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The past year in photojournalism: 2023 as told through its most arresting, inspirational and profound images Independent photojournalism and documentary photography are indispensable tools of political education for a democratic society and an essential part of shaping public opinion?especially in our “post-factual” times. In recognition of this, the independent nonprofit World Press Photo Foundation, based in Amsterdam, has been presenting the World Press Photo Award for the best photo, the best story and the best long-term project of the year for more than six decades. The winning images in the various categories tell bold stories and provide invaluable insights into the state of our world.

Correcting insidious greenwashing practices in favor of long-term sustainability solutions With its reliance on extracted materials and an intense use of resources, the process of construction begs the question whether real sustainability in architecture and planning is possible. For some, a short-term solution is "greenwashing": adopting strategies of simulated commitment instead of investing in actual change toward fewer emissions. NGOs have called out large companies for “low integrity” pledges, pointing out the systemic ecological injustice that the built environment creates through material, wealth and labor extractivism. As institutionalized and commodified greenwashing hollows out the term, how do architects and designers position their work beyond a flattening universalistic understanding of sustainability? The first volume of a forthcoming series, On Architecture and Greenwashing is a collection of essays that presents a cross section of positions on architecture and its political economies, and explores ways to correct course in the face of the climate crisis.

ON THE CONTEMPLATION OF NATURE One of his generation's most popular artists, German Romantic painter Caspar David Friedrich is known for his allegorical landscapes that convey a deep sense of contemplation and melancholy. 2024 marks the 250th anniversary of the birth of this outstanding artist, whose paintings continue to gain in topicality - hardly a discussion on climate change without one of his iconic paintings, such as The Sea of Ice, being invoked as a silent witness. Barbara Hess examines the painter's work and his life, from its lasting poignancy to the great themes of Romanticism and drawing. In the playful format of an A-Z book, the author takes us on a timely journey, showing how new views and perspectives can be gained from what has long been thought familiar.

Cinematic scenes with painterly compositions that place contemporary photography within the broader canon of art history Since the late 1970s, Canadian photographer Jeff Wall has made significant contributions to establishing photography as an autonomous medium. He is considered the founder of "staged" photography and generates mostly large-format photographs—often inspired by literature, film and art history—composed in a multilayered and subtle way from a multitude of individual shots. Wall makes a distinction between his documentary still life photos and his "cinematographic" pictures, the latter of which take months or even years to complete. His contemporary genre scenes invoke famous works by Hokusai, Manet, Kafka, Ellison and others. Among the more than 50 works collected in the catalog of the large-scale solo exhibition at the Fondation Beyeler are Wall's iconic large-format slides in light boxes, black-and-white photographs and color photographic prints. His most recent images, representing the entire spectrum of his oeuvre, enter into a dialogue with works from the time of Wall's beginnings as an artist and reveal a wide range of references in terms of content and form. These new works will be on display and published in book form for the first time. Jeff Wall (born 1946) received degrees in art history from the University of British Columbia and the Courtauld Institute of Art. After teaching for a few years he turned to photography in earnest in 1977; he continues to experiment with both digital and analog techniques. Wall's work was included in Documenta 10 and 11 and has been exhibited at Tate Modern, the Museum of Modern Art, New York and the Museo Tamayo.

Whether candid or posed, in black and white or color, Orkin’s photographs of women reveal her consistently sympathetic eye In 1951, her photograph American Girl in Italy?depicting a young woman on a street flanked by whistling men?made Ruth Orkin (1921–85) a household name. Now, a new facet of her work emerges through sensational never-before-seen negatives and slides. Women illustrates Orkin’s devoted, humorous, witty and sensitive documentation of women’s life in the 1940s and 1950s. She records the illustrious goings-on in beauty salons and at cocktail parties, at dog shows and on Hollywood sets. We meet Lauren Bacall, Jane Russell, Joan Taylor and Doris Day, but also waitresses, stewardesses, female soldiers and best friends. Whether gazing directly into the camera, looking away from it or even laughing at something outside of the frame, Orkin’s snapshots of women reflect their increased career mobility, consumer power and social influence in the postwar era.

