Footnote

A bold and unabashed novel about a young Palestinian woman's unraveling as she teaches at a New York City middle school, gets caught up in a scheme reselling Birkin bags, and strives to gain control over her body and mind. The Coin's narrator is a wealthy Palestinian woman with impeccable style and meticulous hygiene. And yet the ideal self, the ideal life, remains just out of reach: her inheritance is inaccessible, her homeland exists only in her memory and her attempt to thrive in America seems doomed from the start. In New York, she strives to put down roots. She teaches at a school for underprivileged boys, where her eccentric methods cross boundaries. She befriends a homeless swindler, and the two participate in a pyramid scheme reselling Birkin bags. But America is stifling her - her wilfulness, her sexuality, her principles. In an attempt to regain control, she becomes preoccupied with purity, cleanliness and self-image, all while drawing her students into her obsessions. In an unforgettable denouement, her childhood memories converge with her material and existential statelessness and the narrator unravels spectacularly. In enthralling, sensory prose, The Coin explores nature and civilisation, beauty and justice, class and belonging - all while resisting easy moralising. Provocative, wry and inviting, The Coin marks the arrival of a major new literary voice.

In the tradition of The Immortal Life of Henrietta Lacks, a page-turning 93-year history of Crownsville Hospital, one of the United States' last segregated asylums. On a cold day in March of 1911, officials marched twelve Black men into the heart of a forest in Maryland. Under the supervision of a doctor, the men were forced to clear the land, pour cement, lay bricks and harvest tobacco. When construction finished, they became the first twelve patients of the state's Hospital for the Negro Insane. In Madness, Peabody and Emmy award-winning journalist Antonia Hylton tells the 93-year-old history of Crownsville Hospital. She blends the intimate tales of patients and employees whose lives were shaped by Crownsville with a decade-worth of investigative research and archival documents. As Crownsville Hospital grew from an antebellum-style work camp to a tiny city sitting on 1,500 acres, it became a microcosm of America's evolving battles over slavery, racial integration and civil rights. During its peak years, the hospital's wards were overflowing with almost 2,700 patients. By the end of the 20th-century, the asylum faded from view as prisons and jails became America's new focus.

This is the incredible untold story of four women who helped win World War II by generating a wave of black propaganda. Betty MacDonald was a 28-year-old reporter from Hawaii. Zuzka Lauwers grew up in a tiny Czechoslovakian village and knew five languages by the time she was 21. Jane Smith-Hutton was the wife of a naval attaché living in Tokyo. Marlene Dietrich, the German-American actress and singer, was one of the biggest stars of the 20th century. These four women, each fascinating in her own right, together contributed to one of the most covert and successful military campaigns in WWII. Members of the Office of Strategic Services, their task was to create a secret brand of propaganda produced with the sole aim to break the morale of Axis soldiers. Working in Europe, across enemy lines in occupied China and in Washington D.C., Betty, Zuzka, Jane and Marlene forged letters and 'official' military orders, wrote and produced entire newspapers, scripted radio broadcasts and songs and even developed rumours for undercover spies and double agents to spread to the enemy. And outside of a small group of spies, no one knew they existed. Until now.

Mei loses her Japanese mother at age six. Growing up in suburban Surrey, she yearns to fit in, suppressing not only her heritage but her growing desire for her best friend Fran. Yuki leaves the Japanese countryside to pursue her dream of becoming a concert violinist in London. Far from home and in an unfamiliar city, she finds herself caught up in the charms of her older teacher. Haruka attempts to navigate Tokyo's nightlife and all of its many vices, working as a hostess in the city's sex district. She grieves a mother who hid so many secrets from her, until finally one of those secrets comes to light . . . Shifting between three intertwining narratives, Mongrel reveals a tangled web of desire, isolation, belonging and ultimately, hope.

From Yale professor and bestselling author of How Fascism Works, a searing confrontation with the authoritarian right's attacks to undo a century of work to advance social justice action on race, gender, sexuality and class. Combining historical research with an in-depth analysis of our modern political landscape, Erasing History issues a dire warning for the world: the worst fascist movements of humanity's past began in schools; the same place so many of today's right-wing political parties have trained their most vicious attacks. Donald Trump, Ron DeSantis, Vladimir Putin, Turkey's Recip Erdogan, and Argentina's Javier Milei have all reached the same conclusion: if you want to roll back the clock on civil rights, equity and inclusion, a great place to start is in schools. Yale professor Jason Stanley exposes the true danger of the right's tactics and traces their inspirations and funding back to some of the most dangerous ideas of human history. He shows that hearts and minds are won in our schools and universities - and that governments are currently ill-prepared to do the work of uprooting fascist policies being foisted upon our children through school boards, in courtrooms, and in the boardrooms of the organisations trusted to train teachers and create the materials they'll share with their students. Deeply informed and urgently needed, this book is a vibrant call to action for lovers of democracy worldwide.

