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'The following things have seemed impossibly camp to me at one point or another: a doll whose body acts as a cover for a toilet roll, a tantrum over wire coat hangers, a 1950s muscle magazine featuring a photo of a young man dressed as a gladiator, and a rat underneath a silver serving platter' An essential reappraisal of camp across time and across the globe, from the author of Fabulosa! and Outrageous! Camp has been an inescapable part of popular culture for at least the last 150 years. Famously unrestrained and ever evolving, it has not only captured the cultural imagination, but also played an important role as a form of protest and resistance. Paul Baker takes us through camp's rebellious and revolutionary past with warmth, humour and sensitivity, starting with the court of Louis XIV and the dandies of the eighteenth century through to Showgirls, Harlem's drag balls and Columbian telenovelas. Throughout its history, camp has been a place of refuge and renewal, of heroism and hedonism. This glorious celebration traces camp's journey from the fringes of society to the mainstream.

'Enzo Traverso delivers a stinging riposte, rigorously anchored in his mastery of European Jewish history, to the virtually unanimous sanctification by Western elites of Israel's genocidal war on Gaza, and their dishonest weaponization of anti-Semitism (in some cases by true anti-Semites on the far right) to attack supporters of Palestinian rights' Rashid Khalidi, author of THE HUNDRED YEARS' WAR ON PALESTINE Is the destruction of Gaza only a consequence of the October 7, 2023 attack, or is it also the outcome of a long process of dispossession and eradication? Do Palestinians have the right to resist the occupation? Is talking about genocide anti-Semitism? Enzo Traverso goes to the root of the Israeli-Palestinian conflict by calling history into question and offers a critical interpretation that overturns the one-sided perspective from which we have become accustomed to observing what is happening in Gaza.

Like all Indians, Sunny Singh was born and brought up in a country of film fanatics. She and her friends waited impatiently for the latest releases, listened to the songs on radio and wore clothes inspired by those seen on screen. They learned about India and the world, determined their enemies and friends, and chose their moralities thanks to films. A Bollywood State of Mind is a personal, intellectual and emotional journey which crosses five continents and 50 years of modern Indian history and cinema and explores why Bollywood means so much to so many across the globe. Sunny describes how this exceptional cinema retains its hold on the national imagination, how Bollywood has enhanced India's global standing in the 21st century, and how its characteristics endure despite the social and political changes. Ranging over history, aesthetic theory and politics, A Bollywood State of Mind explores encounters with Bollywood in the market places of Dakar and Marrakesh, in the nightclubs of New York, Barcelona and Mexico City, and in the ruins of Egypt's Valley of the Kings, Petra and beyond. It shows how the pioneers and heroes of Bollywood cut across national, linguistic and cultural lines not only in India but in far reaches of Somalia, Peru, Malaysia and Russia.

The leading film critic of her generation offers an eloquent, insightful and humorous reflection on the screen’s representation of women and ethnic minorities, revealing how cinema has been the key to understanding herself, her body image and her ambitions as well as the world we live in. A staunch feminist of mixed-race heritage, Hanna has succeeded in an industry not designed for people like her. She interweaves anecdotes from familial and personal experiences – from episodes of messy sex and introspection to the time when actor Vincent D’Onofrio tweeted that Hanna Flint sounded ‘like a secret agent’ – to offer a critical eye on the screen’s representation of women and ethnic minorities. Divided into sections ‘Origin Story’, ‘Coming of Age’, ‘Adult Material’, ‘Workplace Drama’ and ‘Strong Female Character’, the book ponders how the creative industries could better reflect our multicultural society. Warm, funny and engaging and full of film-infused lessons, Strong Female Character will appeal to readers of all backgrounds and seeks to help us better see ourselves in our own eyes rather than letting others decide who and what we can be.

Ren Yu is a swimmer. Her daily life starts and ends with the pool. Her teammates are her only friends. Her coach, her guiding light. If she swims well enough, she will be scouted, get a scholarship, go to a good school. Her parents will love her. Her coach will be kind to her. She will have a good life. But these are human concerns. The concerns of those confined to land. Ren grew up on stories of creatures of the deep, of the oceans and the rivers. Stories that called sailors to their doom. Stories that dragged them down and drowned them. Stories of the creature that she's always longed to become: a mermaid. Ren aches to be in the water. She dreams of the scent of chlorine - the feel of it on her skin. And she will do anything she can to make a life for herself where she can be free. No matter the pain. No matter what anyone else thinks. No matter how much blood she has to spill. In the vein of Our Wives Under the Sea and The Vegetarian, Chlorine is a powerful, relevant tale of immigration, sapphic longing, and fierce, defiant becoming.

It is estimated that more than half of the world's population communicates in more than one language and over a third of the population in the United Kingdom is multilingual. And yet life in multiple languages is rarely discussed publicly, myths and misconceptions prevail and the pressure to keep heritage languages alive has become a private conflict for millions. Linguistic diversity is more prevalent than ever, but so is linguistic inequality. Linguist Malwina Gudowska, herself trilingual, sheds light on the ways in which we navigate language, its power to shape and reshape lives, and the ripple effects felt far beyond any one home or any one language. It takes one generation for a family language to be lost. One generation - like mother to child. Mother Tongue Tied explores the emotional weight of raising multilingual children while grappling with your own identity and notions of home. At what cost does a mother save a language? Or does she let it slip away and, with it, a part of herself her children may never know.