A Legendary Artist Revisited Unknown to many, Niko Pirosmani is revered as a legend in his native Georgia. Conveying a sense of poignant empathy, his portraits, animal paintings, landscapes and scenes from everyday life painted around 1900 in a flourishing Tbilisi draw on medieval iconography and testify to a deeply felt sense of belonging. At the same time, the avant-garde recognised a novel and radically new form of painting in his work. Like Henri Rousseau or Marc Chagall, Pirosmani is one of the exceptional yet difficult to categorize proponents of early modern art. This catalogue demonstrates Pirosmani's qualities in numerous illustrations, showing how his rapid brushstrokes on black oilcloth give the sparsely applied colors a glow as if coming from a dark depth. Pirosmani was a master of concentration-and a storyteller. As expertly explained in the catalogue by a selection of Georgian art historians, he was a unique artist, a contradictory figure and an important part of the art scene in Tbilisi, then considered the "Paris of the East."

A new, comprehensive survey of Sugimoto’s five-decade career, from grand dioramas and seascapes to eerie portraits of wax effigies and more Through his expansive exploration of the possibilities of still images, Hiroshi Sugimoto has created some of the most alluringly enigmatic photographs of our time?pictures that are meticulously crafted and deeply thought-provoking, familiar yet tantalizingly ambiguous. Hiroshi Sugimoto: Time Machine is a comprehensive survey of work produced over the past five decades, featuring selections from all of Sugimoto’s major series, as well as lesser-known works that illuminate his innovative, conceptually driven approach to making pictures. Texts by international writers, artists and scholars?including Geoffrey Batchen, Edmund de Waal, Mami Kataoka, Ralph Rugoff, Lara Strongman and Margaret Wertheim?highlight his work’s philosophical yet playful inquiry into the nature of representation and art, our understanding of time and memory, and the paradoxical character of photography as a medium so well suited to both documenting and invention. Hiroshi Sugimoto (born 1948) has exhibited extensively in major museums and galleries throughout the world, and his work is held in numerous public collections, including the Metropolitan Museum of Art, New York; Museum of Contemporary Art, Tokyo; National Gallery, London; National Museum of Modern Art, Tokyo; Smithsonian, Washington, DC; and Tate, London, among others. Sugimoto divides his time between Tokyo and New York City.

Since 1955, the annual World Press Photo Contest has set the standard in visual journalism. The 2023 Yearbook showcases the most striking press photographs and compelling reports from 2022, carefully selected from thousands of entries by six regional and one global jury of acclaimed independent professionals. Providing a diversity of perspectives from all over the world, the awarded works bear witness to the events that shaped this past year, and document in long-term projects the ongoing issues we face. Recognizing the importance of photojournalism and documentary photography at a time, when the truth is contsted, the awarded images share courageous stories and present invaluable insights - from war, and the struggle for civil rights and political empowerment, to the visible impact of the climate crisis that could be felt in 2022 more acutely than ever.

A fresh look at the astounding innovations of Netherlandish Renaissance painting through 48 case studies This sumptuous publication opens our eyes afresh to the revolution that took place in the Low Countries in the 15th and 16th centuries, and which shaped the course of European art. In 48 lavishly illustrated analyses, Matthias Depoorter explores how painters such as Jan van Eyck, Rogier van der Weyden, Quentin Massys, Hieronymus Bosch and Pieter Bruegel reached unprecedented heights of technical and aesthetic facility and are rightly considered key innovators in the story of Western painting to this day. A defining factor in their innovations was the perfecting and mastery of oil painting technique, as well as their groundbreaking attention to optical lighting effects. The new technical possibilities offered a different way of looking at the world, and ultimately a new way of painting. No less innovative was the level of detail achieved by these artists (most famously, perhaps, by Van Eyck). These painters were thoroughly acquainted with one another’s work, and The Flemish Masters explores this artistic cross-fertilization. Altogether this volume constitutes a must-read for anyone who wants to fall in love with the old masterpieces anew.

Stano Filko is considered as an influential utopian and polyartist, who understood art and life universally and cosmologically as a unity beyond geographical attributions of East and West. Filko was one of the most important representatives of the Central European neo-avant-gardes, whose work has remained current. Early on, he designed hybrid objects and environments, extending them into unfamiliar terrains with his basic conceptual approach. Again and again, the focus of the work changes: assemblages are followed by text-based works and performances that attempt to circumvent state repression, and later by large-scale gestural painting, characterized by artistic self-assertion, and finally by a final phase, which he dedicates to his increasingly complex "System SF". The publication approaches the multi-layered oeuvre from various perspectives and takes a fresh look at this exuberant oeuvre. After achievements in the 1960s, Stano Filko (1937-2015) became persona non grata as a result of the Prague Spring, which led to a daring escape from the "Eastern Bloc", his participation in Documenta, and him eventually moving to New York. After the fall of the Berlin Wall, he returned to Bratislava and transformed the studio house Snezienková into a multi-dimensional, colorful "gesamtkunstwerk".