'The following things have seemed impossibly camp to me at one point or another: a doll whose body acts as a cover for a toilet roll, a tantrum over wire coat hangers, a 1950s muscle magazine featuring a photo of a young man dressed as a gladiator, and a rat underneath a silver serving platter' An essential reappraisal of camp across time and across the globe, from the author of Fabulosa! and Outrageous! Camp has been an inescapable part of popular culture for at least the last 150 years. Famously unrestrained and ever evolving, it has not only captured the cultural imagination, but also played an important role as a form of protest and resistance. Paul Baker takes us through camp's rebellious and revolutionary past with warmth, humour and sensitivity, starting with the court of Louis XIV and the dandies of the eighteenth century through to Showgirls, Harlem's drag balls and Columbian telenovelas. Throughout its history, camp has been a place of refuge and renewal, of heroism and hedonism. This glorious celebration traces camp's journey from the fringes of society to the mainstream.

'Enzo Traverso delivers a stinging riposte, rigorously anchored in his mastery of European Jewish history, to the virtually unanimous sanctification by Western elites of Israel's genocidal war on Gaza, and their dishonest weaponization of anti-Semitism (in some cases by true anti-Semites on the far right) to attack supporters of Palestinian rights' Rashid Khalidi, author of THE HUNDRED YEARS' WAR ON PALESTINE Is the destruction of Gaza only a consequence of the October 7, 2023 attack, or is it also the outcome of a long process of dispossession and eradication? Do Palestinians have the right to resist the occupation? Is talking about genocide anti-Semitism? Enzo Traverso goes to the root of the Israeli-Palestinian conflict by calling history into question and offers a critical interpretation that overturns the one-sided perspective from which we have become accustomed to observing what is happening in Gaza.

Joe Mulhall uncovers how music has shaped resistance movements across the globe, from Irish protest songs to Apartheid South Africa to the artists in Ukraine today. While the global history of the dictatorships, oppression, racism and state violence over the last century is well known – the role that music played in people’s lives during these times is less understood. This book is a collection of stories and hidden histories about how music provided light in the darkest of times over the past century. How it steeled souls and inspired resistance to oppression. Rebel Sounds will explore the horror of the Nazi regime, the Soviet Union’s oppression behind the Berlin Wall, authoritarian dictatorships in Brazil and Nigeria, institutionalised racism and police violence in America and South Africa, street violence in Britain, ethnic cleansing in the Balkans and musical resistance in war-torn Ukraine. This is a social history of the twentieth century but one that takes in the human impulse to create, share and enjoy the one thing that connects cultures and spans generations: music.

Meet Relebogile Naledi Mpho Moruakgomo.Or, for short, Eddie: an aspiring playwright who dreams of making it big in London's theatre world. But after repeated rejections from white talent agents, Eddie suspects her non-white sounding name might be the problem. Enter Hugo Lawrence Smith: good looking, well-connected, charismatic and . . . very white. Stifled by his law degree and looking for a way out of the corporate world, he finds a kindred spirit in Eddie after a chance encounter at a cafe. Together they devise a plan which will see Eddie's play on stage and Hugo's name in lights and expose the theatre world for its racism and hollow clout-chasing. But as their plan spins wildly out of control, Eddie and Hugo find themselves wondering if their reputations, and their friendship, can survive.

Like all Indians, Sunny Singh was born and brought up in a country of film fanatics. She and her friends waited impatiently for the latest releases, listened to the songs on radio and wore clothes inspired by those seen on screen. They learned about India and the world, determined their enemies and friends, and chose their moralities thanks to films. A Bollywood State of Mind is a personal, intellectual and emotional journey which crosses five continents and 50 years of modern Indian history and cinema and explores why Bollywood means so much to so many across the globe. Sunny describes how this exceptional cinema retains its hold on the national imagination, how Bollywood has enhanced India's global standing in the 21st century, and how its characteristics endure despite the social and political changes. Ranging over history, aesthetic theory and politics, A Bollywood State of Mind explores encounters with Bollywood in the market places of Dakar and Marrakesh, in the nightclubs of New York, Barcelona and Mexico City, and in the ruins of Egypt's Valley of the Kings, Petra and beyond. It shows how the pioneers and heroes of Bollywood cut across national, linguistic and cultural lines not only in India but in far reaches of Somalia, Peru, Malaysia and Russia.

The leading film critic of her generation offers an eloquent, insightful and humorous reflection on the screen’s representation of women and ethnic minorities, revealing how cinema has been the key to understanding herself, her body image and her ambitions as well as the world we live in. A staunch feminist of mixed-race heritage, Hanna has succeeded in an industry not designed for people like her. She interweaves anecdotes from familial and personal experiences – from episodes of messy sex and introspection to the time when actor Vincent D’Onofrio tweeted that Hanna Flint sounded ‘like a secret agent’ – to offer a critical eye on the screen’s representation of women and ethnic minorities. Divided into sections ‘Origin Story’, ‘Coming of Age’, ‘Adult Material’, ‘Workplace Drama’ and ‘Strong Female Character’, the book ponders how the creative industries could better reflect our multicultural society. Warm, funny and engaging and full of film-infused lessons, Strong Female Character will appeal to readers of all backgrounds and seeks to help us better see ourselves in our own eyes rather than letting others decide who and what we can be.