Jamila Shah is twenty-nine and exhausted. An immigration solicitor tasked with running the precious family law firm, Jamila is prone to being woken in the middle of the night by frantic phone calls from clients on the cusp of deportation. Working under the shadow of the government's 'hostile environment', she constantly prays and hopes that their 'determinations' will result in her clients being allowed to stay. With no time for friends, family or even herself (never mind a needy partner), Jamila's life feels hectic and out of control. Then a breakdown of sorts forces her to seek change - to pursue her own happiness while navigating the endless expectations that the world seems to have of her, and still committing herself to a career devoted to helping others. In this polyphonic, assured and character-driven debut, we meet the staff of Shah & Co Solicitors, who themselves arrived in the UK not too long ago, and their clients, more recent arrivals who are made to jump through hoops to create a life for themselves whilst trying to achieve some semblance of normality.

New home, new name and newly thirty: Phoebe Forde has stepped into emigrant life in Copenhagen with her anxious dog, Dolly. Almost three years into her gender transition, she has learned to move through the world carefully, savouring small moments of joy. A woman without a past can be anyone she wants - that is, until an unexpected visit from Grace, her first love, brings memories of Dublin and a life she thought she'd left behind. Over the course of a single weekend, as their old romance kindles something sweet and radically unfamiliar, Grace helps Phoebe to navigate the jagged edges of migration, nostalgia and hope.

The generation that survived the second World War emerged with a profoundly ambitious sense of social experimentation. In the '40s and '50s, transformative drugs rapidly entered mainstream culture, where they were not only legal, but openly celebrated. American physician John C. Lilly infamously dosed dolphins (and himself) with LSD in a NASA-funded effort to teach dolphins to talk. A tripping Cary Grant mumbled into a Dictaphone about Hegel as astronaut John Glenn returned to Earth. At the centre of this revolution were the pioneering anthropologists - and star-crossed lovers - Margaret Mead and Gregory Bateson. Convinced the world was headed toward certain disaster, Mead and Bateson made it their life's mission to reshape humanity through a new science of consciousness expansion, but soon found themselves at odds with the government bodies who funded their work, whose intentions were less than pure. Mead and Bateson's partnership unlocks an untold chapter in the history of the twentieth century, linking drug researchers with CIA agents, outsider sexologists and the founders of the Information Age.

Includes a brand new chapter From the author of Jailbirds and one of Elle's '50 Game Changers' (2019) comes a timely exploration of different forms of living together. Seventy-six per cent of British adults feel that we've become more distanced from our neighbours in the last 20 years. We are less likely than our grandparents, or even our parents, to know the names of our neighbours, to enjoy multi-generational friendships or to share resources and childcare. With mental health at epidemic levels, the climate crisis worsening, and society feeling increasingly divided, this game-changing book asks whether there are better ways to live. Mim Skinner sets out to explore communities that have rejected individualism and nuclear family life in order to embrace a more collective way of living. As she meets those who have had the courage to imagine a better world and start living it - in countercultural hippy communes, the disability led L'Arche communities, queer safe spaces, environmental campaign groups, rehab support networks and more - she asks how each is tackling the social issues of our time and finding greener and more connected ways to be together. Mixing memories and reflections of her own unconventional upbringing with interviews and research into the international history of communalism, Mim Skinner challenges her own assumptions as well as ours as she searches for a more meaningful way of life and finds multiple options for alternative ways of living - from commercial co-living developments for time-starved urbanites to off-grid farm communities, low-cost co-operative estates and collaborative parenting schemes. The result is an eye-opening snapshot of alternative communities and a much-needed new perspective on the concept of wellness. It asks whether individualism can ever give us the tools to live in healthy and equal ways and offers a glimpse into the possibility - and also the pitfalls - of life lived differently.

Bullshit Comparisons will challenge the way you think about rankings, charts and other marketing and political tools designed to create odious and dangerous comparisons. Is Boris Johnson really like Winston Churchill? Are electric cars actually greener than petrol ones? Which is the world's most successful university? Is Lisbon the new Barcelona? Should we compare the achievements of younger and older siblings even when we know it damages their self-worth? We make comparisons every day, but how helpful are they? Looking across a dazzling range of situations both familiar and unfamiliar, Bullshit Comparisons is a ground-breaking examination of the role of comparison in modern society, illuminated by examples spanning from the FIFA World Footballer of the year, to wine-tasting in London, hospital care in Sierra Leone and avocado farming in Colombia. Challenging us to think critically about the use of comparison through accessible, personal, and often amusing research, Andrew Brooks reveals the uses and abuses of comparisons in a book that isn't like anything else you have read.