Josef Albers' groundbreaking series Homage to the Square comprises roughly two thousand oil paintings. His continuous reflections and refinements for more than 25 years inspired numerous young minimal and conceptual artists in their search for a reduced formal language. This outstanding catalogue explores the secret of Albers' subtle aesthetic and unearths its preconditions: What is the significance of the square? How does his impression of color and its use as a material change during this period? Featuring studies on paper, archival materials, as well as essays by internationally leading Albers experts, Margit Rowell and Donal Judd, this richly illustrated publication sheds light on the various inspirations that influenced Albers early on in Europe and later in America, and illustrates the lasting impact of his art and thinking.

A visual history of the world's most famous and ubiquitous chair The Monobloc is the bestselling piece of furniture of all time: an estimated one billion copies of this white plastic chair are in circulation all over the world. This book arises from a documentary by German film director Hauke Wendler, who spent eight years filming on five continents to explore the impact of the Monobloc on a global scale. Combining archival documentation with images from Wendler’s film (to be released in 2022), this book complicates the narrative and mystery of the Monobloc's popularity. Embracing its ubiquity, it also addresses the chair’s environmental, economic and aesthetic impacts. How does the Monobloc threaten our environment and good taste? Finally, how has it become indispensable to millions of people for whom a chair is a chair and nothing more? This book offers insight, through film, photography and design history, into the story of how an unremarkable, stackable chair conquered the world.

Creative artists from David Bowie to Zaha Hadid address the tensions and contradictions of making Why are we creative? Why are we not? In The Dialectic of Creativity, film director, author and producer Hermann Vaske explores these questions in conversations with Marina Abramovic, Vivienne Westwood, David Hockney, Georg Baselitz, Björk, Jeff Koons, Zaha Hadid, Christo, Yoko Ono, Damien Hirst, Jim Jarmusch, Shirin Neshat, David Bowie and many more of the most influential creatives of our time, identifying the stimuli as well as the beta blockers, the killers of creativity: spirituality, sex, money, fear, nurture, ambition versus censorship, self-censorship, bureaucracy, compromise, distraction, gatekeepers. But often it is these very blockages, the threat to creativity that makes it thrive. Today, as we are facing an existential threat to our planet, it is time to come up with new ideas, to be more creative than ever. The Dialectic of Creativity explores creativity in all its facets?artistic, intellectual, philosophical and scientific.

The exhibition Maison Sonia. Sonia Delaunay and the Atelier Simultane is dedicated to the applied work of Russian-French artist Sonia Delaunay (1885-1979), with a focus on her textile design work. The accompanying catalogue includes the first scholarly essays on Sonia Delaunay's collaborations with silk industrialist Robert Perrier and couturier Jacques Heim, who were among her most important collaborators and previously unexplored.In addition, the publication provides the first overview of the role of Sonia Delaunay's simultaneous fabrics in the design of modern living and media spaces.

Femxphotographers.org’s second publication Mind Over Matter focuses inward. Women’s bodies are frequently sexualized while their minds are vilified and their voices silenced. This is true throughout history and in different cultures worldwide. A book about female vision, the power of the mind, as well as dreams and fantasies, logic and intuition, Mind Over Matter is an exploration of inner strength, courage, determination, willpower, and support in complex and individual series. Edited by Roula Seikalyi and with contributions by photographers from the team as well as many guest artists and writers, the publication has the character of an illustrated reader.

What are the unique properties of the photobook? A practitioner’s material analysis of the form The photobook gives shape to arrangements and sequences of photographs and brings them into a sensually tangible form. The book format, the materiality of the paper and the type of binding have just as much effect on the viewer as the selection of images, their positioning in the layout, typography and text. In Thinking the Photobook, photographer and theorist Bettina Lockemann approaches the medium from a research perspective, enumerating the various properties that are unique to the form and that distinguish it from other kinds of visual publication.