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Christo and Jeanne-Claude: the man with the glasses and the woman with the red hair. Each one was born on the same day in 1935, and this unusual artist couple worked together until Jeanne-Claude's death in 2009, changing the art world in the process. In large-scale actions they enveloped buildings and entire landscapes in various materials, revealing at the same time their essence and beauty. In order to finance these enormous works of art by themselves, Christo and Jeanne-Claude began making editions early on in their career-prints, collages, and objects. This completely revised, expanded, and updated catalogue of works, Prints and Objects, is testimony to the artist's impressive scope and to their courage. Who else would have had the idea of building a 120-meter-tall truncated pyramid out of 410,000 oil barrels in the desert of the United Arab Emirates?

A visual dialogue about bodies and how they are perceived in media has been undertaken by the Female Photographers Org collective. As the group's first publication, The Body Issue addresses the depiction of bodies and the perception of them; at the same time, it also launches a series of photo books. Founded in 2018, Female Photographers Org will regularly publish photography books devoted to issues, while also organising companion exhibitions under its own direction. The goal is to increase the visibility of female photographers, since women are still underrepresented in the art world. Female Photographers Org is aiming to change this situation and calls upon women to reinforce their positions collectively. The Body Issue also invites guest artists to publish their work in the collective's books, so that they can literally experience solidarity among women.

Parangole is an annual, independent journal that challenges ideas on urbanization, design and architecture by initiating a global dialogue on topics such as mobility, migration, fluidity and multiplicity. The journal expands on the cultural, social and political significance of what it means to live in the city. The title of the magazine pays homage to the work of Brazilian artist Helio Oiticica, extending his central tenet that "life is movement" from the body to the city. The first issue of Parangole, titled Motherland, focuses on the space of habitation for those who live in precarious and transitory conditions due to economic hardship, conflict, and violence. People on the move face unique challenges and vulnerabilities that must be identified and addressed in urban settings. With Motherland, researchers and practitioners are brought together to think about these issues and their solutions.

Tomanova's first book Young American (2019), featuring a foreword by acclaimed photographer Ryan McGinley, sold out shortly after its publication. Art and fashion magazines overflowed with enthusiasm. Tomanova now presents, with art historian Thomas Beachdel, her second volume on youth in New York City. Deftly entwining portraiture and landscape, the photographer expands and recontextualizes the significance and meaning of each. Tomanova shows us a powerful and vital panorama of identities of people and place, and a compelling future free of binary gender models and outmoded definitions of beauty.

Ruth Orkin is a legend of street photography - her atmospheric pictures taken in cities such as Florence, New York and London still shape the image of these metropolises today. But Orkin's specialty not only encompassed the urban but also the personal. This is evident in her unique eye that enabled her street scenes to consistently offer penetrating insights into the time and personality of her subjects. And it likewise shows in her fantastic portraits of celebrities such as Albert Einstein, Woody Allen, and Lauren Bacall. These inimitable images seemingly combine snapshot and pose to present the star in his or her role and at the same time as an autonomous individual. Published on the occasion of the photographer's 100th birthday, this illustrated book celebrates Orkin's life and work with an equally extensive and fascinating overview of this exceptional artist's oeuvre.

There are some collectors who through foresight and dedication have built truly outstanding art collections and shared them widely as part of public museums. Among these were Samuel Courtauld in London and Rasmus Meyer in Bergen. At the heart of each man's collection were single artists who were their greatest passions: for Courtauld it was Paul Cezanne and for Meyer, Edvard Munch. This unique collaboration between KODE art museums in Bergen and The Courtauld in London, celebrates these two remarkable collectors and two great artists by showing masterpieces by Cezanne in Bergen and Munch in London. The Courtauld is home to some of the most important paintings by Cezanne, such as The Card Players and Montagne Sainte-Victoire. "Cezanne. Masterpieces from The Courtauld at KODE Art Museum" is the story about how collectors and artists became aware of Cezanne. This publication not only presents ten key works from The Courtauld along with Cezannes from Norwegian collections, it also brings them together with eye witness accounts from the early years of his profound influence, seen through the lens of the Norwegian art scene around 1900. With essays by Barnaby Wright, Oystein Sjastad and Karen Serres and an introduction by Line Daatland. Forewords by Petter Snare and Ernst Vegelin van Claerbergen.

The coronavirus pandemic initially called for self-isolation. Without further ado, Max Siedentopf turned his apartment upside down and recorded the results on camera: piles of cans become sculptures, haute couture clothing is made, monsters or traps and bizarre alternatives to toilet paper are discovered. He posted his actions on Instagram and invited followers worldwide to come up with their own versions of his various mottos. This handy survival guide consists of different chapters that cheerfully vary the process of survival in self-chosen or prescribed isolation: from "Invent a new meal" to "Make a painting using tooth brush" to "Balance all your beauty products," everything is included.