From Akutagawa Prize-winning author Kiyoko Murata comes a dazzling historical novel about the courtesans whose strike brought down a red-light district The year is 1903, and tenacious and spirited Aoi Ichi is sold to the most exclusive brothel in Kumamoto, Japan, becoming the protégée of Shinonome, the oiran, or the highest-ranking courtesan. Through Shinonome’s teachings, fifteen-year-old Ichi begins to understand the intertwined power of sex and money. Education for a courtesan extends beyond the art of seduction, and as Ichi is taught to read and write she develops a voice that refuses to be dampened by the brothel’s rigid hierarchy. Outside the cloistered world of the red-light district, rumours of local worker strikes grow, and as the seasons change in Kumamoto, Ichi, Shinonome and their fellow courtesans begin to wonder how they might redistribute the power and wealth of the brothels among themselves. Critically acclaimed veteran writer Kiyoko Murata creates in stunning detail the harsh yet vibrant lives of women in a red-light district at the turn of the twentieth century. Based on real-life events, A Woman of Pleasure is a testament to the bonds between women and the power of owning one’s language and freedom.

Joyce Carol Oates assembles a spectacular cast to explore, subvert and reinvent one of horror's most visceral of subgenres. Focusing on distortions of the human body, the fifteen short stories of A Darker Shade will delight, disgust and shock you. From the metaphysical horror of a snail trapped in body of a young office worker, to a women cursed to dance endlessly, her body ravaged and torn, these are stories that confront the inextricable link between physical and mental terror. Featuring brand-new stories by: Margaret Atwood, Raven Leilani, Lisa Tuttle, Tananarive Due, Joyce Carol Oates, Megan Abbott, Aimee Bender, Cassandra Khaw, Lisa Lim, Elizabeth Hand, Valerie Martin, Sheila Kohler, Joanna Margaret and Aimee LaBrie, and Yumi Dineen Shiroma.

Spinning Out is an urgent, eye-opening study by leading climate change activist, researcher and writer that draws on the latest research and evidence to unravel systemic ways that climate change is driving people mad - and show how we can find inspiration in that madness. In 2019, climate activist Charlie Hertzog Young attempted suicide, following a succession of breakdowns. He jumped off a six-storey building, resulting in the loss of both legs. He spent a month in a coma, lost his flat and woke up without a job. In rebuilding his life physically and emotionally, Charlie saw that the climate crisis and mental illness are inextricably linked and, equally, little understood. In this reflective, wise and darkly humorous account of his own recovery, he explores how his bipolarity was largely driven by climate change and identifies the ways in which our culture has led to the current crisis. He shows how climate chaos is ubiquitous, unpredictable and mediated through vast inequalities of power; how climate disaster is responsible for many times more mental health conditions than physical ailments; how our minds aren't built to deal with such threats; and how modern society isn't fit to support those suffering as a result. Spinning Out is more than a call to arms - it's a manual for anyone who wants to fight for a better world and avoid the pitfalls of despair. It draws on the experience of dozens of activists, organisers and researchers across every habitable continent - from radical psychiatrists and youth organisers to co-operative builders in flooded Pakistan, activists in Nigeria and earth defenders in indigenous Mexico - to outline models for recovery and post-traumatic growth. It shows how meaningful action - action that aims to change not just our emissions but our entire way of life - can be a powerful means of both psychological recovery and planetary renewal. Climate-related mental health issues are crippling millions. Spinning Out points to a better way forward - towards wedding the needs of the earth with the needs of the human mind, towards new-found meaning, connection and belonging.

In the first of three acts, Ponyboy's titular narrator - a pill-popping, speed-snorting, trans-masculine lightning bolt - unravels in his Paris apartment. Ponyboy is caught in a messy love triangle between Baby, a lesbian painter who can't see herself being with someone trans, and Toni, a childhood friend who can actually see Ponyboy for who he is. Strung out, Ponyboy follows Baby to Berlin where he sinks deeper into drugs and falls for Gabriel, all the while pursued by a megalomaniacal photographer hungry for the next hot thing. As his relationships crumble, Ponyboy unexpectedly wakes up alone in Iowa, his childhood home. Now Ponyboy must finally choose a name. An evocative novel of art and addiction, self-destruction and re-construction, Ponyboy thrums with the joys, aches and pains of becoming who you are meant to be.

Lars Horn's Voice of the Fish, winner of the Graywolf Press Nonfiction Prize, is a kaleidoscopic, hallucinatory memoir that explores the trans experience through meditations upon aquatic life and mythology, set against the backdrop of travels in Russia and a debilitating injury that left Horn temporarily unable to speak, read and write. In their adept hands, these poignant, allusive shards take shape as a unified whole: short vignettes about fish, reliquaries and antiquities serve as interludes between - and subtle reflections upon - longer memories of their life, knitting together a sinuous, wave-like form that flows across the book. Horn swims through a range of subjects; across marine history, theology, questions of the body and gender, sexuality, transmasculinity and illness. From their childhood modelling for their mother's art installations - immersed in a bath with dead squid; encased in a full-body plaster cast - to their travels before they were out as trans, these beguiling fragments are linked by a desire to interrogate the physical, and to identify the current beneath. Horn re-examines presumptions about the body, privileging instead ways of seeing and being that resist binaries, ways that falter, fracture, mutate. Sensuous and immersive, Voice of the Fish is unique: a masterful and moving achievement.