lasts as long as it should. And most of all, it's the upstairs neighbours, whose very presence makes peaceful coexistence very difficult indeed. The longer Áine spends inside the flat - pretending to work from home; dissecting messages from the friends whose lives seem to have moved on without her - the less it feels like home. And as Áine fixates on the cracks in the ceiling, it becomes harder to ignore the cracks in her relationship with Elliott... Brilliantly observed and darkly funny, I Want to Go Home But I’m Already There is a ghost story set in the rental crisis. A wonderfully clear-eyed portrait of loneliness, loss and belonging, it examines what it means to feel at home.

Food has always been an integral part of Stanley Tucci’s life: from stracciatella soup served in the shadow of the Pantheon, to marinara sauce cooked between scene rehearsals and costume fittings, to home-made pizza eaten with his children before bedtime. Now, in What I Ate In One Year Tucci records twelve months of eating, in restaurants, kitchens, film sets, press junkets, at home and abroad, with friends, with family, with strangers, and occasionally just by himself. Ranging from the mouth-wateringly memorable, to the comfortingly domestic, to the infuriatingly inedible, the meals memorialised in this diary are a prism for him to reflect on the ways his life, and his family, are constantly evolving. Through food he marks - and mourns - the passing of time, the loss of loved ones, and steels himself for what is to come. Whether it’s duck a l’orange eaten with fellow actors and cooked by singing Carmelite nuns, steaks barbequed at a gathering with friends, or meatballs made by his mother and son and shared at the table with three generations of his family, these meals give shape and add emotional richness to his days.

Why don't they tell you it is the beautiful princess who becomes the evil queen; that they are just the same person at different points in their story? Versailles, 1682: a city of the rich, a living fairy-tale, Louis XIV's fever dream. It's a place of opulence, beauty, and power. But strip back the lavish exterior of polite society, and you'll find a dark undercurrent of sexual intrigue and vicious gossip. Nobody is safe here - no matter how highly born they are. No one knows this better than Madame Marie d'Aulnoy. Each week, a rogue group of intellectuals gather at her Parisian home to debate, flirt and perform Contes de Fées - fairy tales - that challenge the status quo, at a salon that will change the course of literature forever. But while they weave tales of glass slippers, enchanted beasts and long-haired princesses, a wolf is lurking, who threatens to destroy the members of the salon one by one. Brilliant and bawdy, romantic and provocative, The Modern Fairies is a dazzling novel inspired by real events, about the delights and dangers of storytelling in dark times.

Every relationship has one beginning. This one has two endings. Andy loves Jen. Jen loved Andy. And he can't work out why she stopped. Now he is. . . 1. Without a home 2. Waiting for his stand-up career to take off 3. Wondering why everyone else around him seems to have grown up while he wasn't looking Set adrift on the sea of heartbreak at a time when everything he thought he knew about women, and flat-sharing, and his friendships has transformed beyond recognition, Andy clings to the idea of solving the puzzle of their broken relationship. Because if he can find the answer to that, then maybe Jen can find her way back to him. Andy still has a lot to learn, not least his ex-girlfriend's side of the story. From the bestselling author of Ghosts and Everything I Know About Love: a sharply funny, beautifully observed and exquisitely relatable story of heartbreak and friendship, and how to survive both.

Neffy is a young woman running away from grief and guilt and the one big mistake that has cost her her career. When she answers the call to volunteer in a controlled vaccine trial, it offers her a way to pay off her many debts and, perhaps, to make up for the past. But when the London streets below her window fall silent, and all external communications cease, only Neffy and four other volunteers remain in the unit. With food running out, and a growing sense that the strangers she is with may be holding back secrets, Neffy has questions that no-one can answer. Does safety lie inside or beyond the unit? And who, or what is out there? While she weighs up her choices, she is introduced to a pioneering and controversial technology which allows her to revisit memories from her life before: a childhood divided between her enigmatic mother and her father in his small hotel in Greece. Intoxicated by the freedom of the past and the chance to reunite with those she loves, she increasingly turns away from her perilous present. But in this new world where survival rests on the bonds between strangers, is she jeopardising any chance of a future? The Memory of Animals is a taut and emotionally charged novel about freedom and captivity, survival and sacrifice and whether you can save anyone before you save yourself.