There is no question that the Bauhaus was the most influential institution on architecture in the twentieth century. But does this aesthetic legacy live on in buildings? In what shape do we encounter it today, after about 100 years, in changing cityscapes? The photographer Jean Molitor has examined this question in depth all around the world. In his new illustrated volume bau2haus, he tracks the architecture that owes something to the Bauhaus and its special style across the globe. In strongly contrasted black-and-white photographs he draws attention to these fascinating structures. Selected with a meticulous eye, the photos play with perspective, perfectly balancing the openness and existing volume of each building. The result is a vivid history of architecture that readers will hardly be able to get enough of.

The Day May Break, photographed in Zimbabwe and Kenya in late 2020, is the first part of a global series portraying people and animals that have been impacted by environmental degradation and destruction. The people in the photos were all affected by climate change, displaced by cyclones and years-long droughts. Photographed at five sanctuaries, the animals were rescues that can never be re-wilded. As a result, it was safe for human strangers to be close to them, photographed so close to them, within the same frame. The fog on location is the unifying visual, as we increasingly find ourselves in a kind of limbo, a once-recognizable world now fading from view. However, in spite of their loss, these people and animals are the survivors. And therein lies possibility and hope.

This publication sheds light on the various kinds of religious lives open to medieval women. Entering a cloister was more than simply deciding to lead a contemplative life devoted to prayer. Cloister life allowed women access to extensive education, and the writings of many a religious woman influenced the theology and knowledge of the Middle Ages. Others acceded to power and respect within the hierarchy of the cloister. They headed up widely connected orders or, as magnates, hosted royalty and were confident rulers of empires. Through essays and brief texts this richly illustrated volume relates information about the many different facets of women's lives in medieval cloisters. It takes a look at the everyday lives of nuns; provides room for these educated, influential, and poised women to speak for themselves; and introduces their spheres of belief and existence from the ninth to the early sixteenth century in Europe, especially in Switzerland.

Without a doubt, Picasso is one of the most important and versatile artistic personalities of the twentieth century. But how does a body of work become so successful, and how does it wind up in major collections, museums, and exhibitions? Not infrequently, it is the courage of individuals who recognize genius in the works and advocate for them in the face of conservatism and criticism. In Picasso's case, this role in Germany fell to the Bremen art dealer Michael Hertz. His commitment in the post-war period is not only due to Picasso's exhibition at the documenta 3 in 1964, but also to the Kunsthalle Bremen, which has one of the most extensive collections of the artist's prints. This volume brings together the outstanding printworks, including lithographs, linocuts, and artist's books. Picasso's oeuvre of prints can be regarded as a fascinating collection, in which can be read the triumph of the affordable medium in post-war Germany, as well as the dealer's strong commitment.

The voices of thirty-six internationally active women architects are heard through their own projects. This diverse panorama is supplemented by essays on pioneering female architects, and analyses that get to the bottom of the structural discrimination against women architects. With Mona Bayr, Odile Decq, Elke Delugan-Meissl, Julie Eizenberg, Manuelle Gautrand, Annette Gigon, Silvia Gmur, Cristina Guedes, Melkan Gursel, Itsuko Hasegawa, Anna Heringer, Fabienne Hoelzel, Helle Juul, Karla Kowalski, Anupama Kundoo, Anne Lacaton, Regine Leibinger, Dorte Mandrup, Rozana Montiel, Kathrin Moore, Farshid Moussavi, Carme Pinos, Nili Portugali, Paula Santos, Kazuyo Sejima, Annabelle Selldorf, Pavitra Sriprakash, Siv Helene Stangeland, Brigitte Sunder-Plassmann, Lene Tranberg, Billie Tsien, Elisa Valero, Natalie de Vries, Andrea Wandel, Helena Weber, and Lu Wenyu.

Reality and fiction, matter and spirit, subject and object - the artist Rebecca Horn constantly blurs these boundaries. Even the different media she uses are not clearly separated but their interweaving is part of her artistic principle. This catalog, published to accompany the artist's comprehensive exhibition at the Bank Austria Kunstforum Wien, is dedicated to this aspect of her work. Essays by renowned authors provide new perspectives on Horn's oeuvre, which spans five decades: from her early body instruments and performances, to her feature films and kinetic sculptures, to her site-specific installations, drawings, and poems. The countless connections to art, literature, and film traditions are illuminated, as well as Horn's proximity to subjects from mythology and myths.