Ren Yu is a swimmer. Her daily life starts and ends with the pool. Her teammates are her only friends. Her coach, her guiding light. If she swims well enough, she will be scouted, get a scholarship, go to a good school. Her parents will love her. Her coach will be kind to her. She will have a good life. But these are human concerns. The concerns of those confined to land. Ren grew up on stories of creatures of the deep, of the oceans and the rivers. Stories that called sailors to their doom. Stories that dragged them down and drowned them. Stories of the creature that she's always longed to become: a mermaid. Ren aches to be in the water. She dreams of the scent of chlorine - the feel of it on her skin. And she will do anything she can to make a life for herself where she can be free. No matter the pain. No matter what anyone else thinks. No matter how much blood she has to spill. In the vein of Our Wives Under the Sea and The Vegetarian, Chlorine is a powerful, relevant tale of immigration, sapphic longing, and fierce, defiant becoming.

In Acts of Resistance, Amber Massie-Blomfield writes about the artists who have treated the protest site as their canvas and contributed to movements that have transformed history - from the musicians in Auschwitz to the four-year Siege of Sarajevo, from the to ACT UP's 1989 invasion of the New York Stock Exchange, to the Niger Delta and indigenous communities in Bolivia. Including stories and artists from across the globe, including Susan Sontag, Ken Saro-Wiwa, and Claude Cahun - alongside collectives, communities, amateurs and anonymous creators who have used their art as an expression of resistance - this fascinating book asks what is the purpose of art in a world on fire? Why are artists compelled to paint, write, dance and make music, even when the odds are stacked against them? And how can artistic creation be a genuine form of political resistance? Combining cultural criticism, history and memoir, Acts of Resistance is an urgent reminder that art can make a human life more bearable, and can be a means of building the things that a person needs to survive the bleakest circumstances. It is a testament to that idea, and to the people who have risked their lives to prove it is so. While their stories are remarkable, they are also a reminder that each of us can use creativity in defense of our humanity.

It is estimated that more than half of the world's population communicates in more than one language and over a third of the population in the United Kingdom is multilingual. And yet life in multiple languages is rarely discussed publicly, myths and misconceptions prevail and the pressure to keep heritage languages alive has become a private conflict for millions. Linguistic diversity is more prevalent than ever, but so is linguistic inequality. Linguist Malwina Gudowska, herself trilingual, sheds light on the ways in which we navigate language, its power to shape and reshape lives, and the ripple effects felt far beyond any one home or any one language. It takes one generation for a family language to be lost. One generation - like mother to child. Mother Tongue Tied explores the emotional weight of raising multilingual children while grappling with your own identity and notions of home. At what cost does a mother save a language? Or does she let it slip away and, with it, a part of herself her children may never know.

Jamila Shah is twenty-nine and exhausted. An immigration solicitor tasked with running the precious family law firm, Jamila is prone to being woken in the middle of the night by frantic phone calls from clients on the cusp of deportation. Working under the shadow of the government's 'hostile environment', she constantly prays and hopes that their 'determinations' will result in her clients being allowed to stay. With no time for friends, family or even herself (never mind a needy partner), Jamila's life feels hectic and out of control. Then a breakdown of sorts forces her to seek change - to pursue her own happiness while navigating the endless expectations that the world seems to have of her, and still committing herself to a career devoted to helping others. In this polyphonic, assured and character-driven debut, we meet the staff of Shah & Co Solicitors, who themselves arrived in the UK not too long ago, and their clients, more recent arrivals who are made to jump through hoops to create a life for themselves whilst trying to achieve some semblance of normality.

The generation that survived the second World War emerged with a profoundly ambitious sense of social experimentation. In the '40s and '50s, transformative drugs rapidly entered mainstream culture, where they were not only legal, but openly celebrated. American physician John C. Lilly infamously dosed dolphins (and himself) with LSD in a NASA-funded effort to teach dolphins to talk. A tripping Cary Grant mumbled into a Dictaphone about Hegel as astronaut John Glenn returned to Earth. At the centre of this revolution were the pioneering anthropologists - and star-crossed lovers - Margaret Mead and Gregory Bateson. Convinced the world was headed toward certain disaster, Mead and Bateson made it their life's mission to reshape humanity through a new science of consciousness expansion, but soon found themselves at odds with the government bodies who funded their work, whose intentions were less than pure. Mead and Bateson's partnership unlocks an untold chapter in the history of the twentieth century, linking drug researchers with CIA agents, outsider sexologists and the founders of the Information Age.