Since early 2020, Dolly Alderton has been sharing her wisdom, warmth and wit with the countless people who have written in to her Dear Dolly agony aunt column in The Sunday Times Style. Their questions range from the painfully - and sometimes hilariously - relatable to the occasionally bizarre. They include breakups and body issues, families, friendships, dating, divorce, the pleasures and pitfalls of social media, sex, loneliness, longing, love and everything in between. Without judgement, and with deep empathy informed by her own, much-chronicled adventures in love, friendship and dating, Dolly leads us by the hand through the various labyrinths of life, proving that a problem shared is truly a problem halved.

Nina Dean has arrived at her early thirties as a successful food writer with loving friends and family, plus a new home and neighbourhood. When she meets Max, a beguiling romantic hero who tells her on date one that he's going to marry her, it feels like all is going to plan. A new relationship couldn't have come at a better time - her thirties have not been the liberating, uncomplicated experience she was sold. Everywhere she turns, she is reminded of time passing and opportunities dwindling. Friendships are fading, ex-boyfriends are moving on and, worse, everyone's moving to the suburbs. There's no solace to be found in her family, with a mum who's caught in a baffling mid-life makeover and a beloved dad who is vanishing in slow-motion into dementia. Dolly Alderton's debut novel is funny and tender, filled with whip-smart observations about relationships, family, memory, and how we live now.

This is an Enthusiast's Guide to the Classics: Lobster Thermidor to Rarebit, Steak Diane to Trifle, The Very Best Bouillabaisse to the World's Greatest Sandwiches. If you're a Food Adventurer, you cook for pleasure. You love trying out new dishes on family and friends, and you never miss a chance to improve your knowledge and skills. You're at your happiest when you have hours to devote to a fascinating recipe. In The DIY Cook, each chapter is led not by recipes but 'projects': nuts-and-bolts guides for the food lover with free time for fun in the kitchen. Constructing a cassoulet, boning and stuffing a pig's trotter, building a trifle. Each project inspires related but simpler recipes, skipping across time, cultures and cuisines.

This is a postcard box set of 100 cookbook covers curated by Penguin Art Director John Hamilton. A potted history of book jacket art over the last sixty or so years - classic, witty and inventive - and the perfect gift item for foodies and design fans.

This is a comprehensive, compelling biography following the life and style of the inimitable Elsa Schiaparelli by renowned biographer Meryle Secrest. One of the most extraordinary fashion designers of the twentieth century, Elsa Schiaparelli was an integral figure in the artistic movement of the times. Her collaborations with artists such as Man Ray, Salvador Dali, Jean Cocteau and Alberto Giacometti elevated the field of women's clothing design into the realm of art. Her story is one of pluck, determination and talent with scandal as spice. As the daughter of minor Italian nobility whose disastrous first marriage to a Theosophist caused near penury, she transformed herself into a designer of great imagination and, along with Coco Chanel, her greatest rival, she was one of the few female figures in the field at that time.

In Montmartre, Sue Roe vividly brings to life the bohemian world of art in Paris between 1900-1910. When young Pablo Picasso arrived in Paris in October 1900 he made his way up the hillside of Montmartre...The real revolution in the arts first took place not, as is commonly supposed, in the 1920s to the accompaniment of the Charleston, black jazz and mint juleps but more quietly and intimately, in the shadow of the windmills - artificial and real - and in the cafes and cabarets of Montmartre during the first decade of the century. The cross-fertilization of painting, writing, music and dance produced a panorama of activity characterized by the early works of Picasso, Braque, Matisse, Derain, Vlaminck and Modigliani, the appearance of the Ballet Russe and the salons of Gertrude Stein. Sue Roe is the author of several books, including the New York Times bestselling collective biography The Private Lives of the Impressionists, and Gwen John: A Life. She lives in Brighton.

In Montmartre, Sue Roe vividly brings to life the bohemian world of art in Paris between 1900-1910. When young Pablo Picasso arrived in Paris in October 1900 he made his way up the hillside of Montmartre...The real revolution in the arts first took place not, as is commonly supposed, in the 1920s to the accompaniment of the Charleston, black jazz and mint juleps but more quietly and intimately, in the shadow of the windmills - artificial and real - and in the cafes and cabarets of Montmartre during the first decade of the century. The cross-fertilization of painting, writing, music and dance produced a panorama of activity characterized by the early works of Picasso, Braque, Matisse, Derain, Vlaminck and Modigliani, the appearance of the Ballet Russe and the salons of Gertrude Stein. Sue Roe is the author of several books, including the New York Times bestselling collective biography The Private Lives of the Impressionists, and Gwen John: A Life. She lives in Brighton.